What does it mean, and what should it mean to be human?
In this collection of essays, scholars place the philosophies and theories of animal studies and posthumanism into conversation with biblical studies. Authors cross and disrupt boundaries and categories through close readings of stories where the human body is invaded, possessed, or driven mad. Articles explore the ethics of the human use of animals and the biblical contributions to the question. Other essays use the image of lions—animals that appear not only in the wild, but also in the Bible, ancient Near Eastern texts, and philosophy—to illustrate the potential these theories present for students of the Bible. Contributors George Aichele, Denise Kimber Buell, Benjamin H. Dunning, Heidi Epstein, Rhiannon Graybill, Jennifer L. Koosed, Eric Daryl Meyer, Stephen D. Moore, Hugh Pyper, Robert Paul Seesengood, Yvonne Sherwood, Ken Stone, and Hannah M. Strømmen present an open invitation for further work in the field of posthumanism.
Features:
An unconventional take on the corpse challenges traditional conceptions of who—and what—counts as human, while offering bold insights into the modernist project
Too often regarded as the macabre endpoint of life, the corpse is rarely discussed and largely kept out of the public eye. In The Modernist Corpse, Erin E. Edwards unearths the critically important but previously buried life of the corpse, which occupies a unique place between biology and technology, the living and the dead. Exploring the posthumous as the posthuman, Edwards argues that the corpse is central to understanding relations between the human and its “others,” including the animal, the machine, and the thing.
From photographs of lynchings to documentation of World War I casualties, the corpse is also central to the modernist project. Edwards turns critical attention to the corpse through innovative, posthumanist readings of canonical thinkers such as William Faulkner, Jean Toomer, W. E. B. Du Bois, Mina Loy, Djuna Barnes, and Gertrude Stein, offering new insights into the intersections among race, gender, technical media, and matter presumed to be dead. Edwards’s expansive approach to modernism includes diverse materials such as Hollywood film, experimental photography, autopsy discourses, and the comic strip Krazy Kat, producing a provocatively broad understanding of the modernist corpse and its various “lives.”
The Modernist Corpse both establishes important new directions for modernist inquiry and overturns common thought about the relationship between living and dead matter.
From snakes to sheep, from hyenas to moths, from rural landscapes to childhood objects, this special issue examines the role of nonhuman alterity in the ethics of modernism. Drawing on the posthumanist theory of Jacques Derrida, Bruno Latour, Jane Bennett, and others, “Modernist Ethics and Posthumanism” offers original close readings of both canonical and more marginalized modernist figures. The contributors analyze unrecognizable creatures in D. H. Lawrence and Virginia Woolf; indeterminate animals in E. M. Forster; networks of human and nonhuman agents in Rainer Maria Rilke and Woolf; pacifism among people, animals, and things in Samuel Beckett; responsibility and rural environments in Mary Butts; and objects, both lost and found, and the threat of extinction in Elizabeth Bowen. What emerges from these essays is an account of modernist ethics that is embedded in relations between human and nonhuman and that gains its force through experiments in both content and form.
Derek Ryan is lecturer in modernist literature at the University of Kent and the author of Animal Theory: A Critical Introduction. Mark West is a recent PhD graduate of the University of Glasgow.
Contributors: Gabriel Hankins, Laci Mattison, Stephen Ross, Derek Ryan, Jeff Wallace, Sam Wiseman
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