Anthony of Padua: Franciscan, Preacher, Teacher, Saint represents the culmination of a lifetime of scholarly work by Valentin Strappazzon (d. 2023) on Anthony of Padua and especially on his sermons and spirituality. About 20 years prior to this volume, he had penned a short overview of his life in the popular "Petites Vies" series in the French language. A few years before the publication of the book in question, he edited and published three significant volumes on the sermons of the saint. Although the present volume has been written in a less rigorous and erudite manner, it is intended to be a solid historical and analytical treatment for a wider reading public interested in the life and preaching of this fascinating medieval friar. Particular attention is given to explaining how and why Anthony, once he became a Franciscan living in France and Italy, became the focus of intense waves of popular devotion to whom numerous miracles and wonders came to be attributed both in the Middle Ages and even in our own time. Being the penultimate work of this author, written in French and lucidly translated by Michael F. Cusato, Anthony of Padua is a work of intelligence and reflection on a medieval figure who has too often only been the subject of piety rather than an assessment of the towering spiritual person that he was.

In the summer of 1591 students from the University of Padua attacked the local Jesuit college and successfully appealed to the Venetian Senate to intervene on behalf of the university. When the Jesuits were expelled from the Venetian dominion a few years later, religious censorship was virtually eliminated. The result was a remarkable era of cultural innovation that promoted free inquiry in the face of philosophical and theological orthodoxy, advocated libertine morals, critiqued the tyranny of aristocratic fathers over their daughters, and expanded the theatrical potential of grand opera.

In Padua a faction of university faculty, including Galileo Galilei and the philosopher Cesare Cremonini, pursued an open and free inquiry into astronomy and philosophy. In Venice some of Cremonini's students founded the Accademia degli Incogniti (Academy of the Unknowns), one of whose most notorious members was the brilliant polemicist Ferrante Pallavicino.

The execution of Pallavicino for his writings attacking Pope Urban VIII silenced the more outrageous members of the Incogniti, who soon turned to writing libretti for operas. The final phase of the Venetian culture wars pitted commercial opera, with its female performers and racy plot lines, against the decorous model of Jesuit theater. The libertine inclinations of the Incogniti suffuse many of the operas written in the 1640s, especially Monteverdi's masterpiece, L'Incoronazione di Poppea.

Edward Muir's exploration of an earlier age of anxiety reveals the distinguished past of today's culture wars, including debates about the place of women in society, the clash between science and faith, and the power of the arts to stir emotions.