Nalin Ranasinghe undertakes the monumentally brash assignment of accusing man and then offering his defense, precisely as Homer does of Odysseus in the Iliad. Odysseus is portrayed as a human being deserving of both. For this reason and Homer’s perceptive descriptions, Ranasinghe claims Homer’s epic is the cornerstone of Western civilization. The central insights herein compel Ranasinghe to admit the necessity of heeding its lessons today, of minding its characters and seeing them in action off the page and in our own world.

Predrag Cicovacki in his indispensable preface to the book, elucidates: “In Ranasinghe’s view, Odysseus is both the first recognizable human being and a model of curious and concupiscent human rationality that constantly strives toward the virtues of self-knowledge and moderation. Homer leads us to believe that the cosmos leans toward virtue, although its fundamental truths may be inherently unspeakable. This is the line of thought that Ranasinghe believes was further developed by Socrates, Plato, and Jesus, while being obscured by Aristotle, Augustine, and their followers. Homer’s later epic and his central insights are, according to Ranasinghe, the most fertile soil on which a humane civilization can grow and flourish.” 

Yet Ranasinghe ultimately says it best. “Homer must be read as the wisest Greeks did, not for fantastic tales of the Olympians but because his myths reveal eternal constants of the human state: the soul’s ruling passions and the possibility of knowing and educating these false gods. Wrestled with thus the Iliad becomes a cautionary tale, not one urging literal reading or mindless mimesis. It may always be that for the few who grasp Homer, many more will obey his gods or imitate his antiheroes; but the Odyssey hints that while its poet sees this potential for misuse, he is willing to take a noble risk and hope that eros can listen to and educate thumos. This faith is implicit in his tale of Achilles and the Trojan War. It is vital today that we see how the West’s end resembles its angry origins, as depicted in the Iliad. This is why Homer is said to be as fresh as the morning newspaper. His wisdom may outlive our literacy.” 

In this ambitious book, philosopher Otfried Höffe provides a sophisticated account of the principle of freedom and its role in the project of modernity. Höffe addresses a set of complex questions concerning the possibility of political justice and equity in the modern world, the destruction of nature, the dissolving of social cohesion, and the deregulation of uncontrollable markets. Through these considerations, he shows how the idea of freedom is central to modernity, and he assesses freedom’s influence in a number of cultural dimensions, including the natural, economic and social, artistic and scientific, political, ethical, and personal-metaphysical.

Neither rejecting nor defending freedom and modernity, he instead explores both from a Kantian point of view, looking closely at the facets of freedom’s role and the fundamental position it has taken at the heart of modern life. Expanding beyond traditional philosophy, Critique of Freedom develops the building blocks of a critical theory of technology, environmental protection, economics, politics, medicine, and education. With a sophisticated yet straightforward style, Höffe draws on a range of disciplines in order to clearly distinguish and appreciate the many meanings of freedom and the indispensable role they play in liberal society.

Are the “culture wars” over? When did they begin? What is their relationship to gender struggle and the dynamics of class? In her first full treatment of postcolonial studies, a field that she helped define, Gayatri Chakravorty Spivak, one of the world’s foremost literary theorists, poses these questions from within the postcolonial enclave.

“We cannot merely continue to act out the part of Caliban,” Spivak writes; and her book is an attempt to understand and describe a more responsible role for the postcolonial critic. A Critique of Postcolonial Reason tracks the figure of the “native informant” through various cultural practices—philosophy, history, literature—to suggest that it emerges as the metropolitan hybrid. The book addresses feminists, philosophers, critics, and interventionist intellectuals, as they unite and divide. It ranges from Kant’s analytic of the sublime to child labor in Bangladesh. Throughout, the notion of a Third World interloper as the pure victim of a colonialist oppressor emerges as sharply suspect: the mud we sling at certain seemingly overbearing ancestors such as Marx and Kant may be the very ground we stand on.

A major critical work, Spivak’s book redefines and repositions the postcolonial critic, leading her through transnational cultural studies into considerations of globality.