Ants are legion: at present there are 11,006 species of ant known; they live everywhere in the world except the polar icecaps; and the combined weight of the ant population has been estimated to make up half the mass of all insects alive today.

When we encounter them outdoors, ants fascinate us; discovered in our kitchen cupboards, they elicit horror and disgust. Charlotte Sleigh’s Ant elucidates the cultural reasons behind our varied reactions to these extraordinary insects, and considers the variety of responses that humans have expressed at different times and in different places to their intricate, miniature societies. Ants have figured as fantasy miniature armies, as models of good behavior, as infiltrating communists and as creatures on the borderline between the realms of the organic and the machine: in 1977 British Telecom hired ant experts to help solve problems with their massive information network.

This is the first book to examine ants in these and many other such guises, and in so doing opens up broader issues about the history of science and humans’ relations with the natural world. It will be of interest to anyone who likes natural history or cultural studies, or who has ever rushed out and bought a can of Raid™.

"[Charlotte Sleigh's] stylish, engaging and informative study deserves to win new members for the ant fan club."—Jonathan Bate, The Times

Weaving the natural history of the frog together with its mythology, this witty book answers questions like why frogs have been so prominent in science throughout the years and what place the frog holds in religion. Sleigh also explores the frog’s many faces—the devilish and comic, sophisticated and chauvinist, the revolting and delicious. Featuring many images of frogs from nature and culture, Frog—the fiftieth entry into the Animal series—will draw pet owners, frog-leg devourers, and seekers of princes alike.

As children, our first encounters with the world’s animals do not arise during expeditions through faraway jungles or on perilous mountain treks. Instead, we meet these creatures between the pages of a book, on the floor of an obliging library. Down through the centuries, illustrated books have served as our paper zoos, both documenting the world’s extraordinary wildlife in exquisite detail and revealing, in hindsight, how our relationship to and understanding of these animals have evolved over time.

In this stunning book, historian of science Charlotte Sleigh draws on the ultimate bibliophile’s menagerie—the collections of the British Library—to present a lavishly illustrated homage to this historical collaboration between art and science. Gathering together a breathtaking range of nature illustrations from manuscripts, prints, drawings, and rare printed books from across the world, Sleigh brings us face to face (or face to tentacle) with images of butterflies, beetles, and spiders, of shells, fish, and coral polyps. Organized into four themed sections—exotic, native, domestic, and paradoxical—the images introduce us to some of the world’s most renowned natural history illustrators, from John James Audubon to Mark Catesby and Ernst Haeckel, as well as to lesser-known artists. In her accompanying text, Sleigh traces the story of the art of natural history from the Renaissance through the great age of exploration and into the nineteenth century, offering insight into the changing connections between the natural and human worlds.

But the story does not end there. From caterpillars to crabs, langurs to dugongs, stick insects to Old English pigs; from the sinuous tail feathers of birds of paradise to the lime-green wings of New Zealand’s enormous flightless parrot, the kakapo; from the crenellated plates of a tortoise’s shell to imagined likenesses of unicorns, mermaids, and dinosaurs, the story continues in this book. It is a Paper Zoo for all time.