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2 books about Women, Hausa
2 books about Women, Hausa
Hausa Women in the Twentieth Century
Edited by Catherine M. Coles and Beverly Mack
University of Wisconsin Press, 1991
The Hausa are one of the largest ethnic groups in Africa, with populations in Nigeria, Niger, and Ghana. Their long history of city-states and Islamic caliphates, their complex trading economies, and their cultural traditions have attracted the attention of historians, political economists, linguists, and anthropologists. The large body of scholarship on Hausa society, however, has assumed the subordination of women to men.
Hausa Women in the Twentieth Century refutes the notion that Hausa women are pawns in a patriarchal Muslim society. The contributors, all of whom have done field research in Hausaland, explore the ways Hausa women have balanced the demands of Islamic expectations and Western choices as their society moved from a precolonial system through British colonial administration to inclusion in the modern Nigerian nation. This volume examines the roles of a wide variety of women, from wives and workers to political activists and mythical figures, and it emphasizes that women have been educators and spiritual leaders in Hausa society since precolonial times. From royalty to slaves and concubines, in traditional Hausa cities and in newer towns, from the urban poor to the newly educated elite, the "invisible women" whose lives are documented here demonstrate that standard accounts of Hausa society must be revised.
Scholars of Hausa and neighboring West African societies will find in this collection a wealth of new material and a model of how research on women can be integrated with general accounts of Hausa social, religious, political, and economic life. For students and scholars looking at gender and women's roles cross-culturally, this volume provides an invaluable African perspective.
Hausa Women in the Twentieth Century refutes the notion that Hausa women are pawns in a patriarchal Muslim society. The contributors, all of whom have done field research in Hausaland, explore the ways Hausa women have balanced the demands of Islamic expectations and Western choices as their society moved from a precolonial system through British colonial administration to inclusion in the modern Nigerian nation. This volume examines the roles of a wide variety of women, from wives and workers to political activists and mythical figures, and it emphasizes that women have been educators and spiritual leaders in Hausa society since precolonial times. From royalty to slaves and concubines, in traditional Hausa cities and in newer towns, from the urban poor to the newly educated elite, the "invisible women" whose lives are documented here demonstrate that standard accounts of Hausa society must be revised.
Scholars of Hausa and neighboring West African societies will find in this collection a wealth of new material and a model of how research on women can be integrated with general accounts of Hausa social, religious, political, and economic life. For students and scholars looking at gender and women's roles cross-culturally, this volume provides an invaluable African perspective.
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Protest Arts, Gender, and Social Change
Fiction, Popular Songs, and the Media in Hausa Society across Borders
Ousseina D. Alidou
University of Michigan Press, 2024
Protest Arts, Gender, and Social Change: Fiction, Popular Songs, and the Media in Hausa Society across Borders by Ousseina Alidou examines how a new generation of novelists, popular songwriters, and musical performers in contemporary Hausa society are using their creative works to effect social change. This book empathizes with the reality of the forms of oppression, social isolation, and marginalization that vulnerable and underprivileged communities in contemporary Hausa society in Northern Nigeria and the Niger Republic have been experiencing from the mid-1980s to the present. It also highlights the ways in which song performances produce an intertextual dialogue between their lyrics and visual dramatic narratives to raise awareness against social ills, including gender-based violence and social inequalities exposed by biomedical health pandemics such as HIV and COVID-19. In these creative Hausa narratives, the oppressed and marginalized have agency in articulating their own experiences.
While there is an abundance of social science studies giving voice to the dominant actors of hegemonic violence in Hausa society, there is a dearth of works that center the voices of the afflicted, unprivileged, and marginalized class, among whom are women and youth. One aim of this book is to examine the ways popular songs and fiction fill up the humanistic urgency to capture the dignity of the life of those dehumanized by local, national, and international hegemonic religious and secular forces. The book focuses on the resistance narratives of one female novelist and six song composers and performers that generate alternative counterhegemonic responses to dominant patriarchal discourses produced by cultural, religious, and political elites, thus reaching out to marginalized local and national communities and global audiences. Alidou interweaves the social, political, and biomedical epidemics with the concept of “Hausa interiority” to create a unique perspective on contemporary Hausa culture and politics through the lens of artistic productions.
While there is an abundance of social science studies giving voice to the dominant actors of hegemonic violence in Hausa society, there is a dearth of works that center the voices of the afflicted, unprivileged, and marginalized class, among whom are women and youth. One aim of this book is to examine the ways popular songs and fiction fill up the humanistic urgency to capture the dignity of the life of those dehumanized by local, national, and international hegemonic religious and secular forces. The book focuses on the resistance narratives of one female novelist and six song composers and performers that generate alternative counterhegemonic responses to dominant patriarchal discourses produced by cultural, religious, and political elites, thus reaching out to marginalized local and national communities and global audiences. Alidou interweaves the social, political, and biomedical epidemics with the concept of “Hausa interiority” to create a unique perspective on contemporary Hausa culture and politics through the lens of artistic productions.
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