front cover of Black Speculative Feminisms
Black Speculative Feminisms
Memory and Liberated Futures in Black Women's Fiction
Cassandra L. Jones
The Ohio State University Press, 2024
How do Black women writing speculative fiction explore the use of memory as a potential strategy for liberation? In Black Speculative Feminisms, Cassandra L. Jones looks at the writings of Octavia E. Butler, Tananarive Due, Nalo Hopkinson, Rasheedah Phillips, and Nnedi Okorafor to chart those moments where characters harness, or fail to harness, the power of memory. These instances transform memory—individual and collective, bodily and archival—from passive recollection into direct or indirect social action. Taking a Black feminist approach, Jones addresses several emancipatory themes within Afrofuturism: the decolonization of time that can be found in fiction employing non-Western and nonlinear expressions of time, exploring futurity and the projection of a full range of expressions of Black humanity into anticipated futures, and imagining new worlds and novel approaches to old problems. Drawing on critical fabulation and restorative justice, she forwards restorative fabulation as the mechanism by which speculative fiction offers a healing site for authors and readers to process generational trauma while imagining more equitable futures.
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front cover of The Third Shore
The Third Shore
Women's Fiction from East Central Europe
Agatha Schwartz
Northwestern University Press, 2006
The events of 1989 that brought an end to the so-called East Bloc may have increased women's opportunities to write and publish, or at least changed the circumstances under which they do so. Still writing from a certain historical and cultural margin, these women from East Central Europe have begun to explore a new freedom whose fruits are displayed to exhilarating effect in this book-a freedom to experiment, to innovate, to create a literature uniquely expressive of their world. This volume for the first time allows English-speaking readers to discover the pleasures of these women's writing.

A rich compendium of fiction by twenty-five women from eighteen different nations ranging from Lithuania to Ukraine to Poland, the Czech Republic, Romania, Albania, and Slovenia, The Third Shore brings to light a whole spectrum of women's literary accomplishment and experience virtually unknown in the West. Gracefully translated, and with an introduction that establishes their political, historical, and literary context, these stories written in the decade after the fall of the Iron Curtain are tales of the familiar-of illness and death, love and desire, motherhood and war, feminism, and patriarchy-reconceived and turned into something altogether new by the distinctive experience they reflect.
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