Crossing the River presents a wide range of Nguyen Huy Thiep's short fiction, both realistic stories in contemporary settings and retellings of folk myths that serve as contemporary parables. When Thiep's stories first appeared in the 1980s, they set off a chain of debate, not only within intellectual and political circles, but also within the society at large. Typically, the struggles of his characters were about survival, not survival in the context of war or revolution, but survival in the context of the emotional and psychological strength it takes to live within the harsh confines of post-war Vietnamese society. Thiep captured the emotional quality of Vietnamese life in a way no other author had done, and his importance can be recognized today by his enormous influence on younger writers.

Raven and River leads young readers on a fantastical journey with a raven across the icy Alaska landscape on the verge of spring. Along the way, the raven’s sonorous cry wakes a cast of sleeping woodland creatures, including a bear, a beaver, a hare, and a squirrel—all of whom join him in imploring the still-frozen river to melt and thereby initiate the change of seasons. Packed with information and featuring vibrant full-color illustrations by Jon Van Zyle, Raven and River brings to life these two important harbingers of Alaska’s spring.

“John Hildebrand sets out in a canoe . . . to explore the great riverway of northwestern Canada and Alaska. . . . The geography is closely rendered and the characters especially sharply drawn. The country is filled with mad dropouts at river fish camps, good-hearted girls in the towns, sullen natives in tumbledown villages, cranky old-timers, terrible drunks and worse moralizers who live off the wild landscape and its abundant resources. . . . This is a fine work, and Hildebrand is a fine writer.”—Charles E. Little, Wilderness

Rademacher conducted research during a volatile period in Nepal’s political history. As clashes between Maoist revolutionaries and the government intensified, the riverscape became a site of competing claims to a capital city that increasingly functioned as a last refuge from war-related violence. In this time of intense flux, efforts to ensure, create, or imagine ecological stability intersected with aspirations for political stability. Throughout her analysis, Rademacher emphasizes ecology as an important site of dislocation, entitlement, and cultural meaning.

Diverse influences transformed the borderlands as Spain, Mexico, and the United States competed for control of the region. Indian slaves joined Spanish society; Mexicans allied with Indians to defend river communities; Anglo Americans and Mexicans intermarried and collaborated; and women sued to confront spousal abuse and to secure divorces. Drawn into multiple conflicts along the border, Mexican nationals and Mexican Texans (tejanos) took advantage of their transnational social relations and ambiguous citizenship to escape criminal prosecution, secure political refuge, and obtain economic opportunities. To confront the racialization of their cultural practices and their increasing criminalization, tejanos claimed citizenship rights within the United States and, in the process, created a new identity.

Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.

Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.

His name is inextricably linked with a single work, A Sand County Almanac, a classic of natural history literature and the conservationist's bible. This book brings together the best of Leopold's essays.

Blending travel narrative and poetic reflection, Stepping Twice Into the River takes readers on a journey through time, revealing both stability and change and offering prairie wisdom. An affectionate and shrewd observer, King illuminates the ordinary from the perspectives of history, science, and literature. In the hands of this gifted thinker and writer, local facts yield universal metaphor.

This novel is one of Dan Gerber's triumphs. From the author of American Atlas, Out of Control, and Grass Fires, Gerber's A Voice From the River followed Grass Fires to prominence on national bestseller lists. This novel once again affirms the Gerber's solid reputation for writing about the confrontation of the Spirit World and what some consider to be the Last of Days.

Georgie White Clark-adventurer, raconteur, eccentric--first came to know the canyons of the Colorado River by swimming portions of them with a single companion. She subsequently hiked and rafted portions of the canyons, increasingly sharing her love of the Colorado River with friends and acquaintances. At first establishing a part-time guide service as a way to support her own river trips, she went on to become perhaps the canyons' best-known river guide, introducing their rapids to many others-on the river, via her large-capacity rubber rafts, and across the nation, via magazine articles and movies. Georgie Clark saw the river and her sport change with the building of Glen Canyon Dam, enormous increases in the popularity of river running, and increased National Park Service regulation of rafting and river guides. Adjusting, though not always easily, to the changes, she helped transform an elite adventure sport into a major tourist activity.

The Mississippi River occupies a sacred place in American culture and mythology. Often called The Father of Rivers, it winds through American life in equal measure as a symbol and as a topographic feature. To the people who know it best, the river is life and a livelihood. River boatmen working the wide Mississippi are never far from land. Even in the dark, they can smell plants and animals and hear people on the banks and wharves.

Bonnie Stepenoff takes readers on a cruise through history, showing how workers from St. Louis to Memphis changed the river and were in turn changed by it. Each chapter of this fast-moving narrative focuses on representative workers: captains and pilots, gamblers and musicians, cooks and craftsmen. Readers will find workers who are themselves part of the country’s mythology from Mark Twain and anti-slavery crusader William Wells Brown to musicians Fate Marable and Louis Armstrong.