The literary memoir of a founder of Tel Aviv, now available for the first time in an annotated English translation.
 
Born in Jaffa in 1870, Yosef Eliyahu Chelouche grew up within a notable Sephardi family in the local Jewish community. He went on to become a prominent entrepreneur; a founder of Tel Aviv; and a fierce critic of the Ashkenazi Zionist leadership, Arab nationalism, and British colonial sectarianism; before emerging, in the last decade of his life, as an anguished public figure struggling to repair Arab-Jewish relations.
 
His memoir paints an intimate portrait of life in Palestine at the turn of the twentieth century, told from the perspective of a Middle Eastern Jew deeply embedded in local society. By centering on the world and experiences of a native Jew who was an eyewitness to and participant in the unfolding conflict in Palestine, this book shows how the course of Zionist politics and Jewish-Arab relations in pre-state Palestine might have taken alternative pathways. A comprehensive introduction sets the scene in late nineteenth- and early twentieth-century Jaffa and thoughtful annotations contextualize Chelouche’s story within the modern history of Palestine and Israel. Between Jaffa and Tel Aviv, 1870–1930 tells the fascinating story of a civic leader—and offers a complex view of the various cultural, social, and political forces that forged multilayered Jewish identities in the Middle East. The book includes a family tree and is illustrated with photographs of the family and scenes of Jaffa and early Tel Aviv.

This book follows the perspectives of refugee activists to examine cities shaped by layered histories of war, colonialism, and partition. Challenging the crisis-driven, state-centric frameworks that dominate migration and border studies – where refugees are often cast as passive victims or threats – the book foregrounds their agency in reimagining urban heritage. Moving beyond the edge of the state to the heritage sites of the urban sphere, Remaking Urban Heritage explores refugee-led walking tours in Berlin, Jaffa, and Tel Aviv, tracing the entangled geographies of the Middle East, Africa, and Europe. Through a participatory ‘walk-along’ ethnography grounded in artistic practice, the book reconceptualizes heritage-making as a dynamic, contested, and transcultural process. By centring refugee storytelling, performance, and spatial knowledge, it offers a critical intervention into memory, urban, and migration studies – urging scholars and practitioners to rethink the politics of belonging amid ongoing displacement and to attend to the fluidity of urban heritage.

The first biography of sculptor Chana Orloff.
 
In Sculpting a Life, the first book-length biography of sculptor Chana Orloff (1888-1968), author Paula Birnbaum tells the story of a fiercely determined and ambitious woman who fled antisemitism in Ukraine, emigrated to Palestine with her family, then travelled to Paris to work in haute couture before becoming an internationally recognized artist. Against the backdrop of revolution, world wars, a global pandemic and forced migrations, her sculptures embody themes of gender, displacement, exile, and belonging. A major figure in the School of Paris, Orloff contributed to the canon of modern art alongside Picasso, Modigliani and Chagall.
 
Stories from her unpublished memoir enrich this life story of courage, perseverance, and extraordinary artistic accomplishments that take us through the aftermath of the Holocaust when Orloff lived between Paris and Tel Aviv. This biography brings new perspectives and understandings to Orloff’s multiple identities as a cosmopolitan émigré, woman, and Jew, and is a much-needed intervention into the narrative of modern art.
 

Violent acts over the past fifteen years have profoundly altered civil rituals, cultural identity, and the meaning of place in Tel Aviv. Three events in particular have shed light on the global rule of urban space in the struggle for territory, resources, and power: the assassination of Prime Minister Rabin in 1995 in the city council square; the suicidal bombing at the Dolphinarium Discothèque along the shoreline in 2001; and bombings in the Neve Shaanan neighborhood in 2003.

Tali Hatuka uses an interdisciplinary framework of urban theory and sociopolitical theory to shed light on the discourse regarding violent events to include an analysis of the physical space where these events take place. She exposes the complex relationships among local groups, the state, and the city, challenging the national discourse by offering a fresh interpretation of contesting forces and their effect on the urban environment.

Perhaps the most valuable contribution of this book is its critical assessment of the current Israeli reality, which is affected by violent events that continually alter the everyday life of its citizens. Although these events have been widely publicized by the media, there is scant literature focusing on their impact on the urban spaces where people live and meet. In addition, Hatuka shows how sociopolitical events become crucial defining moments in contemporary lived experience, allowing us to examine universal questions about the way democracy, ideology, and memory are manifested in the city.