This biography illuminates the life and achievements of the remarkable woman scientist who revolutionized the concept of radiation risk.
In the 1950s Alice Stewart began research that led to her discovery that fetal X rays double a child's risk of developing cancer. Two decades later---when she was in her seventies---she again astounded the scientific world with a study showing that the U.S. nuclear weapons industry is about twenty times more dangerous than safety regulations permit. This finding put her at the center of the international controversy over radiation risk. In 1990, the New York Times called Stewart "perhaps the Energy Department's most influential and feared scientific critic."
The Woman Who Knew Too Much traces Stewart's life and career from her early childhood in Sheffield to her medical education at Cambridge to her research positions at Oxford University and the University of Birmingham.
Gayle Greene is Professor of Women's Studies and Literature, Scripps College.
A young physician, Dr. Abby Wilmore, attempts to escape her past by starting over at the Grand Canyon Clinic. Silently battling her own health issues, Abby struggles with adjusting to the demands of this unique rural location. She encounters everything from squirrel bites to suicides to an office plagued by strong personalities. While tending to unprepared tourists, underserved locals, and her own mental trials, Abby finds herself entangled in an unexpected romance and trapped amidst a danger even more treacherous than the foreboding desert landscape.
Sandra Cavallo Miller’s debut novel transports readers to the beautiful depths of Arizona and weaves an adventurous and heartwarming tale of the courage and strength it takes to overcome personal demons and to find love.
Pioneering North Woods doctor Kate Pelham Newcomb comes to life in this addition to the Badger Biographies series for young readers. Born in 1885, Kate Pelham was suppose to grow up to be a proper young lady in Boston, but despite her father's wishes she was determined to be a doctor. After medical school, her husband's health brought them to the clean air of northern Wisconsin and before long Kate knew every back road and cabin in the North Woods. She visited patients by snowmobile, by canoe, and by snowshoe and never sent a bill. Instead she was paid in firewood and vegtables.
But what Kate dreamed of more than anything for her patients was a hospital. And that's when the kids of the community got involved. They set out to collect a million pennies - $10,000 - to help Dr. Kate build a hospital. As the news spread, coins poured in from countries across the globe. Students carted bushels of pennies, and Dr. Kate read thousands of letters cheering on her effort. Her dream came true in 1954 when the Lakeland Memorial Hospital opened its doors. Young readers will warm to Kate's spirit of compassion and never-say-never attitude.
Perhaps more telling about her life are the words of an 1866 London Anglo-American Times reporter, "Her strange adventures, thrilling experiences, important services and marvelous achievements exceed anything that modern romance or fiction has produced. . . . She has been one of the greatest benefactors of her sex and of the human race."
In this biography Sharon M. Harris steers away from a simplistic view and showcases Walker as a Medal of Honor recipient, examining her work as an activist, author, and Civil War surgeon, along with the many nineteenth-century issues she championed:political, social, medical, and legal reforms, abolition, temperance, gender equality, U.S. imperialism, and the New Woman.
Rich in research and keyed to a new generation, Dr. Mary Walker captures its subject's articulate political voice, public self, and the realities of an individual whose ardent beliefs in justice helped shape the radical politics of her time.
Kim E. Nielsen explores a life at once irregular and unexceptional. Historical and institutional structures, like her whiteness and laws that liberalized divorce and women's ability to control their property, opened up uncommon possibilities for Ott. Other structures, from domestic violence in the home to rampant sexism and ableism outside of it, remained a part of even affluent women's lives. Money, Marriage, and Madness tells a forgotten story of how the legal and medical cultures of the time shaped one woman—and what her life tells us about power and society in nineteenth century America.
From about 1850, American women physicians won gradual acceptance from male colleagues and the general public, primarily as caregivers to women and children. By 1920, they represented approximately five percent of the profession. But within a decade, their niche in American medicine—women’s medical schools and medical societies, dispensaries for women and children, women’s hospitals, and settlement house clinics—had declined. The steady increase of women entering medical schools also halted, a trend not reversed until the 1960s. Yet, as women’s traditional niche in the profession disappeared, a vanguard of women doctors slowly opened new paths to professional advancement and public health advocacy.
Drawing on rich archival sources and her own extensive interviews with women physicians, Ellen More shows how the Victorian ideal of balance influenced the practice of healing for women doctors in America over the past 150 years. She argues that the history of women practitioners throughout the twentieth century fulfills the expectations constructed within the Victorian culture of professionalism. Restoring the Balance demonstrates that women doctors—collectively and individually—sought to balance the distinctive interests and culture of women against the claims of disinterestedness, scientific objectivity, and specialization of modern medical professionalism. That goal, More writes, reaffirmed by each generation, lies at the heart of her central question: what does it mean to be a woman physician?
Homeopathy, as a medical system, presented a significant institutional and economic challenge to conventional medicine in the nineteenth century. Although contemporary critics portrayed homeopathic physicians as part of a sect whose treatment of disease was beyond the pale of acceptable medical practice, homeopathy was in many ways similar to established medicine. Anne Taylor Kirschmann explores the strategic choices and consequences for women practitioners. Not only were female homeopaths respected within their communities, they also enjoyed considerable professional advantages not available to women within regular medicine.
A Vital Force: Women in American Homeopathy offers a new interpretation of women’s roles in modern medicine. Kirschmann strengthens and clarifies the history of homeopathic women physicians and creates a framework of comparison to “regular,” or orthodox, physicians. Women medical practitioners chose homeopathy in dramatic numbers from the mid-nineteenth through the early twentieth centuries, although the reasons for this preference varied over time. Linked to social reform movements in the nineteenth century, anti-modernism in the late nineteenth and early twentieth, and countercultural ideals of the 1960s and 1970s, women's advocacy of homeopathy has been intertwined with broad social and cultural issues in American society.
Book 2 in the Dr. Abby Wilmore Series
Where Light Comes and Goes brings back Dr. Abby Wilmore, the young family physician who was the protagonist of Miller’s first novel, The Color of Rock. Abby has accepted the directorship of a summer clinic in Yellowstone National Park where she hopes to expand her medical skills. She arrives to find herself working above the increasingly restless Yellowstone supervolcano, treating visitors, staff, and locals, all while evading the advances of a lecherous concession manager and maintaining a long-distance relationship with her partner who stays at the Grand Canyon Clinic. As tremors in the park escalate and the lakes seethe with bubbling gases, Abby learns that some-one is mysteriously killing the bison.
What follows is an engrossing mystery unfolding in a spectacular setting with rich, quirky, and endearing characters and unexpected plot turns. While an overworked Abby makes new friends among her clinic staff and patients, tension builds as the volcano seems to be moving closer to a major eruption and the bison killings become more frequent. Soon, Abby finds herself in mortal danger as the story races to a thrilling and unexpected conclusion.
Sandra Cavallo Miller demonstrated in The Color of Rock that she is a gifted storyteller. Where Light Comes and Goes deftly combines a gripping mystery set in the accurately depicted routine of a busy medical practice amid the wonders of Yellowstone’s magnificent scenery and wildlife. This is entertaining reading at its best.
Women physicians in nineteenth-century America faced a unique challenge in gaining acceptance to the medical field as it began its transformation into a professional institution. The profession had begun to increasingly insist on masculine traits as signs of competency. Not only were these traits inaccessible to women according to nineteenth-century gender ideology, but showing competence as a medical professional was not enough. Whether women could or should be physicians hinged mostly on maintaining their femininity while displaying the newly established standard traits of successful practitioners of medicine.
Women Physicians and Professional Ethos provides a unique example of how women influenced both popular and medical discourse. This volume is especially notable because it considers the work of African American and American Indian women professionals. Drawing on a range of books, articles, and speeches, Carolyn Skinner analyzes the rhetorical practices of nineteenth-century American women physicians. She redefines ethos in a way that reflects the persuasive efforts of women who claimed the authority and expertise of the physician with great difficulty.
Descriptions of ethos have traditionally been based on masculine communication and behavior, leaving women’s rhetorical situations largely unaccounted for. Skinner’s feminist model considers the constraints imposed by material resources and social position, the reciprocity between speaker and audience, the effect of one rhetor’s choices on the options available to others, the connections between ethos and genre, the potential for ethos to be developed and used collectively by similarly situated people, and the role ethos plays in promoting social change. Extending recent theorizations of ethos as a spatial, ecological, and potentially communal concept, Skinneridentifies nineteenth-century women physicians’ rhetorical strategies and outlines a feminist model of ethos that gives readers a more nuanced understanding of how this mode of persuasion operates for all speakers and writers.
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