A short, thought-provoking book about what happens to our online identities after we die.

These days, so much of our lives takes place online—but what about our afterlives? Thanks to the digital trails that we leave behind, our identities can now be reconstructed after our death. In fact, AI technology is already enabling us to “interact” with the departed. Sooner than we think, the dead will outnumber the living on Facebook. In this thought-provoking book, Carl Öhman explores the increasingly urgent question of what we should do with all this data and whether our digital afterlives are really our own—and if not, who should have the right to decide what happens to our data.

The stakes could hardly be higher. In the next thirty years alone, about two billion people will die. Those of us who remain will inherit the digital remains of an entire generation of humanity—the first digital citizens. Whoever ends up controlling these archives will also effectively control future access to our collective digital past, and this power will have vast political consequences. The fate of our digital remains should be of concern to everyone—past, present, and future. Rising to these challenges, Öhman explains, will require a collective reshaping of our economic and technical systems to reflect more than just the monetary value of digital remains.

As we stand before a period of deep civilizational change, The Afterlife of Data will be an essential guide to understanding why and how we as a human race must gain control of our collective digital past—before it is too late.

Bio-Imperialism focuses on an understudied dimension of the war on terror: the fight against bioterrorism. This component of the war enlisted the biosciences and public health fields to build up the U.S. biodefense industry and U.S. global disease control. The book argues that U.S. imperial ambitions drove these shifts in focus, aided by gendered and racialized discourses on terrorism, disease, and science. These narratives helped rationalize American research expansion into dangerous germs and bioweapons in the name of biodefense and bolstered the U.S. rationale for increased interference in the disease control decisions of Global South nations. Bio-Imperialism is a sobering look at how the war on terror impacted the world in ways that we are only just starting to grapple with.
 

Walter Benjamin reimagined through the forgotten power of radio

Philosopher and cultural critic Walter Benjamin (1892–1940) has long been recognized for his influence on the fields of literature, film, media studies, critical legal theory, and philosophy. Bringing fresh attention to an often-overlooked aspect of his oeuvre, Bridging Benjamin examines the dozens of radio broadcasts he produced, primarily for children, between 1927 and 1933. Delivered after the academic rejection of his notoriously complex Trauerspiel, these shows became a testing ground for Benjamin’s developing ideas and experimental pedagogy. Though they were cast off as inconsequential by both Benjamin and his contemporaries, Dominic Smith reveals the broadcasts to be a fruitful site for a novel, “derailed” interpretation of Benjamin’s larger body of work.

Reading Benjamin’s radio production as a dynamic site of philosophical experimentation, Smith uses it as a channel and amplifier for three integral but underappreciated aspects of Benjamin’s work: his philosophies of technology, place, and education. Showing how he used broadcast media to explore the increasing “virtualization” of place in networked society, Bridging Benjamin encourages an embrace of Benjamin in contrast to his divisive historical counterparts in the philosophy of technology, such as Martin Heidegger and Carl Schmitt.

Interpreting Benjamin’s broadcasts as a form of peripatetic thinking—deeply embedded in place, yet mobile and mediated—Bridging Benjamin offers a compelling model for reassessing attachments to the technologies and practices shaping our contemporary worlds.

Retail e-book files for this title are screen-reader friendly.

Enlightenment-era writers had not yet come to take technology for granted, but nonetheless were—as we are today—both attracted to and repelled by its potential. This volume registers the deep history of such ambivalence, examining technology’s influence on Enlightenment British literature, as well as the impact of literature on conceptions of, attitudes toward, and implementations of technology. Offering a counterbalance to the abundance of studies on literature and science in seventeenth- and eighteenth-century Britain, this volume’s focus encompasses approaches to literary history that help us understand technologies like the steam engine and the telegraph along with representations of technology in literature such as the “political machine.” Contributors ultimately show how literature across genres provided important sites for Enlightenment readers to recognize themselves as “chimeras”—“hybrids of machine and organism”—and to explore the modern self as “a creature of social reality as well as a creature of fiction.”

 

 

How do digital technologies shape both how people care for each other and, through that, who they are? With technological innovation is on the rise and increasing migration introducing vast distances between family members--a situation additionally complicated by the COVID-19 pandemic and the requirements of physical distancing, especially for the most vulnerable – older adults--this is a pertinent question. Through ethnographic fieldwork among families of migrating nurses from Kerala, India, Tanja Ahlin explores how digital technologies shape elder care when adult children and their aging parents live far apart. Coming from a country in which appropriate elder care is closely associated with co-residence, these families tinker with smartphones and social media to establish how care at a distance can and should be done to be considered good. Through the notion of transnational care collectives, Calling Family uncovers the subtle workings of digital technologies on care across countries and continents when being physically together is not feasible. Calling Family provides a better understanding of technological relationality that can only be expected to further intensify in the future.

This book is also freely available online as an open access digital edition. The open access publication was financially supported by the Social Science Research Master and partly also by the Health, Care and the Body Programme Group of the Department of Anthropology, both at the Amsterdam Institute of Social Science Research, University of Amsterdam.

The idea that the tech industry is a secure field with jobs and opportunities for growth is a myth. There is widespread precarity among software developers, who experience uncertainty, anxiety, and imposter syndrome as technological advancements threaten job security. Max Papadantonakis investigates this phenomenon in his revealing study, Canaries in the Code Mine. He indicates that precarity is not just about the risk of losing one’s job; it is about living in a career where basic needs and rights are not guaranteed.

Interviewing 120 software developers from leading tech firms, Papadantonakis shows how temporary contracts, project cancellations, and company downsizing undermine the security of even highly skilled professionals. He also highlights the systemic inequalities that shape the tech industry, showing how age, race, and gender often dictate the opportunities and responsibilities software developers have—or are denied.  

Canaries in the Code Mine highlights a disturbing reality of privilege and vulnerability within the tech industry. Papadantonakis engages in a critical discourse on the evolving nature of work in the digital era, emphasizing the need to shape an equitable future in the rapidly evolving landscape.

This book explores the potential creation of a broader collaborative economy through commons-based peer production (P2P) and the emergent role of information and communication technologies (ICTs). The book seeks to critically engage in the political discussion of commons-based peer production, which can be classified into three basic arguments: the liberal, the reformist and the anti-capitalist. This book categorises the liberal argument as being in favour of the coexistence of the commons with the market and the state. Reformists, on the other hand, advocate for the gradual adjustment of the state and of capitalism to the commons, while anti-capitalists situate the commons against capitalism and the state. By discussing these three viewpoints, the book contributes to contemporary debates concerning the future of commons-based peer production.

Further, the author argues that for the commons to become a fully operational mode of peer production, it needs to reach critical mass arguing that the liberal argument underestimates the reformist insight that technology has the potential to decentralise production, thereby forcing capitalism to transition to post-capitalism. Surveying the three main strands of commons-based peer production, this book makes the case for a post-capitalist commons-orientated transition that moves beyond neoliberalism.

New Yorkers generate millions of tons of trash annually, which, through the magic of infrastructure and one of the largest waste management systems in the world, disappears from city sidewalks each night. Under pressure from environmentalists, activists, policymakers, and industry, the New York City Department of Sanitation started exploring ways to divert organic material from the waste stream, and in 2013, launched its composting pilot program.

Drawing on three years of ethnographic fieldwork with community composters and microhaulers in New York City, alongside the rollout of the city’s curbside organics collection system, Composting Utopia describes how local, grassroots organizations intervened in the city’s waste system, enacting change and presenting an alternative vision of the composting city. As Guy Shaffer argues, movement-driven infrastructure projects develop new tools for organizing the world, give communities agency over urban design, and promote just sustainability.

In The Cybernetic Border, Iván Chaar López argues that the settler US nation requires the production and targeting of a racialized enemy that threatens the empire. The cybernetic border is organized through practices of data capture, storage, processing, circulation, and communication that police bodies and constitute the nation as a bounded, territorial space. Chaar López historicizes the US government’s use of border enforcement technologies on Mexicans, Arabs, and Muslims from the mid-twentieth century to the present, showing how data systems are presented as solutions to unauthorized border crossing. Contrary to enduring fantasies of the purported neutrality of drones, smart walls, artificial intelligence, and biometric technologies, the cybernetic border represents the consolidation of calculation and automation in the exercise of racialized violence. Chaar López draws on corporate, military, and government records, promotional documents and films, technical reports, news reporting, surveillance footage, and activist and artist practices. These materials reveal how logics of enmity are embedded into information infrastructures that shape border control and modern sovereignty.

Cyberwars in the Middle East argues that hacking is a form of online political disruption whose influence flows vertically in two directions (top-bottom or bottom-up) or horizontally. These hacking activities are performed along three political dimensions: international, regional, and local. Author Ahmed Al-Rawi argues that political hacking is an aggressive and militant form of public communication employed by tech-savvy individuals, regardless of their affiliations, in order to influence politics and policies. Kenneth Waltz’s structural realism theory is linked to this argument as it provides a relevant framework to explain why nation-states employ cyber tools against each other.

On the one hand, nation-states as well as their affiliated hacking groups like cyber warriors employ hacking as offensive and defensive tools in connection to the cyber activity or inactivity of other nation-states, such as the role of Russian Trolls disseminating disinformation on social media during the US 2016 presidential election. This is regarded as a horizontal flow of political disruption. Sometimes, nation-states, like the UAE, Saudi Arabia, and Bahrain, use hacking and surveillance tactics as a vertical flow (top-bottom) form of online political disruption by targeting their own citizens due to their oppositional or activists’ political views. On the other hand, regular hackers who are often politically independent practice a form of bottom-top political disruption to address issues related to the internal politics of their respective nation-states such as the case of a number of Iraqi, Saudi, and Algerian hackers. In some cases, other hackers target ordinary citizens to express opposition to their political or ideological views which is regarded as a horizontal form of online political disruption. This book is the first of its kind to shine a light on many ways that governments and hackers are perpetrating cyber attacks in the Middle East and beyond, and to show the ripple effect of these attacks.
 

Wrestling with the experience of living online as a non-digital native 

Joanna Fuhrman didn’t grow up online. Her generation entered the digital age as adults, with optimism about the possibilities it would bring for community building. In the alien landscape of the internet, they indeed found moments of joy and connection, but they also watched in anguish as what had been sold as a utopian space instead magnified the anti-democratic demons of necrocapitalism. In this darkly comic and surreal collection, Fuhrman lets herself fall into the internet wormhole of these conflicting realities. With titles ranging from “You Won’t Believe How Your Favorite Childhood Star Looks Now” to “We’ll Burn That Algorithm When We Get to It,” the feminist prose poems in Data Mind remix the tropes of digital life with the puckishness and embodied urgency for which Fuhrman is celebrated. 

Covid-19 has highlighted limitations in our democratic politics – but also lessons for how to deepen our democracy and more effectively respond to future crises. In the face of an emergency, the working assumption all too often is that only a centralised, top-down response is possible. This book exposes the weakness of this assumption, making the case for deeper participation and deliberation in times of crises. During the pandemic, mutual aid and self-help groups have realised unmet needs. And forward-thinking organisations have shown that listening to and working with diverse social groups leads to more inclusive outcomes.

Participation and deliberation are not just possible in an emergency. They are valuable, perhaps even indispensable.

This book draws together a diverse range of voices of activists, practitioners, policy makers, researchers and writers. Together they make visible the critical role played by participation and deliberation during the pandemic and make the case for enhanced engagement during and beyond emergency contexts.

Another, more democratic world can be realised in the face of a crisis. The contributors to this book offer us meaningful insights into what this could look like.

An in-depth look at life in the “smart” city

Technology has fundamentally transformed urban life. But today’s “smart” cities look little like what experts had predicted. Aaron Shapiro shows us the true face of the revolution in urban technology, taking the reader on a tour of today’s smart city. Along the way, he develops a new lens for interpreting urban technologies—logistical governance—to critique an urban future based on extraction and rationalization.

Through ethnographic research, journalistic interviews, and his own hands-on experience, Shapiro helps us peer through cracks in the smart city’s facade. He investigates the true price New Yorkers pay for “free,” ad-funded WiFi, finding that it ultimately serves the ends of commercial media. He also builds on his experience as a bike courier for a food delivery startup to examine how promises of “flexible employment” in the gig economy in fact pave the way for strict managerial control. And he turns his eye toward hot-button debates around police violence and new patrol technologies, asking whether algorithms are really the answer to reforming our cities’ ongoing crises of criminal justice. 

Through these gripping accounts of the new technological urbanism, Design, Control, Predict makes vital contributions to conversations around data privacy and algorithmic governance. Shapiro brings much-needed empirical research to a field that has often relied on “10,000-foot views.” Timely, important, and expertly researched, Design, Control, Predict doesn’t just help us comprehend urbanism today—it advances strategies for critiquing and resisting a dystopian future that can seem inevitable.

In Distant Readings of Disciplinarity, Benjamin Miller brings a big data approach to the study of disciplinarity in rhetoric, composition, and writing studies (RCWS) by developing scalable maps of the methods and topics of several thousand RCWS dissertations from 2001 to 2015. Combining charts and figures with engaging and even playful prose, Miller offers an accessible model of how large-scale data-driven research can advance disciplinary understanding—both answering and amplifying the call to add replicable data analysis and visualization to the mix of methods regularly employed in the field.

Writing studies has long been marked by a multitude of methods and interlocking purposes, partaking of not just humanities approaches but also social scientific ones, with data drawn from interviews and surveys alongside historical and philosophical arguments and with corpus analytics in large-scale collections jostling against small-scale case studies of individuals. These areas of study aren’t always cleanly separable; shifting modes mark the discipline as open and welcoming to many different angles of research. The field needs to embrace that vantage point and generate new degrees of familiarity with methods beyond those of any individual scholar.
 
Not only a training genre and not only a knowledge-making genre, the dissertation is also a discipline-producing genre. Illustrating what the field has been studying, and how, Distant Readings of Disciplinarity supports more fruitful collaborations within and across research areas and methods.
 

Applying insights from philosophy and cognitive science to address the urgent issue of smartphone-induced distracted driving
 

Although the dangers of texting while driving are widely known, many people resist the idea that phone usage will impair their driving. And connectivity features in new cars have only made using technology behind the wheel more tempting. What will it take to change people’s minds and behavior? Robert Rosenberger contends that a better understanding of why this combination of technologies is so dangerous could effectively adjust both habits and laws.

 

Rosenberger brings together ideas from philosophy and cognitive science to leverage a postphenomenological perspective that reveals how our smartphones make us such bad drivers. Reviewing decades of empirical studies in cognitive science, he shows that we have developed habits of perception regarding our compulsive technology use—habits that may wrest our attention away from the road. 

 

Distracted develops innovative concepts for understanding technology-related habits and the ways that our relationships to our devices influence how we perceive the world. In turn, these ideas can help drivers be more cognizant of the effect that smartphone usage has on their perceptions, better inform efforts to enact stricter regulations, and help us all to be more reflective about the technologies that shape our lives.

Climate change has shifted from future menace to current event. As eco-conscious electricity consumers, we want to do our part in weening from fossil fuels, but what are we actually a part of?

Committed environmentalists in one of North America’s most progressive regions desperately wanted energy policies that address the climate crisis. For many of them, wind turbines on Northern New England’s iconic ridgelines symbolize the energy transition that they have long hoped to see. For others, however, ridgeline wind takes on a very different meaning. When weighing its costs and benefits locally and globally, some wind opponents now see the graceful structures as symbols of corrupted energy politics.

This book derives from several years of research to make sense of how wind turbines have so starkly split a community of environmentalists, as well as several communities. In doing so, it casts a critical light on the roadmap for energy transition that Northern New England’s ridgeline wind projects demarcate. It outlines how ridgeline wind conforms to antiquated social structures propping up corporate energy interests, to the detriment of the swift de-carbonizing and equitable transformation that climate predictions warrant. It suggests, therefore, that the energy transition of which most of us are a part, is probably not the transition we would have designed ourselves, if we had been asked.
 

In this innovative volume, Anto Mohsin brings Indonesian studies together with science and technology studies to tell the story of the entanglement of nation building and social justice during the state’s rapid post–World War II project to supply electricity to the entire country. He shows that attempts to illuminate the country were inseparable from the effort to maintain the new nation-state, chart its path to independence, and legitimize ruling regimes. In exchange for an often dramatically improved standard of living, people gave their votes, and their acquiescence, to the ruling government.

Equipping Technical Communicators for Social Justice Work provides action-focused resources and tools—heuristics, methodologies, and theories—for scholars to enact social justice. These resources support the work of scholars and practitioners in conducting research and teaching classes in socially just ways. Each chapter identifies a tool, highlights its relevance to technical communication, and explains how and why it can prepare technical communication scholars for socially just work.
 
For the field of technical and professional communication to maintain its commitment to this work, how social justice intersects with inclusivity through UX, technological, civic, and legal literacies, as well as through community engagement, must be acknowledged. Equipping Technical Communicators for Social Justice Work will be of significance to established scholar-teachers and graduate students, as well as to newcomers to the field.
 
Contributors: Kehinde Alonge, Alison Cardinal, Erin Brock Carlson, Oriana Gilson, Laura Gonzales, Keith Grant-Davie, Angela Haas, Mark Hannah, Kimberly Harper, Sarah Beth Hopton, Natasha Jones, Isidore Kafui Dorpenyo, Liz Lane, Emily Legg, Nicole Lowman, Kristen Moore, Emma Rose, Fernando Sanchez, Jennifer Sano-Franchini, Adam Strantz, Cana Uluak Itchuaqiyaq, Josephine Walwema, Miriam Williams, Han Yu
 

 
 

Winner of the 2023 Marysa Navarro Best Book Prize from the New England Council for Latin American studies

In the middle of the twentieth century, governments ignored the negative effects of large-scale infrastructure projects. In recent decades, many democratic countries have continued to use dams to promote growth, but have also introduced accompanying programs to alleviate these harmful consequences of dams for local people, to reduce poverty, and to promote participatory governance. This type of dam building undoubtedly represents a step forward in responsible governing. But have these policies really worked?
 
Flooded provides insights into the little-known effects of these approaches through a close examination of Brazil’s Belo Monte hydroelectric facility. After three decades of controversy over damming the Xingu River, a tributary of the Amazon, the dam was completed in 2019 under the left-of-center Workers’ Party, becoming the world’s fourth largest. Billions of dollars for social welfare programs accompanied construction. Nonetheless, the dam brought extensive social, political, and environmental upheaval to the region. The population soared, cost of living skyrocketed, violence spiked, pollution increased, and already overextended education and healthcare systems were strained. Nearly 40,000 people were displaced and ecosystems were significantly disrupted. Klein tells the stories of dam-affected communities, including activists, social movements, non-governmental organizations, and public defenders and public prosecutors. He details how these groups, as well as government officials and representatives from private companies, negotiated the upheaval through protests, participating in public forums for deliberation, using legal mechanisms to push for protections for the most vulnerable, and engaging in myriad other civic spaces. Flooded provides a rich ethnographic account of democracy and development in the making. In the midst of today’s climate crisis, this book showcases the challenges and opportunities of meeting increasing demands for energy in equitable ways.

In this ambitious new interdisciplinary study, Useche proposes the metaphor of the social foundry to parse how industrialization informed and shaped cultural and national discourses in late nineteenth- and early twentieth-century Spain. Across a variety of texts, Spanish writers, scientists, educators, and politicians appropriated the new economies of industrial production—particularly its emphasis on the human capacity to transform reality through energy and work—to produce new conceptual frameworks that changed their vision of the future. These influences soon appeared in plans to enhance the nation’s productivity, justify systems of class stratification and labor exploitation, or suggest state organizational improvements. This fresh look at canonical writers such as Emilia Pardo Bazán, Concha Espina, Benito Pérez Galdós, Vicente Blasco Ibáñez, and José Echegaray as well as lesser known authors offers close readings of their work as it reflected the complexity of Spain’s process of modernization.


 

An overview of how graphic designers in India use global platforms.

Digital freelance platforms promise workers flexibility, independence, and access to a global labor market. But what does organizing and positioning oneself in this environment look like? Global Platform Work focuses on the everyday lives of graphic designers in India who use gig platforms to connect to a global client base. Drawing on interviews, observations, and photo diaries, Anna Oechslen describes how important it is for gig workers to constantly put themselves in a positive light, build relationships, and adapt to an ever-changing work environment. In doing so, she formulates gig work as making and sustaining relationships and sheds light on everyday practices that common understandings of work often leave unconsidered.
 

Geoengineering is the deliberate and large-scale intervention in the Earth's climate system in an attempt to mitigate the adverse effects of global warming. Now that climate emergency is upon us, claims that geoengineering is inevitable are rapidly proliferating. How did we get into this situation where the most extreme path now seems a plausible development? Is it an accurate representation of where we are at? Who is this “we” who is talking? What options make it onto the table? Which are left out? Whom does geoengineering serve? Why is the ensemble of projects that goes by that name so salient, even though the community of researchers and advocates is remarkably small? These are some of the questions that the thinkers contributing to this volume are exploring from perspectives ranging from sociology and geography to ethics and Indigenous studies. The editors set out this diverse collection of voices not as a monolithic, unified take on geoengineering, but as a place where creative thinkers, students, and interested environmental and social justice advocates can explore nuanced ideas in more than 240 characters. 

Why AI offers a chance for the humanities to strengthen their relevance and significance

If humanistic research consists of the generation of consensus positions, simple expression, summarized texts, or passable translations, then we have arrived at the place where AI is able to accomplish these different missions to a convincing degree. However, Laurent Dubreuil argues, such tasks do not, in any way, constitute the humanities. On the contrary, he posits, a maximalist take on scholarship would not focus on generation but on creation, as a subject and as an object. Dubreuil seizes the opportunity of what AI reveals about the meaning of humanistic inquiry to offer a path for the renewal of the humanities on transhistorical, transcultural, and transdisciplinary grounds.

Hydraulic Societies explores the linked themes of water, power, state-building, and hydraulic control. Bringing together a range of ecological, geographical, chronological, and methodological perspectives, the essays in this book address the how humans have long harnessed water and sought to contain its destructive power for political, economic and social ends. Water defines every aspect of life and remains at the center of human activity: in irrigation and agriculture; waste and sanitation; drinking and disease; floods and droughts; religious beliefs and practices; fishing and aquaculture; travel and discovery; scientific study; water pollution and conservation; multi-purpose dam building; boundaries and borders; politics and economic life; and wars and diplomacy.  

From the earliest large irrigation works thousands of years ago, control over water has involved control over people, as the essays in this volume reflect. The intersections of water and political, economic, and social power historically span international as well as domestic politics and operate at scales ranging from the local to the global. The authors consider the role of water in national development schemes, water distribution as a tool of political power, international disputes over waterways and water supplies, and the place of water in armed conflicts. They explore the ways in which political power and social hierarchies have themselves been defined and redefined by water and its control, how state leaders legitimized their rule both culturally and economically through the control of water, and how water management schemes were a means to impose and refine colonial power.

How data and artificial intelligence create a new, abstract digital subject

Ideal Subjects examines how samples of our lives and daily behaviors have come to reside in the world of data and artificial intelligence—and what this means for who we are and what we may become. Detailing how AI-facilitated algorithmic prediction and data modeling make “ideal subjects” of us, Olga Goriunova explores the complex ways we relate to these digital abstractions.

 

As more and more of our experience is funneled through computational records and models, datafied aspects of our lives are segmented and reconfigured to operate as new entities. Rather than viewing these abstract assemblages as extensions of our selves, Goriunova encourages us to consider these products of computational processes as an entirely new kind of subject, one that is both more and less than a human.

 

Through close readings of contemporary digital practices and data analytics, Goriunova exposes the profound ethical, aesthetic, and political implications of producing and managing these new digital subjects. Highlighting the distinctive impact of computation on contemporary subject formation while placing the present within a history of shifting conceptions of the subject, she gives us much-needed tools for understanding how our intimate selves are rendered by the abstract entities of big data. Ideal Subjects presents an uncanny and deeply fascinating portrait of modern subjectivity in the technological age.

 

 

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

How illness on social media reveals the struggle for care and access against ableism and stigma

Illness Politics and Hashtag Activism explores illness and disability in action on social media, analyzing several popular hashtags as examples of how illness figures in recent U.S. politics. Lisa Diedrich shows how illness- and disability-oriented hashtags serve as portals into how and why illness and disability are sites of political struggle and how illness politics is informed by, intersects with, and sometimes stands in for sexual, racial, and class politics. She argues that illness politics is central—and profoundly important—to both mainstream and radical politics, and she investigates the dynamic intersection of media and health and health-activist practices to show the ways their confluence affects our perception and understanding of illness.

Over the past few decades, Austin, Texas, has made a concerted effort to develop into a “technopolis,” becoming home to companies such as Dell and numerous start-ups in the 1990s. It has been a model for other cities across the nation that wish to become high-tech centers while still retaining the livability to attract residents. Nevertheless, this expansion and boom left poorer residents behind, many of them African American or Latino, despite local and federal efforts to increase lower-income and minority access to technology.

This book was born of a ten-year longitudinal study of the digital divide in Austin—a study that gradually evolved into a broader inquiry into Austin’s history as a segregated city, its turn toward becoming a technopolis, what the city and various groups did to address the digital divide, and how the most disadvantaged groups and individuals were affected by those programs.

The editors examine the impact of national and statewide digital inclusion programs created in the 1990s, as well as what happened when those programs were gradually cut back by conservative administrations after 2000. They also examine how the city of Austin persisted in its own efforts for digital inclusion by working with its public libraries and a number of local nonprofits, and the positive impact those programs had.

Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.

Contributors. Dalida María Benfield, Zach Blas, Ama Josephine Budge Johnstone, micha cárdenas, Amy Sara Carroll, Shu Lea Cheang, Jian Neo Chen, Heather Dewey-Hagborg, Ranjodh Singh Dhaliwal, Stephanie Dinkins, Ricardo Dominguez, Ashley Ferro-Murray, Matthew Fuller, Jacob Gaboury, Jennifer Gabrys, Alexander R. Galloway, Jennifer Mae Hamilton, Donna J. Haraway, Eva Hayward, Stefan Helmreich, Kathy High, Leon J. Hilton, Ho Rui An, Hi'ilei Julia Kawehipuaakahaopulani Hobart, Tung-Hui Hu, Caroline A. Jones, Melody Jue, Homay King, Larissa Lai, Lawrence Lek, Esther Leslie, Alexis Lothian, Isadora Neves Marques, Radha May (Elisa Giardina-Papa, Nupur Mathur, and Bathsheba Okwenje), Shaka McGlotten, Mahan Moalemi, madison moore, Astrida Neimanis, Bahar Noorizadeh, Luciana Parisi, Thao Phan, Ana Teixeira Pinto, Luiza Prado de O. Martins, Rita Raley, Patricia Reed, Jennifer Rhee, Bassem Saad, Ashkan Sepahvand, Justin Talplacido Shoulder, Lucy Suchman, Ollie Zhang

‘With clarity and sophistication, Antonios Broumas presents a bold new theory of intellectual commons and powerful arguments for a new body of supportive law. This book not only reveals the misleading logic of intellectual property law in our time; it reveals the rich possibilities for constructive change that legally protected commoning can bring. Highly recommended!’ — David Bollier, Director, Reinventing the Commons Program, Schumacher Center for a New Economics.

‘Liberating the Intellectual Commons from the fetters of capital accumulation and appropriation, would give us a renaissance of creative energies and empowered communities: exactly what the world needs to move away from the social and ecological devastations of our times. This book is a thoughtful and compelling argument for making this possible through the works of the law and the redesign of public domain as a common space.’ — Massimo De Angelis, Professor of Political Economy and Social Change, Co-director of the Centre for Social Justice and Change, University of East London.

‘In this pioneering book, Antonios Broumas argues that philosophically, morally, politically and economically we are in urgent need of a new legal regime that recognizes the intellectual commons, peer production and sharing as the primary practices of intellectual production, distribution and consumption. I cannot imagine a more urgent task today. A legally protected intellectual commons will lead to greater scientific and cultural innovation and creativity and will lead to an urgently needed second Enlightenment. This book should be read by lawyers, critical theorists, economists and the many professionals of science, culture and the academy.’ — Costas Douzinas, Professor of Law, Birkbeck, University of London.

‘Antonios Broumas’ book is an excellent critical analysis of the cultural commons and a must-read for everyone interested in understanding what the commons, the cultural commons, and the digital commons are all about. This work brilliantly outlines the foundations of an empirically grounded critical theory of the commons and the cultural commons in the context of the interactions of law and society.’ — Christian Fuchs, Professor of Media and Communication Studies, author of Communication and Capitalism: A Critical Theory (2020).

‘Broumas takes us on a spellbinding tour of how and why the law could and should change to accommodate the creative multitude, which engages into an emerging mode of production. He tells a vibrant story that makes us shout: “Lawmakers of the world, unite!”’ — Vasilis Kostakis, Professor of P2P Governance, Tallinn University of Technology, Faculty Associate at Harvard Law School.

At the cutting edge of contemporary wealth creation people form self-governed communities of collaborative innovation in conditions of relative equipotency and produce resources with free access to all. The emergent intellectual commons have the potential to commonify intellectual production and distribution, unleash human creativity through collaboration and democratise innovation with wider positive effects for our societies. Contemporary intellectual property laws fail to address this potential. We are, therefore, in pressing need of an institutional alternative beyond the inherent limitations of intellectual property law. This book offers an overall analysis of the moral significance of the intellectual commons and outlines appropriate modes for their regulation. Its principal thesis is that our legal systems are in need of an independent body of law for the protection and promotion of the intellectual commons, in parallel to intellectual property law. In this context, the author of the book proposes the reconstruction of the doctrine of the public domain and the exceptions and limitations of exclusive intellectual property rights into an intellectual commons law, which will underpin a vibrant non-commercial zone of creativity and innovation in intellectual production, distribution and consumption alongside commodity markets enabled by intellectual property law.

‘The Internet is broken and Paolo Bory knows how we got here. In a powerful book based on original research, Bory carefully documents the myths, imaginaries, and ideologies that shaped the material and cultural history of the Internet. As important as this book is to understand our shattered digital world, it is essential for those who would fix it.’ — Vincent Mosco, author of The Smart City in a Digital World

The Internet Myth retraces and challenges the myth laying at the foundations of the network ideologies – the idea that networks, by themselves, are the main agents of social, economic, political and cultural change. By comparing and integrating different sources related to network histories, this book emphasizes how a dominant narrative has extensively contributed to the construction of the Internet myth while other visions of the networked society have been erased from the collective imaginary. The book decodes, analyzes and challenges the foundations of the network ideologies looking at how networks have been imagined, designed and promoted during the crucial phase of the 1990s.

Three case studies are scrutinized so as to reveal the complexity of network imaginaries in this decade: the birth of the Web and the mythopoesis of its inventor; and the histories of two Italian networking projects, the infrastructural plan Socrate and the civic network Iperbole, the first to give free Internet access to citizens.

The Internet Myth thereby provides a compelling and hidden sociohistorical narrative in order to challenge one of the most powerful myths of our time.

This title has been published with the financial assistance of the Fondazione Hilda e Felice Vitali, Lugano, Switzerland.

A feminist perspective on the early history of personal computing, revealing how computers were integrated into the most intimate aspects of family life

 

The Intimate Life of Computers shows how the widespread introduction of home computers in the 1980s was purposefully geared toward helping sustain heteronormative middle-class families by shaping relationships between users. Moving beyond the story of male-dominated computer culture, this book emphasizes the neglected history of the influence of women’s culture and feminist critique on the development of personal computing despite women’s underrepresentation in the industry.

 

Proposing the notion of “companionate computing,” Reem Hilu reimagines the spread of computers into American homes as the history of an interpersonal, romantic, and familial medium. She details the integration of computing into family relationships—from helping couples have better sex and offering thoughtful simulations of masculine seduction to animating cute robot companions and giving voice to dolls that could talk to lonely children—underscoring how these computer applications directly responded to the companionate needs of their users as a way to ease growing pressures on home life.

 

The Intimate Life of Computers is a vital contribution to feminist media history, highlighting how the emergence of personal computing dovetailed with changing gender roles and other social and cultural shifts. Eschewing the emphasis on technologies and institutions typically foregrounded in personal-computer histories, Hilu uncovers the surprising ways that domesticity and family life guided the earlier stages of our all-pervasive digital culture.

From climate change to COVID-19 to reproductive justice, there has been deep political polarization around science. Labs of Our Own provides a unique entry point into these twenty-first-century science wars by focusing on our affective relationships to science. The book delves into various sites where scientists, teachers, artists, and activists claim to create more democratic access to science—from DIY biology community labs to feminist classrooms to activist science practitioners. The reader will find that these claims for and attempts at democratic sciences not only impact what counts as science and who counts as a scientist but reconfigure who is included in the proper public. Instead of arguing for a knee-jerk defense of science against right-wing attacks, Labs of Our Own builds the case for a feminist, antiracist, decolonial, queer science tinkering practice that intentionally, politically, and ethically acts to produce new challenges to the definition and boundaries of the human.

How generative AI systems capture a core function of language

Looking at the emergence of generative AI, Language Machines presents a new theory of meaning in language and computation, arguing that humanistic scholarship misconstrues how large language models (LLMs) function. Seeing LLMs as a convergence of computation and language, Leif Weatherby contends that AI does not simulate cognition, as widely believed, but rather creates culture. This evolution in language, he finds, is one that we are ill-prepared to evaluate, as what he terms “remainder humanism” counterproductively divides the human from the machine without drawing on established theories of representation that include both.

 

To determine the consequences of using AI for language generation, Weatherby reads linguistic theory in conjunction with the algorithmic architecture of LLMs. He finds that generative AI captures the ways in which language is at first complex, cultural, and poetic, and only later referential, functional, and cognitive. This process is the semiotic hinge on which an emergent AI culture depends. Weatherby calls for a “general poetics” of computational cultural forms under the formal conditions of the algorithmic reproducibility of language.

 

Locating the output of LLMs on a spectrum from poetry to ideology, Language Machines concludes that literary theory must be the backbone of a new rhetorical training for our linguistic-computational culture.

Following on from the epoch-making DC-2 technology, the DC-3 is generally considered the greatest single commercial transport plane in history, and certainly the most famous. Indeed, the DC-3 revolutionized air travel to an extent not equaled until the arrival of the jet age.

Many of these revolutions related to safety; thanks to the DC-3’s reputation for reliability, air travel insurance finally became available to the general public in 1937. This is the airliner that not only made flying respectable but enabled the emerging aviation industry to end its reliance on mail subsidies and profit from passenger journeys.

DC-3 is still flying eight decades after their first debut - this book is a tribute to its brilliant design.

An inquiry into how livestreaming can help us meaningfully connect

Livestreaming is ubiquitous in our Covid-19-inflected era. In this book, EL Putnam takes up the implications of this technology, arguing that livestreamed internet broadcasts perform aesthetic and ethical encounters that invite distinctive means of relating to others. Treating humans and technologies as inherently relational, Putnam considers how livestreaming constitutes new patterns of being together that are complex, ambivalent, and transformative. Understood in such a way, we see how livestreaming exceeds quantifying and calculating metrics, challenges emphasis on content generation, and introduces an entirely new—and dynamic—means of social engagement.

This is the third and final book about the North American B-25 Mitchell in service. The Volumes 1 and 2 of "Mitchell Masterpieces" dealt with the B-25s in military service. In this Volume 3, many B-25s are described which operated in civil service in all different countries.

After the Second World War, the B-25 got a role in civil aviation. Many airplanes were stripped of their armament and other military equipment and often came through auctions in the civilian market. They came in private hands and were deployed for transportation of personnel or goods, for training, fire fighting, agricultural spraying of other purposes. Some were converted into a luxury business plane and some were used in the film industry.

This book should serve as a general view of the companies, organisations and owners and the B-25s they flew. Moreover, the book would not be complete if no attention was paid to the civilian B-25s in the various museums and the warbird circuit. All this is described in detail and provided with about 750 pictures, many of which are in full colour.

In the contemporary Western imagination, Asian people are frequently described as automatons, which disavows their humanity. In Model Machines, Long Bui investigates what he calls Asian roboticism or the ways Asians embody the machine and are given robotic characteristics. 

Bui offers the first historical overview of the overlapping racialization of Asians and Asian Americans through their conflation with the robot-machine nexus. He puts forth the concept of the “model machine myth,” which holds specific queries about personhood, citizenship, labor, and rights in the transnational making of Asian/America. 

The case studies in Model Machines chart the representation of Chinese laborers, Japanese soldiers, Asian sex workers, and other examples to show how Asians are reimagined to be model machines as a product of globalization, racism, and colonialism. Moreover, it offers examples of how artists and everyday people resisted that stereotype to consider different ways of being human. Starting from the early nineteenth century, the book ends in the present with the new millennium, where the resurgence of China presages the “rise of the machines” and all the doomsday scenarios this might spell for global humanity at large.

A critical examination of the figure of the neural network as it mediates neuroscientific and computational discourses and technical practices

Neural Networks proposes to reconstruct situated practices, social histories, mediating techniques, and ontological assumptions that inform the computational project of the same name. If so-called machine learning comprises a statistical approach to pattern extraction, then neural networks can be defined as a biologically inspired model that relies on probabilistically weighted neuron-like units to identify such patterns. Far from signaling the ultimate convergence of human and machine intelligence, however, neural networks highlight the technologization of neurophysiology that characterizes virtually all strands of neuroscientific and AI research of the past century. Taking this traffic as its starting point, this volume explores how cognition came to be constructed as essentially computational in nature, to the point of underwriting a technologized view of human biology, psychology, and sociability, and how countermovements provide resources for thinking otherwise.

Interdisciplinary voices reflect on some of the most complex and consequential scientific undertakings of our time

Perspectives on the Human Genome Project and Genomics is a groundbreaking volume that examines the pivotal roles of the National Institutes of Health (NIH) and the National Human Genome Research Institute (NHGRI) in the Human Genome Project (HGP) and the development of other major genomics projects. Drawing on newly uncovered archival materials and oral histories from NHGRI, this volume offers a multifaceted narrative of some of the most transformative scientific achievements of the twentieth and twenty-first centuries.

Coeditors Christopher R. Donohue and Alan C. Love bring together a range of perspectives on the HGP’s progress and legacy, as well as other major genomics projects, to explore not only their scientific achievements but also their social and political dimensions. Presenting reflections from historians, philosophers, and sociologists alongside those of key NHGRI scientists like Eric Green, Mark Guyer, and Elise Feingold; experts like Nature editor-in-chief Magdalena Skipper and geneticist Eric Vilain; and scholars of the ethical, legal, and social implications of genomics like Jean McEwan and Joy Boyer, Perspectives on the Human Genome Project and Genomics highlights the international, interdisciplinary collaborations and collective long view that underpinned these genomics initiatives aimed at a better understanding of our basic biology and genetic diseases.

From genomic variation and sequencing technologies to the integration of big data and the influence of ancestry and gender, this book is an essential resource for deepening the discussion of the scientific, historical, and ethical impacts of genomics and a fascinating collection of insights into coordinated science in the making.

Contributors: Rina Bliss, Joy Boyer, Lisa D. Brooks, Michel Dubois, Elise A. Feingold, Adam Felsenfeld, Miguel García-Sancho, Eric Green, Catherine Guaspare, Chris Gunter, Stephan Guttinger, Mark Guyer, Elke Jordan, Jonathan E. LoTempio Jr., Jean McEwen, Jane Peterson, Anya Plutynski, Ramya M. Rajagopalan, Emanuele Ratti, Sahotra Sarkar, Jeffery A. Schloss, Magdalena Skipper, Alexandra Soulier, Thomas Stoeger, Eric Vilain, Kris A. Wetterstrand.

 

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Philology in a Digital Age: Selected Papers brings together more than four decades of scholarship by Gregory Crane documenting the evolution of Classical Studies during the rise of digital technologies—including both published and previously unpublished essays ranging from early proposals in the 1980s to recent reflections on the role of AI, open data, and multilingual inclusion in the humanities. Together, these essays trace the transformation of Greco-Roman philology as it enters a new phase of engagement with digital media.

Drawing on his unique perspective as a traditionally trained classicist, an early architect of the Perseus Digital Library, and a professor working across the disciplines of Classics, Digital Humanities, and Computer Science, Crane explores the profound implications of transitioning from physical to digital infrastructure, not only in terms of access and scale, but in rethinking the very practice and goals of philology. Emphasizing lived understanding over static texts or tools, he argues for a field that must continuously adapt to new technologies while remaining committed to open, inclusive scholarship. Philology in a Digital Age is both a record of a scholarly transformation and a call to envision the future of humanistic inquiry in a world of ubiquitous digitization.

Philology in a Digital Age: Selected Papers brings together more than four decades of scholarship by Gregory Crane documenting the evolution of Classical Studies during the rise of digital technologies—including both published and previously unpublished essays ranging from early proposals in the 1980s to recent reflections on the role of AI, open data, and multilingual inclusion in the humanities. Together, these essays trace the transformation of Greco-Roman philology as it enters a new phase of engagement with digital media.

Drawing on his unique perspective as a traditionally trained classicist, an early architect of the Perseus Digital Library, and a professor working across the disciplines of Classics, Digital Humanities, and Computer Science, Crane explores the profound implications of transitioning from physical to digital infrastructure, not only in terms of access and scale, but in rethinking the very practice and goals of philology. Emphasizing lived understanding over static texts or tools, he argues for a field that must continuously adapt to new technologies while remaining committed to open, inclusive scholarship. Philology in a Digital Age is both a record of a scholarly transformation and a call to envision the future of humanistic inquiry in a world of ubiquitous digitization.

A compelling biography of Mark Weiser, a pioneering innovator whose legacy looms over the tech industry’s quest to connect everything—and who hoped for something better.

When developers and critics trace the roots of today’s Internet of Things—our smart gadgets and smart cities—they may single out the same creative source: Mark Weiser (1952–99), the first chief technology officer at Xerox PARC and the so-called “father of ubiquitous computing.” But Weiser, who died young at age 46 in 1999, would be heartbroken if he had lived to see the ways we use technology today. As John Tinnell shows in this thought-provoking narrative, Weiser was an outlier in Silicon Valley. A computer scientist whose first love was philosophy, he relished debates about the machine’s ultimate purpose. Good technology, Weiser argued, should not mine our experiences for saleable data or demand our attention; rather, it should quietly boost our intuition as we move through the world.
 
Informed by deep archival research and interviews with Weiser’s family and colleagues, The Philosopher of Palo Alto chronicles Weiser’s struggle to initiate a new era of computing. Working in the shadows of the dot-com boom, Weiser and his collaborators made Xerox PARC headquarters the site of a grand experiment. Throughout the building, they embedded software into all sorts of objects—coffeepots, pens, energy systems, ID badges—imbuing them with interactive features. Their push to integrate the digital and the physical soon caught on. Microsoft’s Bill Gates flagged Weiser’s Scientific American article “The Computer for the 21st Century” as a must-read. Yet, as more tech leaders warmed to his vision, Weiser grew alarmed about where they wished to take it. 
 
In this fascinating story of an innovator and a big idea, Tinnell crafts a poignant and critical history of today’s Internet of Things. At the heart of the narrative is Weiser’s desire for deeper connection, which animated his life and inspired his notion of what technology at its best could be.
 

The surprising roles of instruments and experimentation in acquiring knowledge

In Philosophical Instruments Daniel Rothbart argues that our tools are not just neutral intermediaries between humans and the natural world, but are devices that demand new ideas about reality. Just as a hunter's new spear can change their knowledge of the environment, so can the development of modern scientific equipment alter our view of the world.

Working at the intersections of science, technology, and philosophy, Rothbart examines the revolution in knowledge brought on by recent advances in scientific instruments. Full of examples from historical and contemporary science, including electron scanning microscopes, sixteenth-century philosophical instruments, and diffraction devices used by biochemical researchers, Rothbart explores the ways in which instrumentation advances a philosophical stance about an instrument's power, an experimenter's skills, and a specimen's properties. Through a close reading of engineering of instruments, he introduces a philosophy from (rather than of) design, contending that philosophical ideas are channeled from design plans to models and from model into the use of the devices.

A respected voice on technology shows how seemingly simple ads help dismantle democracy and public discourse.

Whether you’re intentionally shopping or casually browsing social media, something is following you: ads. Their creators seem to know your income bracket, politics, age, location, medical conditions, and tastes in clothing, food, and romantic partners. As advertising firms use predictive AI to discover your hot buttons and generative AI to push them, your online world becomes an increasingly bespoke—and isolated—place. The fervid competition around personalization in digital marketing has given rise to an ecosystem of advertisers, media outlets, tech companies, and retailers who monetize your data while threatening the health of our media, discourse, and sense of community. In this urgent book, award-winning author Joseph Turow shows how we got here, and how to change direction.

The Problem with Personalization shatters common beliefs about advertising history by showing that individualized ads are not new. Today’s AI-enabled advertisers draw on past aspirations and assumptions about personalization while weaponizing data in unprecedented ways that drive social fragmentation and the disappearance of shared social reality. Informed by interviews with marketing insiders and covering the latest technology advances, Turow accessibly explains how artificial intelligence sifts through our data to tag and target us wherever we go with personalized videos, pictorial billboards, audio messages, and more. A logical next step for advertiser support is tailored entertainment and news, a shift that further destroys the common ground necessary for a functioning democracy.

A must-read for all who care about the future of public discourse, The Problem with Personalization reveals how targeted advertising has altered how we’re seen and what we see in return.

This is an audiobook version of this book.

A respected voice on technology shows how seemingly simple ads help dismantle democracy and public discourse.
 
Whether you’re intentionally shopping or casually browsing social media, something is following you: ads. Their creators seem to know your income bracket, your tastes in clothing, food, location, politics, age, medical conditions, and romantic partners. As predictive AI tells firms what your hot buttons are and generative AI produces messages tailored to those buttons, your online world becomes an increasingly comfortable—and isolated—place. The fervid competition around personalization in digital marketing, now ubiquitous, has given rise to an ecosystem of advertisers, media outlets, tech companies, and retailers who monetize your data, while threatening the health of our media, our discourse, and our sense of community. In this urgent book, award-winning author Joseph Turow shows how we got here, and how to change direction.
 
The Problem with Personalization shatters common beliefs about advertising history by showing that individualizing ads is not new. Today’s high-velocity AI versions draw on past aspirations and assumptions about personalization while weaponizing it in unprecedented ways that drive social fragmentation and the disappearance of shared social reality. Informed by interviews with marketing insiders and covering the latest technology advances, Turow accessibly explains how artificial intelligence sifts our data to tag and target us wherever we go with personalized videos, pictorial billboards, audio messages, and more. A logical next step for advertiser support is tailored entertainment and news, a shift that further destroys the common ground necessary for a functioning democracy.
 
A must-read for all who care about the future of public discourse, The Problem with Personalization reveals how targeted advertising has altered how we’re seen and what we see in return.

The potential of biohumanities as a foundation for antiracist critique of the human

The Racial Cage delivers a spirited and polyvocal analysis of how race is materialized through both metaphorical and literal cages. It theorizes the cage, fence, dragnet, and tube as material–semiotic sites for racialization and for iteratively redefining the human–animal boundary. A collaborative conversation across continents, this work examines the racial cage as an important part of the practice of social division and bodily containment. The deeply considered result is an empirical and theoretical approach to biohumanities that productively interrogates its linkages to critical theories of race and racism.

Winner of the 2023 Merton Award from the Science, Knowledge, and Technology section of the American Sociological Association

Residues offers readers a new approach for conceptualizing the environmental impacts of chemicals production, consumption, disposal, and regulation. Environmental protection regimes tend to be highly segmented according to place, media, substance, and effect; academic scholarship often reflects this same segmented approach. Yet, in chemical substances we encounter phenomena that are at once voluminous and miniscule, singular and ubiquitous, regulated yet unruly. Inspired by recent studies of materiality and infrastructures, we introduce “residual materialism” as a framework for attending to the socio-material properties of chemicals and their world-making powers. Tracking residues through time, space, and understanding helps us see how the past has been built into our present chemical environments and future-oriented regulatory systems, why contaminants seem to always evade control, and why the Anthropocene is as inextricably harnessed to the synthesis of carbon into new molecules as it is driven by carbon’s combustion.

In the eighteenth century, “technology” didn’t name a particular device or a process. It referred instead to written accounts of the mechanical arts, a now-obsolete category encompassing the wide range of work done by hand, from baking bread to building ships. Rewriting the Mechanic examines how these written descriptions, circulating across genres in eighteenth-century Britain, transformed certain mechanical arts by imagining them as newly innovative, authoritative, and able to make speculative possibilities real—as what we now call technological. Reversing the familiar story in which literature simply reflects technological change, West draws on the work of Robert Hooke, Aphra Behn, Daniel Defoe, Maria Edgeworth, and Jane Austen to demonstrate the influence of literary techniques on ideas about masculinity, power, and the body, and how these texts helped to bring the very idea of technological modernity into being.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

A New Yorker Best Book of the Year

"A radiantly original contribution to a conversation gravely in need of new thinking."
–Ben Tarnoff, New Yorker

A visionary reexamination of the value of privacy in today’s hypermediated world—not just as a political right but as the key to a life worth living.

The parts of our lives that are not being surveilled and turned into data diminish each day. We are able to configure privacy settings on our devices and social media platforms, but we know our efforts pale in comparison to the scale of surveillance capitalism and algorithmic manipulation. In our hyperconnected era, many have begun to wonder whether it is still possible to live a private life, or whether it is no longer worth fighting for.

The Right to Oblivion argues incisively and persuasively that we still can and should strive for privacy, though for different reasons than we might think. Recent years have seen heated debate in the realm of law and technology about why privacy matters, often focusing on how personal data breaches amount to violations of individual freedom. Yet as Lowry Pressly shows, the very terms of this debate have undermined our understanding of privacy’s real value. In a novel philosophical account, Pressly insists that privacy isn’t simply a right to be protected but a tool for making life meaningful.

Privacy deepens our relationships with others as well as ourselves, reinforcing our capacities for agency, trust, play, self-discovery, and growth. Without privacy, the world would grow shallow, lonely, and inhospitable. Drawing inspiration from the likes of Hannah Arendt, Jorge Luis Borges, and a range of contemporary artists, Pressly shows why we all need a refuge from the world: not a place to hide, but a psychic space beyond the confines of a digital world in which the individual is treated as mere data.

“A probing critique of a modern public sphere that overwhelms the private realm . . . Pressly offers a unique vision of what can be gained by stepping back from the outside world, and the screens that try to possess us.” —John Kaag, The Atlantic

A visionary reexamination of the value of privacy in today’s hypermediated world—not just as a political right but as the key to a life worth living.

Today, almost nothing in our digital lives escapes surveillance. We are able to configure privacy settings on our devices and social media platforms, but we know our efforts pale in comparison to the scale of surveillance capitalism and algorithmic manipulation. Many now wonder whether it is still possible to live a private life, or whether privacy is even worth fighting for.

The Right to Oblivion argues incisively and persuasively that we still can and should strive for privacy, though for different reasons than we might think. Debates about privacy often equate personal data breaches with violations of individual freedom. Yet, as Lowry Pressly argues, privacy isn’t simply a right to be protected, but a tool for making life meaningful.

Privacy deepens our relationships with others as well as ourselves, reinforcing our capacities for agency, trust, play, self-discovery, and growth. Without privacy, the world would be shallow, lonely, and inhospitable. Drawing inspiration from the likes of Hannah Arendt, Jorge Luis Borges, and a range of contemporary artists, Pressly shows why we all need a refuge from the world: not a place to hide, but a psychic space beyond the confines of a digital world where the individual is treated as mere data.

Questions the literal burying of the nuclear threat and how it relates to expectations for our future

A rising ocean. A falling building. A toxic river. Species extinguished. A nuclear landscape. In a world so configured, the state of contemporary ecological thought and practice is woefully—and perilously—inadequate. Focusing on the government’s nuclear waste burial program in Carlsbad, New Mexico, Signs of Danger begins the urgent work of finding a new way of thinking about ecological threat in our time.

The Waste Isolation Pilot Plant in Carlsbad began receiving shipments in 1999. With a proposed closing date of 2030, this repository for nuclear waste must be secured with a sign, the purpose of which will be to keep people away for three hundred generations. In the official documents uncovered by Peter van Wyck, we encounter a government bureaucracy approaching the issue of nuclear waste as a technical problem only to find itself confronting a host of intractable philosophical issues concerning language, culture, and history. Signs of Danger plumbs these depths as it shows us how the problem raised in the desert of New Mexico is actually the problem of a culture grappling with ecological threats and with questions of the limits of meaning and representation in the deep future. The reflections at the center of this book—on memory, trauma, disaster, representation, and the virtual—are aimed at defining the uniquely modern status of environmental and nuclear threats. They offer invaluable insights into the interface of where culture ends and nature begins, and how such a juncture is closely linked with questions of risk, concepts of history, and the cultural experience of time.Winner of the 2005 Gertrude J. Robinson Book Prize of the Canadian Communication Association

In Silicon Valley Imperialism, Erin McElroy maps the processes of gentrification, racial dispossession, and economic predation that drove the development of Silicon Valley in the San Francisco Bay Area and how that logic has become manifest in postsocialist Romania. Drawing on ethnographic fieldwork and archival research in Romania and the United States, McElroy exposes the mechanisms through which the appeal of Silicon Valley technocapitalism devours space and societies, displaces residents, and generates extreme income inequality in order to expand its reach. In Romania, dreams of privatization updated fascist and anti-Roma pasts and socialist-era underground computing practices. At the same time, McElroy accounts for the ways Romanians are resisting Silicon Valley capitalist logics, where anticapitalist and anti-imperialist activists and protesters build on socialist-era worldviews not to restore state socialism but rather to establish more just social formations. Attending to the violence of Silicon Valley imperialism, McElroy reveals technocapitalism as an ultimately unsustainable model of rapacious economic and geographic growth.

Stephanie Dinkins is renowned for her critical investigations into artificial intelligence and machine learning systems as they intersect race, gender, and our future histories. By using her training in documentary practices as a photo-based artist, she creates inclusive platforms for dialogue and action toward building technological ecosystems and datasets that are equitable, accessible, and transparent. Her immersive installations, community-based workshops, and public talks seek audience participation and engagement in a way that pushes the boundaries of new media and socially engaged art practices in the 21st century. 

Stephanie Dinkins: On Love & Data brings together nationally renowned curators and theorists who draw from methodologies of art criticism, social practice, new media theory, and critical studies to offer an in-depth analysis of key installations in Dinkins’s survey exhibition. The book also includes an important essay by Stephanie Dinkins on her concept of Afro-now-ism in which she expands on her theoretical framework and positionality as a Black new media artist in the 21st century. Dinkins’s artistic research transcends the boundaries of visual art to challenge and expose the bias and inequities of caste, race, and gender, which are encoded within digital systems on which governance, healthcare, and security infrastructures in the United States are based. 

A radical history of technology told through acts of resistance, not progress

The history of technology is often told as a history of progress, moving optimistically and inevitably from one emancipatory invention to the next. Techno-Negative turns this story on its head, taking us on a journey to the critical junctures where people have pointedly rejected and tried to undo, rather than adopt, new technologies. Beginning with Archimedes’s decision to destroy his own war machines, this book explores the will to negate technology as a deep—but persistently condemned—current in history.

As he presents a new theory of technological power, Thomas Dekeyser argues that technologies, never neutral, operate as “ontological policing,” drawing the boundaries of humanness as they are unequally leveraged by select groups. Looking beyond the Luddites to medieval monks banning tools, seventeenth-century loom burners, revolutionary lantern smashers, and computer arsonists, Dekeyser shows how people have long recognized and resisted the machine as a violent, sometimes deadly force implicated in defining who counts as human and whose lives (and ways of life) are worth saving.

Against the ubiquitous demands to reform or accelerate technological “advancement” that have failed to disrupt our present, Dekeyser proposes a spirited alternative: abolition. He challenges us to rethink the terms of our technological present and future. In a time when Big Tech grows increasingly enmeshed with authoritarian control, Techno-Negative is a conceptual declaration, and source of inspiration, for those searching for a new paradigm of technological politics.

Retail e-book files for this title are screen-reader friendly.

When leaded gasoline was first developed in the 1920s, medical experts were quick to warn of the public health catastrophes it would cause. Yet government regulators did not heed their advice, and for more than half a century, nearly all cars used leaded gasoline, which contributed to a nationwide epidemic of lead poisoning. By the 1970s, 99.8% of American children had significantly elevated levels of lead in their blood.
 
Unleaded tells the story of how crusading scientists and activists convinced the U.S. government to ban lead additives in gasoline. It also reveals how, for nearly fifty years, scientific experts paid by the oil and mining industries abused their authority to convince the public that leaded gasoline was perfectly harmless. 
 
Combining environmental history, sociology, and neuroscience, Carrie Nielsen explores how lead exposure affects the developing brains of children and is linked to social problems including academic failure, teen pregnancies, and violent crime. She also shows how, even after the nationwide outrage over Flint’s polluted water, many poor and minority communities and communities of color across the United States still have dangerously high lead levels. Unleaded vividly depicts the importance of sound science and strong environmental regulations to protect our nation’s most vulnerable populations.

How users experience and influence technological change—when so much of that change feels out of our control

Every day, we casually employ one of the most complex tools ever created, using it to read the news, plan our day, and connect with friends. In A User’s Guide to the Age of Tech, Grant Wythoff investigates the process by which now-ubiquitous technologies like our phones become integrated into our lives, showing how the “gadget” stage—before devices are widely adopted—opens the door for users to co-create these technologies and adapt them toward unexpected ends. 

In this elegant, approachable work, Wythoff offers a view of how users make new technology their own, subverting dominant power structures and imagining uses never intended by their creators. Rooted in a detailed look into the history of technique (focusing on how we do things with tools rather than the tools themselves), A User’s Guide to the Age of Tech proceeds to complicate, and influence, discussion of subjects like the digital divide and AI.

Drawing on a range of sources, including novels, patents, and newspapers, Wythoff explores the vernacular philosophies that have emerged from users and their diverse, everyday practices, bringing down to earth the conversation about digital titans, away from the abstracted domains of server farms and algorithms. Lodging a passionate argument that we know ourselves better than the data brokers who appear to wield influence over our psyches, Wythoff invites readers (and tech users) to imagine their own digital technique, acknowledge their vast expertise, and see its immense value.

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Historically the bodies of civilians are the most damaged by the increasing mechanization and derealization of warfare, but this is not reflected in the representation of violence in popular media. In War Without Bodies, author Martin Danahay argues that the media in the United States in particular constructs a “war without bodies” in which neither the corpses of soldiers or civilians are shown. War Without Bodies traces the intertwining of new communications technologies and war from the Crimean War, when Roger Fenton took the first photographs of the British army and William Howard Russell used the telegraph to transmit his dispatches, to the first of three “video wars” in the Gulf region in 1990-91, within the context of a war culture that made the costs of organized violence acceptable to a wider public. New modes of communication have paradoxically not made more war “real” but made it more ubiquitous and at the same time unremarkable as bodies are erased from coverage. Media such as photography and instantaneous video initially seemed to promise more realism but were assimilated into existing conventions that implicitly justified war. These new representations of war were framed in a way that erased the human cost of violence and replaced it with images that defused opposition to warfare.

Analyzing poetry, photographs, video and video games the book illustrates the ways in which war was framed in these different historical contexts. It examines the cultural assumptions that influenced the reception of images of war and discusses how death and damage to bodies was made acceptable to the public. War Without Bodies aims to heighten awareness of how acceptance of war is coded into texts and how active resistance to such hidden messages can help prevent future unnecessary wars.
 

An urgent reality check for America’s blinkered fixation on STEM education.

We live in an era of STEM obsession. Not only do tech companies dominate American enterprise and economic growth while complaining of STEM shortages, but we also need scientific solutions to impending crises. As a society, we have poured enormous resources—including billions of dollars—into cultivating young minds for well-paid STEM careers. Yet despite it all, we are facing a worker exodus, with as many as 70% of STEM graduates opting out of STEM work. Sociologist John D. Skrentny investigates why, and the answer, he shows, is simple: the failure of STEM jobs.

Wasted Education reveals how STEM work drives away bright graduates as a result of  “burn and churn” management practices, lack of job security, constant training for a neverending stream of new—and often socially harmful—technologies, and the exclusion of women, people of color, and older workers. Wasted Education shows that if we have any hope of improving the return on our STEM education investments, we have to change the way we’re treating the workers on whom our future depends.

This is an auto-narrated audiobook version of this book.

An urgent reality check for America’s blinkered fixation on STEM education.

We live in an era of STEM obsession. Not only do tech companies dominate American enterprise and economic growth while complaining of STEM shortages, but we also need scientific solutions to impending crises. As a society, we have poured enormous resources—including billions of dollars—into cultivating young minds for well-paid STEM careers. Yet despite it all, we are facing a worker exodus, with as many as 70% of STEM graduates opting out of STEM work. Sociologist John D. Skrentny investigates why, and the answer, he shows, is simple: the failure of STEM jobs.

Wasted Education reveals how STEM work drives away bright graduates as a result of  “burn and churn” management practices, lack of job security, constant training for a neverending stream of new—and often socially harmful—technologies, and the exclusion of women, people of color, and older workers. Wasted Education shows that if we have any hope of improving the return on our STEM education investments, we have to change the way we’re treating the workers on whom our future depends.

World politics has become highly polarised, and a new world war has become more likely. The United Nations’ 2024 Pact for the Future expressed concerns about ‘the growing risks of a nuclear war which could pose an existential threat to humanity’. Will humanity descend into barbarism, or will we realise the dangers of our global problems, weapons of mass destruction, and climate catastrophe to avoid annihilation and create perpetual world peace?

In World War and World Peace in the Age of Digital Capitalism, Christian Fuchs asks: how do violence and war manifest themselves in global digital capitalism? How do digital capitalism and digital technologies manifest themselves in violence and warfare? What are the prospects for world peace today?

To prevent world war and advance world peace we need a better understanding of war and violence and their contexts and causes. We need to ask what war is, what violence is, what war and peace look like today and how they have changed in the 21st century. This book addresses these urgent questions and provides possible answers.