Passage to Dusk deals with the Lebanese civil war of the 1970s in a postmodern, poetic style. The narrative focuses on the deranged, destabilized, confused, and hyper-perceptive state of mind created by living on the scene through a lengthy war. The story is filled with details that transcend the willed narcissism of the main character, while giving clues to the culture of the time. It is excellent fiction, written in a surrealistic mode, but faithful to the characters of the people of Lebanon, their behavior during the war, and their contradictions. Issues of gender and identity are acutely portrayed against Lebanon's shifting national landscape.

The English-language reader has not been much exposed to Lebanese literature in translation, and Rashid al-Daif is one of Lebanon's leading writers. He has been translated into eight languages, including French, German, Italian, Polish, and Spanish. Translator Nirvana Tanoukhi manages to preserve Daif's unusual, moving, and at times humorous style in her English rendition.

One of the first novels to openly explore gay love and eroticism, Pathologies is a lost classic that is now translated into English for the first time.
 
At the start of the twentieth century, Jewish anti-Zionist Jacob Israël de Haan led an eventful life as a poet, journalist, teacher, and lawyer in the Netherlands. His autobiographical novella Pipelines caused a storm of controversy in 1904 with its portrayal of a subject that was considered scandalous at the time—a romantic relationship between two young men. He lost his teaching job, and the entire print run was pulped.
 
In his iconic 1908 novel Pathologies, he once again openly and radically explored the topic of homosexuality. The story centers around adolescent Johan, who lives a secluded life with his father and their elderly housekeeper in a large house. For a while, Johan has been plagued by erotic fantasies about his classmates. When, to make matters worse, he finds himself feeling attracted to his father—first in a dream, and then in real life—he grows desperate. Johan moves out, finding room and board with an older married couple in Haarlem, where he meets René, a young confident artist. Johan falls head-over-heels in love, and the two men enter a sadomasochistic relationship that soon begins to spiral out of control.
 
Johan is one of world literature’s most tragic, troubled young heroes, at par with Goethe’s Werther and Dostoevsky’s Raskolnikov. His struggle to come to terms with his fantasies and desires—rife with taboos that continue to resonate today—forms the beating heart of this daring novel. Written in De Haan’s precise, lyrical prose, Pathologies has lost none of its force more than a century after it was first published.
 

This lyric portrait of life—and the little donkey, Platero—in a remote Andalusian village is the masterpiece of Juan Ramón Jiménez, the Spanish poet awarded the 1956 Nobel Prize for Literature.

Platinum Bible of the Public Toilet is the first English-language collection of short stories by Cui Zi’en, China’s most famous and controversial queer filmmaker, writer, scholar, and LGBTQ rights activist. Drawing on his own experiences growing up in socialist and postsocialist China, Cui presents ten queer coming-of-age stories of young boys and men as they explore their sexuality and desires. From a surreal fairytale depicting a ragtag crew of neighborhood boys in the throes of sexual awakening to a chronicle of the gender-bending and homoerotic entanglements of university students to romantic love triangle erotica to a story that examines teacher-student love and the norms of sex and age, Cui centers queer sexuality as a core part of human experience. Richly imaginative and vividly written, Platinum Bible of the Public Toilet portrays the emergence of queer cultures in postsocialist China while foregrounding the commitments to one’s erotic and passionate attractions even as they lead to cultural transgressions. This volume includes a preface by and an interview with the author.

This collection of short stories, recipient of a 1994 University of Arkansas Press Award for Arabic Literature in Translation, presents one of Egypt’s most innovative contemporary fiction writers. In her first collection published in English, Sahar Tawfiq explores the consciousnesses of young women alienated from their surroundings in today’s rapidly changing Egyptian society. In questioning the place of long-powerful myths and beliefs, she is in the forefront of writers examining the legacy of the Pharaohs as it permeates current Egyptian identities and practices, especially in the countryside. Her characters are shaped by journeys through modern social and economic trials and the ageless troubles of the human spirit and heart.

A Portal in Space, set in Basra, Iraq, during the Iran-Iraq War (1980–1988), follows the lives of Anwar, a newly minted architect, and the other members of his affluent family as they attempt to maintain a sense of normality during the frequent bombing attacks from Iran. When Anwar joins the Iraqi army and then goes missing in action, his family struggles to cope with uncertainty over his fate. His mother falls into depression and secludes herself in the family home, while his father shifts his attention from his duties as a judge to the weekly pilgrimage to Baghdad seeking information on his son—and to Zahra, the young widow he meets there.

Emotionally engaging, A Portal in Space is a wry, wise tale of human beings striving to retain their humanity during a war that is anything but humane. Mahmoud Saeed succeeds brilliantly in bringing the sights and sounds of Iraq to life on the page—whether in a bunker on the front lines of the Iran-Iraq War or in the parlor of a fortune-teller in Baghdad. As Zahra says of the novel she is writing: “It is a normal novel that contains love, war, life, deceit, and death.”

In an unnamed town in the Ecuadorian Andes, a small wooden icon—La Virgen Pipona (the Potbellied Virgin)—conceals the documents that define the town's social history. That history recently has been dominated by the women of the Benavides family, a conservative clan and, not coincidentally, the caretakers of the Virgin. Their rivals are the Pandos, a family led by four old men who spend their days smoking in the park across from the Virgin's cathedral and offering revisionist versions of local and national events. When a military skirmish threatens the Virgin (and the secret in her famous belly), the Benavides women must scramble to preserve their place as local matriarchs—without alerting the old Pandos to the opportunity that might enable them to finally supplant their rivals.

One of Ecuador's foremost contemporary writers, Alicia Yánez Cossío illuminates the complexity of Andean society by placing disenfranchised players such as women and Amerindians onstage with traditional powers such as the military and the church. Folk wisdom, exemplified in The Potbellied Virgin by the beautifully translated proverbs so popular with the Benavideses and the Pandos alike, stands up to historical record. Such inclusiveness ultimately allows the whole truths of Yánez Cossío's subjects to emerge. Only the second of her novels to be translated into English, The Potbellied Virgin (La cofradía del mullo del vestido de la Virgen Pipona) is a funny, focused portrait of Ecuadorian life in the twentieth century.

The Puppet, a mythic tale of greed and political corruption, traces the rise, flourishing, and demise of a Saharan oasis community. Aghulli, a noble if obtuse man who has been chosen leader of the oasis, hankers after the traditional nomadic pastoralist life of the Tuareg. He sees commerce (understood as including trade in gold, marriage, agriculture, and even recreation) as the prime culprit in the loss of the nomadic ethos. Thus he is devastated to learn that his supporters are hoarding gold.

The novel's title notwithstanding, the author has stressed repeatedly that he is not a political author. He says that The Puppet portrays a good man who has been asked to lead a corrupt society. The subplot about star-crossed young lovers introduces a Sufi theme of the possibility of transforming carnal into mystical love. The Puppet, though, is first and foremost a gripping, expertly crafted tale of bloody betrayal and revenge inspired by gold lust and an ancient love affair.