Powered by a driving beat, clever lyrics, and assertive attitudes, rap music and hip hop culture have engrossed American youth since the mid-1980s. Although the first rappers were African Americans, rap and hip hop culture quickly spread to other ethnic groups who have added their own cultural elements to the music. Chicano Rap offers the first in-depth look at how Chicano/a youth have adopted and adapted rap music and hip hop culture to express their views on gender and violence, as well as on how Chicano/a youth fit into a globalizing world.

Pancho McFarland examines over five hundred songs and seventy rap artists from all the major Chicano rap regions—San Diego, San Francisco and Northern California, Texas, and Chicago and the Midwest. He discusses the cultural, political, historical, and economic contexts in which Chicano rap has emerged and how these have shaped the violence and misogyny often expressed in Chicano rap and hip hop. In particular, he argues that the misogyny and violence of Chicano rap are direct outcomes of the "patriarchal dominance paradigm" that governs human relations in the United States. McFarland also explains how globalization, economic restructuring, and the conservative shift in national politics have affected Chicano/a youth and Chicano rap. He concludes with a look at how Xicana feminists, some Chicano rappers, and other cultural workers are striving to reach Chicano/a youth with a democratic, peaceful, empowering, and liberating message.

Christians had always been concerned, since the faith’s inception, about the relationship between violence and belief. In Byzantium, this tension was explored not only in abstract theological texts but in the songs people sang: hymns, a multivalent, fluid form of devotion that served as the meeting place between theological conviction and lived religious experience.

Sacralizing Violence in Byzantium is the first book to examine the complex and shifting perceptions of premodern Christians toward violence and war through the lens of hymnography. This book argues that the liturgical reflection on violence in Byzantium underwent a profound transformation—a sacralization of violence—at approximately the same time that Persian and then Arab armies conquered Jerusalem in the early seventh century, a turn that persisted into the tenth century.

By focusing on hymnography, George E. Demacopoulos provides both correction and nuance to historical assessments of Eastern Christian attitudes toward war and violence and reveals how Byzantine culture dramatized, authorized, and even celebrated violence.