Poems that radiate with incredible artistic vision and writerly craft.

Pain, piercing, and language: with urgent lyricism and lacunae on the page, The Right Hand explores the physical, emotional, and philosophical experiences of chronic pain, bodywork (especially acupuncture), and healing.  In the second half of the collection, the poet spends extended time with Bernini's sculpture of St. Teresa in Ecstasy in Rome, finding this famous scene of wounding to be in dialogue with her own experience of pain, as well as her suspension between languages and spiritual isolation. In The Right Hand, the hidden sites of the body speak, and Bernini’s centuries-old arrow pierces us with hurting eloquence.
 

A labor of love and enthusiasm as well as deep scientific knowledge, Right Hand, Left Hand takes the reader on a trip through history, around the world, and into the cosmos, to explore the place of handedness in nature and culture. Chris McManus considers evidence from anthropology, particle physics, the history of medicine, and the notebooks of Leonardo to answer questions like: Why are most people right-handed? Are left-handed people cognitively different from right-handers? Why is the heart almost always on the left side of the body? Why does European writing go from left to right, while Arabic and Hebrew go from right to left? Why do tornadoes spin counter-clockwise in the northern hemisphere and clockwise in the southern hemisphere? And how do we know that Jack the Ripper was left-handed?

McManus reminds readers that distinctions between right and left have been profoundly meaningful--imbued with moral and religious meaning--in societies throughout history, and suggests that our preoccupation with laterality may originate in our asymmetric bodies, which emerged from 550 million years of asymmetric vertebrate evolution, and may even be linked to the asymmetric structure of matter. With speculations embedded in science, Right Hand, Left Hand offers entertainment and new insight to scientists and general readers alike.