ABOUT THIS BOOK

Nashville (1975) is a beguiling work of art. It illustrates director Robert Altman’s ability to blend small, quotidian moments; large scenes of spectacle; and insights into American life that are both disturbing and sharply observed. As a snapshot of American society firmly rooted in a specific time and place, the film presents a compelling landscape of American dreams, failures, and lies. One of the most influential works in New Hollywood, Nashville was added to the National Film Registry in 1992 and has been on the BFI 100 Greatest Films list voted by critics and directors.

This book explores Robert Altman’s classic film from a variety of critical perspectives inspired by the archival materials from the Altman archive in the Screen Arts Mavericks and Makers collection at the University of Michigan Special Collections Research Center. Each chapter is centered around materials on Nashville from the Altman archive: stills, contact sheets, advertising artwork (used and unused), Jean Pagliuso photo shoots, Joan Tewkesbury script drafts, contracts, reviews, internal accounting memos, and the Altman scrapbooks. (Each of his films has a scrapbook of reviews, interviews, and notes from fans.) Using these sources as a starting point, the book seeks to explain the relevance and importance of Nashville after more than half a century.

AUTHOR BIOGRAPHY

Justin Wyatt is Professor of Communication Studies and Film/Media at the University of Rhode Island. He is the author of Creating the Viewer: Market Research and the Evolving Media Ecosystem (2024) and 3 Women (BFI Film Classic, 2024) and the co-editor of Screening American Independent Film (2023) and Refocus: The Later Films and Legacy of Robert Altman (2021).

REVIEWS

“On the occasion of Nashville’s 50th anniversary, leading media scholar Justin Wyatt revisits Robert Altman’s masterpiece through a profound engagement with the filmmaker’s personal papers. Wyatt’s expert excavation and authoritative analysis of archival material both bring startling new perspectives on Nashville and highlight the pleasures of undertaking such a mode of film criticism.”— Yannis Tzioumakis, University of Liverpool

“Robert Altman’s Nashville provides a new perspective on a beloved classic. Using detailed archival research to investigate Nashville’s production, reception, and historical standing, Wyatt’s book will deepen and expand the reader’s appreciation of the film.”— Nicholas Godfrey, Flinders University

“Robert Altman’s Nashville is a very engaging, thoughtful, and beautifully researched book that offers a fresh look at the making, exhibition, and interpretation of Nashville. The book both speaks to the important contribution of varied Altman collaborators who were often undervalued or sidelined by Altman himself, and also a deep and nuanced understanding of how Altman’s authorship works. This book will make a significant contribution to our understanding of the production of Nashville and the work of Robert Altman.”— Adrian Danks, RMIT University

“This book enriches my appreciation of both Nashville and Wyatt’s invaluable perspective as both scholar and fan. I wish every film had a comparable Wyatt-authored companion book (equal parts illuminating, exciting, rigorous, and pleasurable to read), though clearly Wyatt’s relationship to Nashville is singular. This book exemplifies what close film analysis and cultural contextualization—particularly through reading archival traces—can be.”— Kristi McKim, Georgia Institute of Technology

TABLE OF CONTENTS

Nashville

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