front cover of A A Political Space
A A Political Space
Reading The Global Through Clayoquot Sound
Warren Magnusson
University of Minnesota Press, 2002

An innovative look at the convergence of global trends and local struggles in this out-of-the-way place.

On the remote outer coast of Vancouver Island in British Columbia, Clayoquot Sound might seem to be situated at the periphery of contemporary power and authority. And yet, as the disputed land of native peoples and the contentious site of corporate logging in one of the world’s last remaining temperate rain forests, Clayoquot Sound is also squarely in the middle of global politics today. These authors develop a new way of making sense of the rapidly changing character of political life in our day, revealing the political problems and possibilities inherent in the convergence of the global and the local so dramatically enacted in Clayoquot Sound.

Contributors: Umeek of Ahousaht (E. Richard Atleo), Malaspina U College, British Columbia; William Chaloupka, U of Montana; Thom Kuehls, Weber State U; Timothy W. Luke, Virginia Polytechnic; R. Michael M’Gonigle, U of Victoria; Catriona Sandilands, York U, Toronto; Gary C. Shaw, California State U, Stanislaus; R. B. J. Walker, Keele U, UK; Sharon Zukin, Brooklyn College and CUNY.rights: CAN
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front cover of The Art of Reading as a Way of Life
The Art of Reading as a Way of Life
On Nietzsche's Truth
Daniel T. O'Hara
Northwestern University Press, 2009
In The Art of Reading as a Way of Life: On Nietzsche’s Truth Daniel T. O’Hara traces critically the current reception and translation of Nietzsche’s corpus and then some of Nietzsche’s boldest textual experiments in the art of reading as a way of life, including those in The Birth of Tragedy, The Gay Science, Thus Spoke Zarathustra, The Anti-Christ, and Ecce Homo.

The shape of this critical tracing begins, however, in the middle of his career with The Gay Science andmoves on to Thus Spoke Zarathustra, which Nietzsche believed was the central work of his life. It then revalues Ecce Homo, Nietzsche’s final autobiographical statement about his life and career, and concludes with a comparative analysis of two works from the beginning and end of that career: respectively, The Birth of Tragedy and The Anti-Christ. O’Hara’s highly original study, which uses Badiou’s theory of the truth-event as a guide, will surely provoke larger conversations across many disciplines.

 

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