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Magic Circles
The Beatles in Dream and History
Devin McKinney
Harvard University Press, 2003

No one expressed the heart and soul of the Sixties as powerfully as the Beatles did through the words, images, and rhythms of their music. In Magic Circles, Devin McKinney uncovers the secret history of a generation and a pivotal moment in twentieth-century culture. He reveals how the Beatles enacted the dream life of their time and shows how they embodied a kaleidoscope of desire and anguish for all who listened—hippies or reactionaries, teenage fans or harried parents, Bob Dylan or Charles Manson. The reader who dares to re-enter the vortex that was the Sixties will appreciate, perhaps for the first time, much of what lay beneath the social trauma of the day.

Delving into concerts and interviews, films and music, outtakes and bootlegs, Devin McKinney brings to bear the insights of history, aesthetics, sociology, psychology, and mythology to account for the depth and resonance of the Beatles’ impact. His book is also a uniquely multifaceted appreciation of the group’s artistic achievement, exploring their music as both timeless expression and visceral response to their historical moment. Starting in the cellars of Liverpool and Hamburg, and continuing through the triumph of Beatlemania, the groundbreaking studio albums, and the last brutal, sorrowful thrust of the White Album, Magic Circles captures both the dream and the reality of four extraordinary musicians and their substance as artists. At once an entrancing narrative and an analytical montage, the book follows the drama, comedy, mystery, irony, and curious off-ramps of investigation and inquiry that contributed to one of the most amazing odysseys in pop culture.

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Mary Climbs In
The Journeys of Bruce Springsteen's Women Fans
Lorraine Mangione
Rutgers University Press, 2023
Bruce Springsteen has been cherished by his fans for decades, from his early days playing high school gymnasiums through globally successful albums and huge stadium shows to solo performances in intimate theaters. As his long and illustrious career has evolved, the legendary devotion of his fans has remained a constant. Springsteen fans have become worthy of study in their own right, with books, memoirs, and even a movie documenting their passion and perspectives. But his fans are not monolithic, and surprisingly little attention has been paid to why so many women from across the world adore The Boss.
 
Mary Climbs In illuminates this once overlooked but increasingly important and multi-faceted conversation about female audiences for Springsteen’s music. Drawing on unique surveys of fans themselves, the study offers insight into women’s experiences in their own voices. Authors Lorraine Mangione and Donna Luff explore the depth of women fans’ connection to Springsteen and the profound ways this connection has shaped their lives. Reflections from fans enliven each page as readers journey through the camaraderie and joy of concerts, the sorrow and confusion of personal loss and suffering, the love and closeness of community, and the search for meaning and for the self. Viewed through a psychological lens, women fans’ relationship with Springsteen is revealed in all its complexity as never before. Mary Climbs In is an important interdisciplinary contribution to the growing field of Springsteen studies and a must-read for any fan.
 
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A Misfit's Manifesto
The Sociological Memoir of a Rock & Roll Heart
Gaines, Donna
Rutgers University Press, 2007

Dubbed the Margaret Mead of heavy metal, Donna Gaines is a walking, talking oxymoron, a turnpike intellectual. A Misfit's Manifesto is the story of her wild-in-the-burbs odyssey-from overweight yeshiva girl to savvy street-punk sociologist. Isolated, angry, and depressed through most of her adolescence and early adulthood, she found truth and beauty in the least likely places. Wandering the craggy terrain of Rockaway Beach, Queens, Gaines embarked upon a path to enlightenment involving sex, drugs, rock & roll, sociology, cosmetology, True Love, the occult, tattoos, science fiction, pizza, guns, comic books, and surfing-by Web and by sea.

For Gaines, dignity, joy, and communion came not from family, organized religion, or mandatory schooling, but in the sound of doo-wop, surf music, acid rock, then punk, trash metal, and hardcore. "For most of my life," she writes, "music was the only way to connect that wouldn't eventually kill me."

Through all the ripped nights of binge-drinking, pill-popping, and nightclubbing, Gaines became an acclaimed author, scholar, and expert on teen suicide. In an age of conformity and censorship, she defends popular culture as a powerful spiritual force-a vibrant, valid connection to God. A meditation on alienation and engagement, this memoir is an outcast's journey into the black-hole sun, where Divine love and light are found-even in Ramones songs.

This edition includes a scholarly introduction that considers memoir as a sociological as well as literary genre, as a reflexive means of understanding the self in social context while nurturing a sociological imagination. Social memoir, Gaines argues, illuminates problems like alienation, marginality, addiction, and suicide, while making sociology more user-friendly and public. Now this work of dazzling originality and iconoclasm that has inspired misfits everywhere is an ideal text for classroom use, making complex social theory exciting, timely, and relevant for students.


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Music Is Power
Popular Songs, Social Justice, and the Will to Change
Brad Schreiber
Rutgers University Press, 2024
Honorable Mention, 2019 Foreword INDIES Awards - Performing Arts & Music
Honorable Mention, Graphis 2021 Design Annual Competition​

Popular music has long been a powerful force for social change. Protest songs have served as anthems regarding war, racism, sexism, ecological destruction, and so many other crucial issues.
 
Music Is Power takes us on a guided tour through the past one hundred years of politically conscious music, from Pete Seeger and Woody Guthrie to Green Day and NWA. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk, and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches— angry rallying cries, mournful elegies to the victims of injustice, or even humorous mockeries of authority—to fight for a fairer world. While shining a spotlight on Phil Ochs, Gil Scott-Heron, the Dead Kennedys and other seminal, politicized artists, he also gives readers a new appreciation of classic acts such as Lesley Gore, James Brown, and Black Sabbath, who overcame limitations in their industry to create politically potent music
 
Music Is Power tells fascinating stories about the origins and the impact of dozens of world-changing songs, while revealing political context and the personal challenges of legendary artists from Bob Dylan to Bob Marley.

Supplemental material (Artist and Title List): https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2020/07/24001955/Music_Is_Power_Supplementary_Artist_Title_List.doc
 
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My Soul's Been Psychedelicized
Electric Factory: Four Decades in Posters and Photographs
Larry Magid
Temple University Press, 2011

On February 2, 1968, the Electric Factory, Philadelphia's first major venue for the era's new music, opened with a show featuring the Chambers Brothers. Performing their neosoul and gospel sounds in a warm and inviting venue, they declared, "My soul's been psychedelicized!"-a feeling that the Factory's cofounder, Larry Magid, has been experiencing ever since.

In My Soul's Been Psychedelicized, Magid presents a spectacular photographic history of the bands and solo acts that have performed at the Electric Factory and at other venues in Factory-produced concerts over the past four decades. The book includes concert posters, photographs, and promotional items featuring both rising stars and established performers, such as Pink Floyd, Jimi Hendrix, Bob Dylan, Bruce Springsteen, Bette Midler, Elvis Presley, Tina Turner, Pearl Jam and many, many more.

The images—candid and celebratory—create a one-of-a-kind history of rock and roll, from the wild 1960s to the Live Aid concert in 1985 and the closing of the Philadelphia Spectrum in 2009. Magid's vivid recollections constitute a who's who of pop music and culture. As one of the great concert producers, he shares his unique perspective on the business, talking about how it has changed and how lasting careers have been carefully developed.

For anyone who has ever attended a concert at the Electric Factory—or for anyone who missed a show—My Soul's Been Psychedelicized will bring back great memories of the music and the musicians.

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