In Continuous Pasts, author Sakiru Adebayo claims that the post-conflict fiction of memory in Africa depicts the intricate ways in which the past is etched on bodies and topographies, resonant in silences and memorials, and continuous even in experiences as well as structures of migration. Adebayo argues that the post-conflict fiction of memory in Africa invites critical deliberations on the continuity of the past within the realm of positionality and the domain of subjectivity—that is to say, the past is not merely present; instead, it survives, lives on, and is mediated through the subject positions of victims, perpetrators, as well as secondary and transgenerational witnesses. The book also argues that post-conflict fiction of memory in Africa shows the unfinished business of the past produces fragile regimes of peace and asynchronous temporalities that challenge progressive historicism. It contends that, in most cases in Africa, the post-conflict present is beset with a tight political economy wherein the scramble for survival trumps the ability to imagine a just future among survivors—and that it is precisely this despairing disposition toward the future that the some writers of post-conflict fiction attempt to confront in their works. On the whole, Continuous Pasts shows how post-conflict fictions of memory in Africa recalibrate discourses of futurity, solidarity, responsibility, justice, survival, and reconciliation. It also contends that post-conflict fictions of memory in Africa provide the tools for imagining and theorizing a collective African memory. Each text analyzed in the book provides, in very interesting ways, an imaginative possibility and template for how post-independence African countries can ‘remember together’ using what the author describes as an African transnational memory framework.

Sakiru Adebayo is Assistant Professor of English and Cultural Studies at the University of British Columbia.

"Drawing insights from memory studies, postcolonial studies, and African literature, the book examines how the past is constructed, confronted, contested, and circulated, and it succeeds not only in unsettling the marginality of postcolonial African memory discourses in memory studies, but in contributing to the ongoing quest for decolonized memory studies."— Journal of the African Literature Association, Chijioke K. Onah

— Michael Rothberg

— Nigeria Prize for Literary Criticism

"Continuous Pasts constitutes a clear and compelling link between the fields of memory studies and African studies. It also provides a valuable alternative to both national frameworks that confine memories within artificially construed spaces and global articulations of memory that lost sight of regional specificities."— Research in African Literatures