In American Catholic Hospitals, Barbra Mann Wall chronicles changes in Catholic hospitals during the twentieth century, many of which are emblematic of trends in the American healthcare system.
Wall explores the Church's struggle to safeguard its religious values. As hospital leaders reacted to increased political, economic, and societal secularization, they extended their religious principles in the areas of universal health care and adherence to the Ethical and Religious Values in Catholic Hospitals, leading to tensions between the Church, government, and society. The book also examines the power of women--as administrators, Catholic sisters wielded significant authority--as well as the gender disparity in these institutions which came to be run, for the most part, by men. Wall also situates these critical transformations within the context of the changing Church policy during the 1960s. She undertakes unprecedented analyses of the gendered politics of post-Second Vatican Council Catholic hospitals, as well as the effect of social movements on the practice of medicine.
When María Vela y Cueto (1561–1617) declared that God had personally ordered her to take only the Eucharist as food and to restore primitive dress and public penance in her aristocratic convent, the entire religious community, according to her confessor, “rose up in wrath.” Yet, when Vela died, her peers joined with the populace to declare her a saint. In her autobiography and personal letters, Vela speaks candidly of the obstacles, perils, and rewards of re-negotiating piety in a convent where devotion to God was no longer expressed through rigorous asceticism. Vela’s experience, told in her own words, reveals her shrewd understanding of the persuasive power of a woman’s body.
It is perhaps the critical issue of our time: How can we, as human beings, find ethical and sustainable ways to live with one another and with other living beings on this planet? Inviting us into the world of “green sisters,” this book provides compelling answers from a variety of religious communities.
Green sisters are environmentally active Catholic nuns who are working to heal the earth as they cultivate new forms of religious culture. Sarah McFarland Taylor approaches this world as an “intimate outsider.” Neither Roman Catholic nor member of a religious order, she is a scholar well versed in both ethnography and American religious history who has also spent time shucking garlic and digging vegetable beds with the sisters. With her we encounter sisters in North America who are sod-busting the manicured lawns around their motherhouses to create community-supported organic gardens; building alternative housing structures and hermitages from renewable materials; adopting the “green” technology of composting toilets, solar panels, fluorescent lighting, and hybrid vehicles; and turning their community properties into land trusts with wildlife sanctuaries.
Green Sisters gives us a firsthand understanding of the practice and experience of women whose lives bring together Catholicism and ecology, orthodoxy and activism, traditional theology and a passionate mission to save the planet. As green sisters explore ways of living a meaningful religious life in the face of increased cultural diversity and ecological crisis, their story offers hope for the future—and for a deeper understanding of the connections between women, religion, ecology, and culture.
The Irish-Catholic Sisters accomplished tremendously successful work in founding charitable organizations in New York City from the Irish famine through the early twentieth century. Maureen Fitzgerald argues that their championing of the rights of the poor—especially poor women—resulted in an explosion of state-supported services and programs.
Parting from Protestant belief in meager and means-tested aid, Irish Catholic nuns argued for an approach based on compassion for the poor. Fitzgerald positions the nuns' activism as resistance to Protestantism's cultural hegemony. As she shows, Roman Catholic nuns offered strong and unequivocal moral leadership in condemning those who punished the poor for their poverty and unmarried women for sexual transgression. Fitzgerald also delves into the nuns' own communities, from the class-based hierarchies within the convents to the political power they wielded within the city. That power, amplified by an alliance with the local Irish Catholic political machine, allowed the women to expand public charities in the city on an unprecedented scale.
Journey of Five Capuchin Nuns contains all the elements of a riveting adventure story. Through the eyes of the Mother Abbess, María Rosa, the reader is taken along on this journey through wars, pirates, disease, travel on the high seas, and treacherous mountain passes in the Andes. Five nuns set out in the early 1700s from their cloistered convent in Madrid, Spain, to travel halfway around the world to Lima, Peru. The journey lasted three years—an odyssey not all of them would complete. Yet, this unique historical document is so much more than a typical travel narrative. It illuminates the eighteenth-century way of life of religious women on both sides of the Atlantic basin. María Rosa’s lively prose attests to the literary connection among women religious writers of Spain and Latin America. This annotated edition and first-ever English translation of the manuscript will be of interest to scholars, students and anyone who wants to learn more about women’s history.
In the 1960s, a number of Catholic women religious in the United States abandoned traditional apostolic works to experiment with new and often unprecedented forms of service among non-Catholics. Amy Koehlinger explores the phenomenon of the "new nun" through close examination of one of its most visible forms--the experience of white sisters working in African-American communities. In a complex network of programs and activities Koehlinger describes as the "racial apostolate," sisters taught at African-American colleges in the South, held racial sensitivity sessions in integrating neighborhoods, and created programs for children of color in public housing projects.
Engaging with issues of race and justice allowed the sisters to see themselves, their vocation, and the Church in dramatically different terms. In this book, Koehlinger captures the confusion and frustration, as well as the exuberance and delight, they experienced in their new Christian mission. Their increasing autonomy and frequent critiques of institutional misogyny shaped reforms within their institute and sharpened a post-Vatican II crisis of authority.
From the Selma march to Chicago's Cabrini Green housing project, Amy Koehlinger illuminates the transformative nature of the nexus of race, religion, and gender in American society.
Witchcraft. Arson. Going AWOL. Some nuns in sixteenth- and seventeenth-century Italy strayed far from the paradigms of monastic life. Cloistered in convents, subjected to stifling hierarchy, repressed, and occasionally persecuted by their male superiors, these women circumvented authority in sometimes extraordinary ways. But tales of their transgressions have long been buried in the Vatican Secret Archive. That is, until now.
In Nuns Behaving Badly, Craig A. Monson resurrects forgotten tales and restores to life the long-silent voices of these cloistered heroines. Here we meet nuns who dared speak out about physical assault and sexual impropriety (some real, some imagined). Others were only guilty of misjudgment or defacing valuable artwork that offended their sensibilities. But what unites the women and their stories is the challenges they faced: these were women trying to find their way within the Catholicism of their day and through the strict limits it imposed on them. Monson introduces us to women who were occasionally desperate to flee cloistered life, as when an entire community conspired to torch their convent and be set free. But more often, he shows us nuns just trying to live their lives. When they were crossed—by powerful priests who claimed to know what was best for them—bad behavior could escalate from mere troublemaking to open confrontation.
In resurrecting these long-forgotten tales and trials, Monson also draws attention to the predicament of modern religious women, whose “misbehavior”—seeking ordination as priests or refusing to give up their endowments to pay for priestly wrongdoing in their own archdioceses—continues even today. The nuns of early modern Italy, Monson shows, set the standard for religious transgression in their own age—and beyond.
Mexico’s leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Inés de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age.
Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine’s protégée. For five years she enjoys the pleasures of life at court—then abruptly, at twenty, enters a convent for life. Yet, no recluse, she transforms the convent locutory into a literary and intellectual salon; she amasses an impressive library and collects scientific instruments, reads insatiably, composes poems, and corresponds with literati in Spain. To the consternation of the prelates of the Church, she persists in circulating her poems, redolent more of the court than the cloister. Her plays are performed, volumes of her poetry are published abroad, and her genius begins to be recognized throughout the Hispanic world. Suddenly she surrenders her books, forswears all literary pursuits, and signs in blood a renunciation of secular learning. The rest is silence. She dies two years later, at forty-six.
Octavio Paz has long been intrigued by the enigmas of Sor Juana’s personality and career. Why did she become a nun? How could she renounce her lifelong passion for writing and learning? Such questions can be answered only in the context of the world in which she lived. Paz gives a masterly portrayal of the life and culture of New Spain and the political and ideological forces at work in that autocratic, theocratic, male-dominated society, in which the subjugation of women was absolute.
Just as Paz illuminates Sor Juana’s life by placing it in its historical setting, so he situates her work in relation to the traditions that nurtured it. With critical authority he singles out the qualities that distinguish her work and mark her uniqueness as a poet. To Paz her writings, like her life, epitomize the struggle of the individual, and in particular the individual woman, for creative fulfillment and self-expression.
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