Expanding the insights of Arlette Farge and Michel Foucault’s Disorderly Families into policing, public order, (in)justice, and daily life
What might it mean for ordinary people to intervene in the circulation of power between police and the streets, sovereigns and their subjects? How did the police come to understand themselves as responsible for the circulation of people as much as things—and to separate law and justice from the maintenance of a newly emergent civil order? These are among the many questions addressed in the interpretive essays in Archives of Infamy.
Crisscrossing the Atlantic to bring together unpublished radio broadcasts, book reviews, and essays by historians, geographers, and political theorists, Archives of Infamy provides historical and archival contexts to the recent translation of Disorderly Families by Arlette Farge and Michel Foucault. This volume includes new translations of key texts, including a radio address Foucault gave in 1983 that explains the writing process for Disorderly Families; two essays by Foucault not readily available in English; and a previously untranslated essay by Farge that describes how historians have appropriated Foucault.
Archives of Infamy pushes past old debates between philosophers and historians to offer a new perspective on the crystallization of ideas—of the family, gender relations, and political power—into social relationships and the regimes of power they engender.
Contributors: Roger Chartier, Collège de France; Stuart Elden, U of Warwick; Arlette Farge, Centre national de recherche scientifique; Michel Foucault (1926–1984); Jean-Philippe Guinle, Catholic Institute of Paris; Michel Heurteaux; Pierre Nora, École des Hautes Études en Sciences Sociales; Michael Rey (1953–1993); Thomas Scott-Railton; Elizabeth Wingrove, U of Michigan.
The third volume of Pierre Nora’s monumental work documenting the history and culture of France turns to French manners, mores, and society. While previous volumes focused on specific historical events, people, and institutions within France, the essays in Legacies are concerned with the kinds of things that make up the heart of French culture: conversation, cafés, songs, wine, gallantry, and places imbued with national symbolism such as Notre Dame and Sacré Coeur cathedrals. Linking these diverse topics together is the idea of patrimony—a term used by the French to designate the collective culture of the country or its national heritage—a concept that has undergone radical changes beginning with the Revolution and corresponding to other dramatic ruptures throughout France’s history.
As a whole, these twelve essays by leading French historians add up to an illuminating and well-rounded portrait of those cherished traditions that together form the basic foundation for the distinctive culture of the French.
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