front cover of Geology of Southeast Alaska
Geology of Southeast Alaska
Rock and Ice in Motion
Harold Stowell
University of Alaska Press, 2006
The most powerful forces on earth have shaped the landscape of Southeast Alaska. Scientists and visitors from around the world trek north to experience wild rivers, powerful glaciers, and breathtaking mountain peaks. Now, for the first time, a handy guide to the region is available. Complete with color illustrations revealing millions of years of geological history and in-depth descriptions of Sitka, Juneau, and Glacier Bay, Geology of Southeast Alaska is essential reading for anyone fascinated by rock and ice in motion.
Written by a geologist with over twenty-five years of experience in the north, Geology of Southeast Alaska will entertain and inform with abundant photographs and detailed drawings. Whether you want to understand the forces that shaped the state of Alaska, or you want to learn the basics of glacial movement, this compact, authoritative book is for you.
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front cover of Get Shown the Light
Get Shown the Light
Improvisation and Transcendence in the Music of the Grateful Dead
Michael Kaler
Duke University Press, 2023
Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music’s structure and listening experience: the incorporation of extended improvisation into live performances. While many bands—including Cream, Pink Floyd, and the Velvet Underground—stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead. In Get Shown the Light Michael Kaler examines how the Dead’s dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence. Drawing on band testimonials and analyses of early recordings, Kaler traces how the Dead developed an approach to playing music that they believed would facilitate their spiritual goals. He focuses on the band’s early years, the significance of their playing Ken Kesey’s Acid Test parties, and their evolving exploration of the myriad musical and spiritual possibilities that extended improvisation afforded. Kaler demonstrates that the Grateful Dead developed a radical new way of playing rock music as a means to unleash the spiritual and transformative potential of their music.
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front cover of Grit, Noise, and Revolution
Grit, Noise, and Revolution
The Birth of Detroit Rock 'n' Roll
David A. Carson
University of Michigan Press, 2011
". . . a great blow-by-blow account of an exciting and still-legendary scene."
---Marshall Crenshaw

From the early days of John Lee Hooker to the heyday of Motown and beyond, Detroit has enjoyed a long reputation as one of the crucibles of American pop music. In Grit, Noise, and Revolution, David Carson turns the spotlight on those hard-rocking, long-haired musicians-influenced by Detroit's R&B heritage-who ultimately helped change the face of rock 'n' roll.

Carson tells the story of some of the great garage-inspired, blue-collar Motor City rock 'n' roll bands that exemplified the Detroit rock sound: The MC5, Iggy Pop and the Stooges, Mitch Ryder and the Detroit Wheels, SRC, the Bob Seger System, Ted Nugent and the Amboy Dukes, and Grand Funk Railroad.

An indispensable guide for rock aficionados, Grit, Noise, and Revolution features stories of these groundbreaking groups and is the first book to survey Detroit music of the 1960s and 70s-a pivotal era in rock music history.
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front cover of Guitars, Bars, and Motown Superstars
Guitars, Bars, and Motown Superstars
Dennis Coffey
University of Michigan Press, 2009
"Guitarist Dennis Coffey was in that elite band of musicians who helped to create the Motown Sound."
---Edwin Starr

"There can never be enough stories told from the vantage point of Motown's fabled Snake Pit, from one of the journeyman musicians working behind the scenes. Guitars, Bars, and Motown Superstars also shows just how frenetic and creative the Detroit music scene was in the '60s and '70s. But it's Dennis Coffey's personal story that's most gripping: the journey from Motown, to Billboard's Top Ten, to working the line at Chevrolet."
---Susan Whitall, Detroit News; author of Women of Motown

Under Berry Gordy, Motown was a place where studio musicians usually stood in the shadows, unlike the solo stars whose names appeared on the albums. Gordy held a tight rein on his musicians, forbidding them from playing for other record companies and denying them credit on his records.

In Guitars, Bars, and Motown Superstars, author and guitarist Dennis Coffey tells how he slipped Gordy's draconian rules and went on to success as both a Motown musician and a million-selling solo artist. He offers a fascinating backstage look at the Detroit, L.A., and New York music scenes in the '60s and '70s, with side trips to the smoky clubs and funky studios where the Motown sound was born.

Coffey is credited with creating a lot of that sound, including the famous guitar intro to the Temptations' classic "Cloud Nine." He played on hundreds of Motown albums, and introduced such innovations as the Wah Wah pedal into the Motown recording studio.

Guitars, Bars, and Motown Superstars is an entertaining and amusing memoir of one of the most dynamic and influential periods in contemporary pop culture, and a unique insight into the ups and downs of the studio guitar-for-hire. It's also a look at the dizzying rags-to-riches-and-back-again career of a rock musician who went from million-seller with a house in the Hollywood Hills, and ultimately back to his roots in the Detroit area. A must for fans of Motown, rock, and you-are-there pop-culture history.
From "rock & roll kid" to honorary member of Motown's elite rhythm section the Funk Brothers, Dennis Coffey was one of Detroit's most in-demand session guitarists. After leaving Motown, Coffey became a regular at Hitsville USA, playing on records for Marvin Gaye, the Supremes, Stevie Wonder, Gladys Knight, and Junior Walker. Most recently he appeared in the documentary Standing in the Shadows of Motown.
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