“If it were necessary, for some curious legal reason, to draw a clear line between human and nonhuman—for example, if a group of Australopithecines were to appear and one had to decide if they were to be protected by Fair Employment Laws or by the ASPCA—I would welcome them as humans if I knew that they were seriously concerned about how to bury their dead.” In this witty and wise way, Lawrence Slobodkin takes us on a spirited quest for the multiple meanings of simplicity in all facets of life.

Slobodkin begins at the beginning, with a consideration of how simplicity came into play in the development of religious doctrines. He nimbly moves on to the arts—where he ranges freely from dining to painting—and then focuses more sharply on the role of simplicity in science. Here we witness the historical beginnings of modern science as a search for the fewest number of terms, the smallest number of assumptions, or the lowest exponents, while still meeting criteria for descriptive accuracy. The result may be an elegant hypothetical system that generates the apparent world from less apparent assumptions, as with the Newtonian revolution; or it may mean deducing non-obvious processes from everyday facts, as with the Darwinian revolution.

Slobodkin proposes that the best intellectual work is done as if it were a game on a simplified playing field. He supplies serious arguments for considering the role of simplification and playfulness in all of our activities. The immediate effect of his unfailingly captivating essay is to throw open a new window on the world and to refresh our perspectives on matters of the heart and mind.

Behind every apparently placid surface there lies an unruly ocean of complexity. Fractals, chaos theory, and dissipative structures bear witness to these hidden complexities of the universe. Complementing these ideas in the sciences, fiction from the likes of Jorge Luis Borges, Italo Calvino, Thomas Pynchon, and Samuel Beckett reveals our deep-seated desire for simplicity while we are obliged to learn to cope with complexity. And painting, especially since Paul Cézanne, exposes the complexity pervading what we often wish to take simply as what there is. Simplicity and Complexity is about simplicity and complexity, order and disorder, as seen through the lenses of fiction, the sciences, and works of art. Floyd Merrell offers a nonmathematical account of chaos theory, fractal geometry, and the physics of complexity insofar as they are relevant to crucial facets of literature and painting created over the past century. Though his account is informal, he addresses technical concepts and philosophical questions, and sheds new light on the authors and painters he discusses. His radically interdisciplinary approach is within the mainstream of postmodern practices, yet it criticizes the tendency toward facile conclusions and sweeping generalizations regarding relations between the arts, the humanities, and the sciences. It brings a collection of disciplines under an umbrella that is protective of particular theories, concepts, methods, and practices, while revealing connecting threads in the tenuously linked web of all human endeavors to know the product of the mind and of the world. "Merrell gives inter-disciplinarity a new horizon and continues the dialogue between the sciences and literature in a way I have not seen since Hegel tried to pull it all together in his Encyclopedia." --Eugen Baer, Professor of Philosophy, Hobart and William Smith Colleges