In the eight states of the interior West (Arizona, Colorado, Idaho, Montana, Nevada, New Mexico, Utah, and Wyoming), 260 million acres -- more than 48 percent of the land base -- are owned by the federal government and managed by its Washington, D.C.-based agencies. Like many other peoples throughout history who have bristled under the controlling hand of a remote government, westerners have long nursed a deep resentment toward our nation's capital. Rumblings of revolution have stirred for decades, bolstered in recent years by increasing evidence of the impossibility of a distant, centralized government successfully managing the West's widespread and far-flung lands.
In This Sovereign Land, Daniel Kemmis offers a radical new proposal for giving the West control over its land. Unlike those who wish to privatize the public lands and let market forces decide their fate, Kemmis, a leading western Democrat and committed environmentalist, argues for keeping the public lands public, but for shifting jurisdiction over them from nation to region. In place of the current centralized management, he offers a regional approach that takes into account natural topographical and ecological features, and brings together local residents with a vested interest in ensuring the sustainability of their communities. In effect, Kemmis carries to their logical conclusion the recommendations about how the West should be governed made by John Wesley Powell more than a century ago.
Throughout, Kemmis argues that the West no longer needs to be protected against itself by a paternalistic system and makes a compelling case that the time has come for the region to claim sovereignty over its own landscape. This Sovereign Land provides a provocative opening to a much-needed discussion about how democracy and ecological sustainability can go hand in hand, and will be essential reading for anyone interested in the West and western issues, as well as for all those concerned with place-based conservation, public lands management, bioregionalism, or related topics.
Stephen weaves the personal histories and narratives of indigenous transborder migrants together with explorations of the larger structures that affect their lives. Taking into account U.S. immigration policies and the demands of both commercial agriculture and the service sectors, she chronicles how migrants experience and remember low-wage work in agriculture, landscaping, and childcare and how gender relations in Oaxaca and the United States are reconfigured by migration. She looks at the ways that racial and ethnic hierarchies inherited from the colonial era—hierarchies that debase Mexico’s indigenous groups—are reproduced within heterogeneous Mexican populations in the United States. Stephen provides case studies of four grass-roots organizations in which Mixtec migrants are involved, and she considers specific uses of digital technology by transborder communities. Ultimately Stephen demonstrates that transborder migrants are reshaping notions of territory and politics by developing creative models of governance, education, and economic development as well as ways of maintaining their cultures and languages across geographic distances.
Praise for David Mason
“. . . richly evocative and rare . . .”
—Publishers Weekly
“David Mason has succeeded in restoring to poetry some of the territory lost over recent centuries to prose fiction.”
—Paul Lake, First Things
In this new collection of essays, award-winning poet David Mason further broadens his exploration of Western and frontier themes. Beginning with the subject of poetry in and about the American West, he then widens his canvas to examine poets as diverse as James Wright, Anthony Hecht, and B. H. Fairchild, as well as taking up the idea of “the West” in global terms.
The title essay builds on a product of Mason’s upbringing in the American West—his “two minds” about the life of poetry, one aware that he needs and loves the art, and one equally aware that he understands a world outside cultural definitions. These two minds coexist throughout each lively, evocative essay, while Mason delves into family history and his efforts to connect himself to place, narrative poets of the American West, and farther-flung topics such as literary movements, post-colonial studies, and favorite Greek writers. In each of these meditations, Mason pursues a personal voice, connecting what he reads to a life outside books and making poetry accessible to the common reader.
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