front cover of The Art of Time
The Art of Time
Levinas, Ethics, and the Contemporary Peninsular Novel
Nina L. Molinaro
Bucknell University Press, 2019
Ethics, or the systematized set of inquiries and responses to the question “what should I do?” has infused the history of human narrative for more than two centuries. One of the foremost theorists of ethics during the twentieth century, Emmanuel Levinas (1906-1995) radicalized the discipline of philosophy by arguing that “the ethical” is the foundational moment for human subjectivity, and that human subjectivity underlies all of Western philosophy. Levinas’s voice is crucial to the resurging global attention to ethics because he grapples with the quintessential problem of alterity or “otherness,” which he conceptualizes as the articulation of, and prior responsibility to, difference in relation to the competing movement toward sameness.

Academicians and journalists in Spain and abroad have recently fastened on an emerging cluster of peninsular writers who, they argue, pertain to a discernible literary generation, provisionally referred to as Generación X. These writers are distinct from their predecessors; they and their literary texts are closely related to the specific socio-political and historical circumstances in Spain and their novels relate stories of more and less proximity, more and less responsibility, and more and less temporality. In short, they trace the temporal movement of alterity through narrative.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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The Deliverance of Others
Reading Literature in a Global Age
David Palumbo-Liu
Duke University Press, 2012
The Deliverance of Others is a compelling reappraisal of the idea that narrative literature can expand readers' empathy. What happens if, amid the voluminous influx of otherness facilitated by globalization, we continue the tradition of valorizing literature for bringing the lives of others to us, admitting them into our world and valuing the difference that they introduce into our lives? In this new historical situation, are we not forced to determine how much otherness is acceptable, as opposed to how much is excessive, disruptive, and disturbing?

The influential literary critic David Palumbo-Liu suggests that we can arrive at a sense of responsibility toward others by reconsidering the discourses of sameness that deliver those unlike ourselves to us. Through virtuoso readings of novels by J. M. Coetzee, Nadine Gordimer, Kazuo Ishiguro, and Ruth Ozeki, he shows how notions that would seem to offer some basis for commensurability between ourselves and others—ideas of rationality, the family, the body, and affect—become less stable as they try to accommodate more radical types of otherness. For Palumbo-Liu, the reading of literature is an ethical act, a way of thinking through our relations to others.

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Embodiments of Evil
Gog and Magog: Interdisciplinary Studies of the "Other" in Literature & Internet Texts
Edited by A. A. Seyed-Gohrab, F. Doufikar-Aerts, and S. McGlinn
Leiden University Press, 2011
One Word – Yak Kaleme was one of the first treatises in the Middle East to demonstrate that Islam is compatible with the introduction of modern western forms of government, and specifically that the principles of the sharia can be incorporated in a codified law comparable to that found in European countries. This was a daring argument in the late 19th century, when it was extremely difficult to convince the rulers and religious class that a civil code of law was needed: would it not diminish the status of the ruler, and would it not be an admission that the religious law, the sharia, was deficient? The author, Mirza Yu¯suf Kha¯n Mustashar al-Dawla (d. 1895), was a liberal-minded bureaucrat campaigning for reform of the absolutist system and the creation of one based on European principles of government. He held several posts abroad including St Petersburg (1854-62), and Paris (1867-71), as well as carrying out administrative duties in Iran itself. In One Word he argues that the principles underlying constitutional government can be found in Islamic sources, particularly in the Quran and traditions of the Prophet. Unlike some Oriental travellers to Europe at that time, he observed that European dominance was not derived from a few technological advances, but primarily from the organisation of society, on the basis of codified law. One Word was a significant text in the lead-up to the Iranian Constitutional Revolution of 1906, but its message is relevant today.
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Journeys from Scandinavia
Travelogues of Africa, Asia, and South America, 1840—2000
Elisabeth Oxfeldt
University of Minnesota Press, 2010
For all of the scholarship done on postcolonial literatures, little has been applied to Scandinavian writing. Yet, beginning with the onset of tourism beyond Scandinavia in the 1840s, a compelling body of prose works documents Scandinavian attitudes toward foreign countries and further shows how these Scandinavian travelers sought to portray themselves to uncharted cultures.
 
Focusing on Danish and Norwegian travelogues, Elisabeth Oxfeldt traces the evolution of Scandinavian travel writing over two centuries using pivotal texts from each era, including works by Hans Christian Andersen, Knut Hamsun, and Karen Blixen (Isak Dinesen). Oxfeldt situates each one in its historical and geopolitical context, and her close readings delineate how each travelogue reflects Scandinavia’s ongoing confrontation between Self and the non-European cultural Other.
 
A long-overdue examination of travel literature produced by some of Denmark and Norway’s greatest writers, Journeys from Scandinavia unpacks the unstable constructions of Scandinavian cultural and national identity and, in doing so, complicates the common assumption of a homogeneous, hegemonic Scandinavia.
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Nakagami, Japan
Buraku and the Writing of Ethnicity
Anne McKnight
University of Minnesota Press, 2010
How do you write yourself into a literature that doesn’t know you exist? This was the conundrum confronted by Nakagami Kenji (1946–1992), who counted himself among the buraku-min, Japan’s largest minority. His answer brought the histories and rhetorical traditions of buraku writing into the high culture of Japanese literature for the first time and helped establish him as the most canonical writer born in postwar Japan.

In Nakagami, Japan, Anne McKnight shows how the writer’s exploration of buraku led to a unique blend of fiction and ethnography—which amounted to nothing less than a reimagining of modern Japanese literature. McKnight develops a parallax view of Nakagami’s achievement, allowing us to see him much as he saw himself, as a writer whose accomplishments traversed both buraku literary arts and high literary culture in Japan.

As she considers the ways in which Nakagami and other twentieth-century writers used ethnography to shape Japanese literature, McKnight reveals how ideas about language also imagined a transfigured relation to mainstream culture and politics. Her analysis of the resulting “rhetorical activism” lays bare Nakagami’s unique blending of literature and ethnography within the context of twentieth-century ideas about race, ethnicity, and citizenship—in Japan, but also on an international scale.
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The Other Presences
Reading Literature Other-Wise after the Transnational Turn in American Studies
Florian Tatschner
Dartmouth College Press, 2019
Florian Tatschner examines an alternative mode of reading fictional texts in the context of North American literature through “reading other-wise”: a mode of reading that regards the other in narratives not merely as a discursive construct of alterity, but as a presencing of otherness that resists discursive fixity. Waldenfels’s phenomenology constitutes the foundational approach of this work, and Lyotard’s poststructuralist philosophy of language, with its distinction between discursivity and figurality, offers a suitable framework for negotiating the relation between otherness and alterity. Drawing on the increasingly significant term “presence” in connection with phenomenon of otherness, Tatschner attempts to close a scholarly gap in the discourse on aesthetics regarding cultural difference as well as the relation between presence and aesthetics in American studies.
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Romanticism and the Question of the Stranger
David Simpson
University of Chicago Press, 2012
In our post-9/11 world, the figure of the stranger—the foreigner, the enemy, the unknown visitor—carries a particular urgency, and the force of language used to describe those who are “different” has become particularly strong. But arguments about the stranger are not unique to our time. In Romanticism and the Question of the Stranger, David Simpson locates the figure of the stranger and the rhetoric of strangeness in romanticism and places them in a tradition that extends from antiquity to today.
 
Simpson shows that debates about strangers loomed large in the French Republic of the 1790s, resulting in heated discourse that weighed who was to be welcomed and who was to be proscribed as dangerous. Placing this debate in the context of classical, biblical, and other later writings, he identifies a persistent difficulty in controlling the play between the despised and the desired. He examines the stranger as found in the works of Coleridge, Austen, Scott, and Southey, as well as in depictions of the betrayals of hospitality in the literature of slavery and exploration—as in Mungo Park's Travels and Stedman's Narrative—and portrayals of strange women in de Staël, Rousseau, and Burney. Contributing to a rich strain of thinking about the stranger that includes interventions by Ricoeur and Derrida, Romanticism and the Question of the Stranger reveals the complex history of encounters with alien figures and our continued struggles with romantic concerns about the unknown.
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front cover of Strange Meetings
Strange Meetings
Anglo-German Literary Encounters from 1910 to 1960
Peter Edgerly Firchow
Catholic University of America Press, 2008
Building upon his earlier book The Death of the German Cousin (1986), renowned author Peter Edgerly Firchow focuses Strange Meetings on major modern British writers from Eliot to Auden and explores the development of British conceptions and misconceptions of Germany and Germans from 1910 to 1960.
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front cover of Victorian Lessons in Empathy and Difference
Victorian Lessons in Empathy and Difference
Rebecca N. Mitchell
The Ohio State University Press, 2011


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