logo for Tupelo Press
At The Drive-In Volcano
Aimee Nezhukumatathil
Tupelo Press, 2007
From the author of the award-winning book of poems, Miracle Fruit, comes the eagerly anticipated second collection, At the Drive-In Volcano. In this new and imaginative followup, Aimee Nezhukumatathil examines the full circle journey of desire, loss, and ultimately, an exuberant lovetraveling around a world brimming with wild and delicious offerings such as iced waterfalls, jackfruit, and pistol shrimp. From the tropical landscapes of the Caribbean, India, and the Philippines to the deep winters of western New York and mild autumns of Ohio, the natural world Nezhukumatathil describes is dark but also lovelyso full of enchantment and magic. Here, worms glow in the dark, lizards speak, the most delicious soup in the world turns out to be deadly, and a woman eats soil as if it were candy. Her trademark charm, verve and wit remain elemental and a delight to behold, even in the face of a crumbling relationship. These poems confront delicate subjects of love and loss with an exacting exuberance and elegance not hardly seen in a writer so young.
[more]

front cover of From Beneath the Volcano
From Beneath the Volcano
The Story of a Salvadoran Campesino and His Family
Michael Gorkin and Marta Evelyn Pineda
University of Arizona Press, 2011
In 1980 El Salvador was plunged into a bloody civil war, and Luis Campos, a peasant farmer, found himself drawn into a deadly political maelstrom of guerrilla fighting for twelve years. In this collection of fascinating and revealing oral histories, Gorkin and Pineda portray the personal and social lives of Luis and his family, who for the past eighteen years have been working to rebuild their lives in their new community beneath the Guazapa volcano.

Luis, his mother, his wife, his in-laws, his children, and some neighbors recall in a simple and often eloquent manner their experiences of everyday life before, during, and after the civil war. Nina Bonafacia, Luis’s mother, tells of the days before the war when two of her daughters were murdered and she fled with her family to a refugee camp. Julia, Luis’s wife, recounts her life as a guerrillera during which, incidentally, she gave birth to the first two of her eight children. Joaquin, a neighbor and comrade-in-arms, discusses how he and others took control of the land of Comunidad Guazapa and began rebuilding in those turbulent days and months right after the war. Margarita and Francisco, the two oldest children, with candor and insight discuss the trajectory of their lives and that of the postwar generation. And at the center of all these stories stands Luis, the guerrillero, farmer, neighbor, husband, father—and raconteur par excellence.

In sum, the multiple voices in From Beneath the Volcano combine to form a rich tapestry displaying a story of war, family, and community and provide a never-before-seen view of both the past and present El Salvador.
[more]

front cover of People of the Volcano
People of the Volcano
Andean Counterpoint in the Colca Valley of Peru
Noble David Cook, with Alexandra Parma Cook
Duke University Press, 2007
While it now attracts many tourists, the Colca Valley of Peru’s southern Andes was largely isolated from the outside world until the 1970s, when a passable road was built linking the valley—and its colonial churches, terraced hillsides, and deep canyon—to the city of Arequipa and its airport, eight hours away. Noble David Cook and his co-researcher Alexandra Parma Cook have been studying the Colca Valley since 1974, and this detailed ethnohistory reflects their decades-long engagement with the valley, its history, and its people. Drawing on unusually rich surviving documentary evidence, they explore the cultural transformations experienced by the first three generations of Indians and Europeans in the region following the Spanish conquest of the Incas.

Social structures, the domestic export and economies, and spiritual spheres within native Andean communities are key elements of analysis. Also highlighted is the persistence of duality in the Andean world: perceived dichotomies such as those between the coast and the highlands, Europeans and Indo-Peruvians. Even before the conquest, the Cabana and Collagua communities sharing the Colca Valley were divided according to kinship and location. The Incas, and then the Spanish, capitalized on these divisions, incorporating them into their state structure in order to administer the area more effectively, but Colca Valley peoples resisted total assimilation into either. Colca Valley communities have shown a remarkable tenacity in retaining their social, economic, and cultural practices while accommodating various assimilationist efforts over the centuries. Today’s population maintains similarities with their ancestors of more than five hundred years ago—in language, agricultural practices, daily rituals, familial relationships, and practices of reciprocity. They also retain links to ecological phenomena, including the volcanoes from which they believe they emerged and continue to venerate.

[more]

front cover of The Volcano and After
The Volcano and After
Selected and New Poems 2002-2019
Alicia Ostriker
University of Pittsburgh Press, 2020
Alicia Suskin Ostriker’s passionate voice has long been acknowledged as a vital force in American poetry.  From urgent spiritual quest to biting political satire, from elegy to comedy, from celebration of the city street and the world “as a paradise might be / if we had eyes to see,” to the “crack in earth . . . crack in her mind,” from brilliant evocations of art and music to mother-daughter wrestlings, Ostriker’s poetry rings with insistence on beauty and truth. Drawing from six of her previous books, and highlighting a sequence of bold new poems exploring the challenges and absurdities of aging, The Volcano and After is a masterpiece for our time.
 
OLD WOMAN AT THE RIVER
On the bank of the river
I slide inside my sleeping bag
sleep is good if I am not
kept awake by coughing
the sound of the water soothes
time passes and does not pass
when I am better I will sit
and meditate for a while
there may be birds to listen to
then I will step down the bank
and put my naked foot in the water
which will shock at first,
being so cold, so swift.
[more]

front cover of Volcano
Volcano
Nature and Culture
James Hamilton
Reaktion Books, 2012

For years, tourists have trekked across cracked rock at Hawaii’s Kilauea volcano to witness the awe-inspiring sight of creeping lava and its devastating effects on the landscape. In 2010, Eyjafjallajökull erupted in Iceland, stranding travelers as a cloud of ash covered western and northern Europe, causing the largest disruption of air travel since World War II. And just a few months later, Mount Merapi blew in Indonesia, killing over 350 people and displacing over 350,000 others, awakening people once more to the dangerous potential of these sleeping giants.

Though today largely dormant, volcanoes continue to erupt across the world, reminding us of their sheer physical power. In Volcano, James Hamilton explores the cultural history generated by the violence and terrifying beauty of volcanoes. He describes the reverberations of early eruptions of Vesuvius and Etna in Greek and Roman myth. He also examines the depiction of volcanoes in art—from the earliest known wall painting of an erupting volcano in 6200 BCE to the distinctive colors of Andy Warhol and Michael Sandle’s exploding mountains. Surveying a number of twenty-first-century works, Hamilton shows that volcanoes continue to influence the artistic imagination.
 
Combining established figures such as Joseph Wright and J. M. W. Turner with previously unseen perspectives, this richly illustrated book will appeal to anyone interested in science as well as the cultural impact of these spectacular natural features.
[more]


Send via email Share on Facebook Share on Twitter