McCaughan argues that the social power of activist artists emanates from their ability to provoke people to see, think, and act in innovative ways. Artists, he claims, help to create visual languages and spaces through which activists can imagine and perform new collective identities and forms of meaningful citizenship. The artists' work that he discusses remains vital today—in movements demanding fuller democratic rights and social justice for working people, women, ethnic communities, immigrants, and sexual minorities throughout Mexico and the United States. Integrating insights from scholarship on the cultural politics of representation with structural analyses of specific historical contexts, McCaughan expands our understanding of social movements.
Provides insight into the political currents that led to the Iranian revolution.
Before late 1978 Iran did not occupy a large place in the public mind, mass media, or academic pursuits. With the massive upheaval of the next few months, all this changed-and the world is still trying to catch up with the dramatic events that brought Iran to its attention. This volume offers a much needed look into the historical, social, and political developments leading up to the Iranian revolution. Bringing together a group of scholars, historians, and social scientists, most of them Iranian in origin, the book documents an extraordinary revolutionary heritage that predates this century.
Each contributor examines a critical moment in Iranian social history-on its own terms as well as within a larger theoretical and comparative context. The topics they take up include: • the Tobacco Rebellion of 1890-91 • the Constitutional Revolution of 1905-11 • the rise of Reza Khan between 1921 and 1925• the autonomy movement in Azerbaijan and Kurdistan after World War II• the oil nationalization movement under Musaddiq between 1951and 1953• the unrest of the 1960-63 period• the Iranian revolution of 1977-79 • the state of Iran since the revolution Thoughout, common themes emerge, especially the heterogeneous bases of Iranian social movements with respect to class, gender, and ethnicity, as well as the diverse discourses-nationalist, Islamic, socialist, populist, and radical-that have animated these movements. Representing a wide variety of perspectives and approaches, this volume provides crucial insight into the widely watched but poorly understood phenomenon of present-day Iran.Contributors: Janet Afary, Purdue University; John Foran, University of California, Santa Barbara; Amir Hassanpour, Uppsala University; Mansoor Moaddel, Eastern Michigan University; Val Moghadam, United Nations University; Misgah Parsa, Dartmouth College; Sussan Siavoshi, Trinity University; Michael Zirinsky, Boise State UniversityThis book champions social movements as one of the most influential agents that shape our conceptions of human rights.
Stammers argues that human rights cannot be properly understood outside of the context of social movement struggles. He explains how much of the literature on human rights has systematically obscured this link, consequently distorting our understandings of human rights.
Stammers identifies the contours of a new framework through which human rights can be understood. He suggests that what he calls the 'paradox of institutionalisation' can only be addressed through a recognition of the importance of human rights arising out of grassroots activism, and through processes of institutional democratisation.
In the three largest cities in Sweden, social movement “scenes”—networks of social movement actors and the places they inhabit—challenge threats such as gentrification. The geography of the built environment influences their ability to lay claim to urban space and to local political processes. In Making a Scene, Kimberly Creasap emphasizes that it is the centrality, concentration, and visibility of these scenes that make them most effective. Whereas some scenes become embedded as part of everyday life—as in Malmö—in contrast, scenes in Göteborg and Stockholm often fail to become part of the fabric of urban neighborhoods.
Creasap investigates key spaces for scenes, from abandoned industrial areas and punk clubs to street festivals, bookstores, and social centers, to show how activists create sites and develop structures of resistance that are anti-capitalist, anti-fascist, anti-gentrification, queer, and feminist. She also charts the relationship between scenes and city spaces to show these autonomous social movements create their own cultural landscapes. Making a Scene encourages critical thinking about spatiality and place in the sociology of social movements and the role of social movements as important actors in urban development.
The movement was met with violent repression. Participants were imprisoned, tortured, and even killed. Lynn Stephen emphasizes the crucial role of testimony in human rights work, indigenous cultural history, community and indigenous radio, and women's articulation of their rights to speak and be heard. She also explores transborder support for APPO, particularly among Oaxacan immigrants in Los Angeles. The book is supplemented by a website featuring video testimonials, pictures, documents, and a timeline of key events.
We live in the twilight of neoliberalism: the ruling classes can no longer rule as before, and ordinary people are no longer willing to be ruled in the old way. Pursued by global elites since the 1970s, neoliberalism is defined by dispossession and ever-increasing inequality. The refusal to continue to be ruled like this - "ya basta!" - appears in an arc of resistance stretching from rural India to the cities of the global North.
From this network of movements, new visions are emerging of a future beyond neoliberalism. We make our own History responds to these visions by reclaiming Marxism as a theory born from activist experience and practice.
This book marks a break both with established social movement theory, and with those forms of Marxism which treat the practice of social movement organising as an unproblematic process. It shows how movements can develop from local conflicts to global struggles; how neoliberalism operates as a social movement from above, and how popular struggles can create new worlds from below.
Women's grassroots activism in Latin America combines a commitment to basic survival for women and their children with a challenge to women's subordination to men. Women activists insist that issues such as rape, battering, and reproductive control cannot be divorced from women's concerns about housing, food, land, and medical care.
This innovative, comparative study explores six cases of women's grassroots activism in Mexico, El Salvador, Brazil, and Chile. Lynn Stephen communicates the ideas, experiences, and perceptions of women who participate in collective action, while she explains the structural conditions and ideological discourses that set the context within which women act and interpret their experiences. She includes revealing interviews with activists, detailed histories of organizations and movements, and a theoretical discussion of gender, collective identity, and feminist anthropology and methods.
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