front cover of Quantum Justice
Quantum Justice
Global Girls Cultivating Disruption through Spoken Word Poetry
Crystal Leigh Endsley
University of Texas Press, 2023

How girls of color from eight global communities strategize on questions of identity, social issues, and political policy through spoken word poetry.

Around the world, girls know how to perform. Grounded in her experience of “putting a mic in the margins” by facilitating workshops for girls in Ethiopia, South Africa, Tanzania, and the United States, scholar/advocate/artist Crystal Leigh Endsley highlights how girls use spoken word poetry to narrate their experiences, dreams, and strategies for surviving and thriving. By centering the process of creating and performing spoken word poetry, this book examines how girls forecast what is possible for their collective lives.

In this book, Endsley combines poetry, discourse analysis, photovoice, and more to forge the feminist theory of “quantum justice,” which forefronts girls’ relationships with their global counterparts. Using quantum justice theory, Endsley examines how these collaborative efforts produce powerful networks and ultimately map trajectories of social change at the micro level. By inviting transnational dialogue through spoken word poetry, Quantum Justice emphasizes how the imaginative energy in hip-hop culture can mobilize girls to connect and motivate each other through spoken word performance and thereby disrupt the status quo.

[more]

front cover of The Writing Studio Sampler
The Writing Studio Sampler
Stories about Change
Mark Sutton
University Press of Colorado, 2018
The Writing Studio Sampler presents interrelated, cross-referenced essays illustrating writing studio methodologies. Drawing on foundational work by Rhonda Grego and Nancy Thompson, writing studios engage mentored student workshop groups in collaborative reflection and inquiry into the writing done by student participants, their past experiences learning to write, and the pedagogical practices for teaching writing at their institution. These extended, recursive reflections lead not only to improved writing but also to the chance for institutional critique. Representing a wide range of institutional types and sites, the authors in this collection describe how specific studio programs were created, how they evolved in response to particular institutional contexts, and how they worked to meet the needs and purposes of students, faculty, and the institution. Each chapter includes detailed examples and extensive contextual background designed to support readers in adapting Studio to their own institutional context.
[more]


Send via email Share on Facebook Share on Twitter