front cover of Of Such a Nature/Índole
Of Such a Nature/Índole
José Kozer, introduced and translated by Peter Boyle
University of Alabama Press, 2018
An English translation from one of Latin America’s most distinguished poets.
 
José Kozer is one of the most influential contemporary Cuban poets working today. A key figure in the neobaroque movement within contemporary Latin American poetry, he is one of only three Cubans to ever win the Pablo Neruda Prize given by the Neruda Foundation in Chile. He is the author of close to ninety books, including Este judío de números y letras, Bajo este cien, La garza sin sombras, Carece de causa, and Y del esparto la invariabilidad. Kozer is also noteworthy as a key poet of the Cuban diaspora, having left Cuba in 1960 and residing ever since in the United States.

Of Such a Nature/Índole is a bilingual edition translated into English by Peter Boyle. In addition, Boyle provides an extensive introduction placing Kozer’s work in a critical context.

The Spanish word “índole” can be translated as: “a type,” “a sort,” or “that sort of thing.” The title, Índole, therefore suggests that the poems gathered in this collection, are all instances of specific types of situations, things, or experiences. Kozer has gathered a collection of poems about everyday life—cleaning one’s dentures, a woman leaning over a bowl of oatmeal, a salamander glimpsed while eating breakfast—but always with death not far away.

Of Such a Nature/Índole is a remarkable collection of poems published in Cuba in 2012, covering such materials as Kozer’s Jewish heritage, his Cuban childhood and ongoing connection to the Island, Buddhist and East Asian traditions of spiritual practice, his everyday life in Florida with Guadalupe, ageing, illness, and the shadow of death. Irony and humor are there as well, and to read these poems is to be in the presence of the full seriousness of poetry and its playfulness, its ability to undercut all pretensions.
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front cover of Such a Good Man
Such a Good Man
Dustin M. Hoffman
University of Wisconsin Press, 2025
In these inventive and formally daring stories, Dustin M. Hoffman shines a light into the dark corners of American suburbia. The housepainters, contractors, formerly incarcerated carnival workers, and fathers that populate these pages are doing their best to overcome life’s brutal indifference. Characters sometimes face unusual situations: one plays infinite games of Monopoly with God, while the Man in the Yellow Hat must decide how to react when a window washer is hospitalized with serious injuries. Mostly, though, they navigate the challenges of grief, poverty, and arguments with siblings that many of us will find all too familiar. 

With brilliance and perception, Hoffman interrogates the intersections of labor and masculinity, peeling back the spackled facades of class, family, and domesticity. Such a Good Man depicts darkness, cruelty, and absurdity without flinching—and reveals the eternal human desire for intimacy, especially when it remains just out of reach.
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