Most scholarly speculation on the origin of human language has centered around speech. However, the growing understanding of sign languages on human development has transformed the debate on language evolution. David F. Armstrong’s new book Show of Hands: A Natural History of Sign Language casts a wide net in history and geography to explain how these visible languages have enriched human culture in general and how their study has expanded knowledge of the human condition.
Armstrong addresses the major theories of language evolution, including Noam Chomsky’s thesis of an innate human “organ” for language and Steven Pinker’s contention that there is language and not-language without any gradations between gesture and language. This engrossing survey proceeds with William C. Stokoe’s revival of the early anthropological cognitive-linguistic model of gradual development through the iconicity of sign languages. Armstrong ranges far to reveal the nature of sign languages, from the anatomy of early human ancestors to telling passages by Shakespeare, Dickens, and Pound, to the astute observations of Socrates, Lucretius, and Abbé de l’Epée on sign communication among deaf people. Show of Hands illustrates the remarkable development of sign languages in isolated Bedouin communities and among Australian indigenous peoples. It also explores the ubiquitous benefits of “Deaf Gain” and visual communication as they dovetail with the Internet and its mushrooming potential for the future.
The propensity to make music is the most mysterious, wonderful, and neglected feature of humankind: this is where Steven Mithen began, drawing together strands from archaeology, anthropology, psychology, neuroscience--and, of course, musicology--to explain why we are so compelled to make and hear music. But music could not be explained without addressing language, and could not be accounted for without understanding the evolution of the human body and mind. Thus Mithen arrived at the wildly ambitious project that unfolds in this book: an exploration of music as a fundamental aspect of the human condition, encoded into the human genome during the evolutionary history of our species.
Music is the language of emotion, common wisdom tells us. In The Singing Neanderthals, Mithen introduces us to the science that might support such popular notions. With equal parts scientific rigor and charm, he marshals current evidence about social organization, tool and weapon technologies, hunting and scavenging strategies, habits and brain capacity of all our hominid ancestors, from australopithecines to Homo erectus, Homo heidelbergensis and Neanderthals to Homo sapiens--and comes up with a scenario for a shared musical and linguistic heritage. Along the way he weaves a tapestry of cognitive and expressive worlds--alive with vocalized sound, communal mimicry, sexual display, and rhythmic movement--of various species.
The result is a fascinating work--and a succinct riposte to those, like Steven Pinker, who have dismissed music as a functionless evolutionary byproduct.
Explores the genesis of Islam for insight into the nature of ideological transformation.
The story of the origins of Islam provides a rich and suggestive example of sweeping cultural transformation. Incorporating both innovation and continuity, Islam built upon the existing cultural patterns among the peoples of the Arabian peninsula even as it threatened to eradicate these same patterns. In this provocative interdisciplinary study, Mohammed A. Bamyeh combines perspectives from sociology, literary studies, anthropology, and economic history to examine the cultural ecology that fostered Islam.
Highlighting the pivotal connections in pre-Islamic society between the emergence of certain economic practices (such as trade and money-based exchange), worldview (as rendered in pre-Islamic literature and theology), and the reconfiguration of transtribal patterns of solidarity and settlement, Bamyeh finds in the genesis of Islam a sophisticated model for examining ideological transformation in general.At the heart of Bamyeh’s enterprise are close readings of both the Qur’an and the pre-Islamic poetry that preceded it. Bamyeh uncovers in these texts narrative and pedagogical content, poetic structure, use of metaphor, and historical references that are suggestive of societies in transition. He also explores the expressive limits of the pre-Islamic literature and its transmutation into Qur’anic speech in the wake of social transformation. Emphasizing the organic connections between belief structures, economic formations, and modes of discourse in pre-Islamic Arabia, The Social Origins of Islam explains how various material and discursive changes made the idea of Islam possible at a particular point in history. More broadly, it persuasively demonstrates how grand cultural shifts give rise to new systems of faith.Ernst Mayr is perhaps the most distinguished biologist of the twentieth century, and Systematics and the Origin of Species may be one of his greatest and most influential books. This classic study, first published in 1942, helped to revolutionize evolutionary biology by offering a new approach to taxonomic principles and correlating the ideas and findings of modern systematics with those of other life science disciplines. This book is one of the foundational documents of the “Evolutionary Synthesis.” It is the book in which Mayr pioneered his new concept of species based chiefly on such biological factors as interbreeding and reproductive isolation, taking into account ecology, geography, and life history.
In his new Introduction for this edition, Mayr reflects on the place of this enduring work in the subsequent history of his field.
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