Amy Swanson’s Dancing Opacity chronicles the ways in which contemporary dancers in Senegal navigate the global contemporary dance circuit while challenging heteropatriarchal ideologies at home. A longstanding hub of African performing arts, Senegal was at the forefront of the explosion of contemporary dance across the continent at the turn of the twenty-first century. Drawing on ethnographic and historical research, Swanson demonstrates how Senegalese choreographers and dancers contend with entrenched racialized prejudices about Africa outside the continent, while pushing back against repressive regulations of gender and sexuality within Senegal. Swanson employs the concept of opacity, defined as a refusal to adhere to the colonial logic of transparency for dominant gazes and argues that artists create work with multiple layers of meaning that are not meant to be immediately transparent to all viewers. By doing so, these artists evade cultural norms that govern gender and sexual expression in Senegal, while challenging their international audiences to expand their perceptions of African dance. Dancing Opacity highlights the artists’ accounts of their pedagogies, performances, aesthetics, and lived realities, as well as Africanist conceptions of gender, sexuality, and queerness that have yet to be applied to contemporary dance.

In Survival of a Perverse Nation, Tamar R. Shirinian traces two widespread rhetorics of perversion—sexual and moral—in postsocialist Armenia, showing how they are tied to anxieties about the nation’s survival. In her fieldwork with Armenians, Shirinian found that right-wing nationalists’ focus on sexual perversion centers the figure of the homosexual, while questions of moral perversion surround oligarchs and other members of the political-economic elite. While the homosexual is seen as non- or improperly reproductive, the oligarch’s moral deviations from the caring and paternalistic expectations associated with national leadership also endanger Armenia’s survival. Shirinian shows how both figures threaten the nation’s proper social reproduction, a source of great anxiety for a nation whose primary point of identity is surviving genocide. In the existential threat posed by these forms of perversion Shirinian finds paths where nonsurvival might mean the creation of futures that are queerer and more just. Detailing how the language of perversion offers trenchant critiques of capitalism as a perversion of life, Shirinian presents a new queer theory of political economy.