Human ecology is an emerging discipline that studies the interrelationships between humans and their environment, drawing on insights from biology, sociology, anthropology, geography, engineering, architecture, landscape architecture, planning, and conservation. A vast, multidisciplinary literature underscores this approach, and in Human Ecology, noted landscape planner Frederick Steiner synthesizes the work of diverse, sometimes divergent, scholars to illustrate how human interactions can be understood as ecological relationships, using hierarchy as an organizing device.

Steiner builds on the work of leading thinkers including Christopher Alexander, William Cronon, Clifford Geertz, James Lovelock, Eugene Odum, Paul Shepard, Anne Whiston Spirn, E. O. Wilson, Gerald Young, and many others to present a historical and analytical examination of how humans interact with each other as well as with other organisms and their surroundings.

The first two chapters summarize the development of this "new ecology" and the theory of human ecology. The remainder of the book provides an accessible introduction to the major elements of human ecological theory including language, culture, and technology; structure, function, and change; edges and boundaries; interaction, integration, and institution; diversity; and adaptation. The chapters are organized hierarchically from the smallest scale to the largest with each chapter addressing a specific level as an ecosystem. The final chapter probes some of the ethical implications of this new field.

Human Ecology brings together for the first time scholarship from the social and natural sciences as well as the environmental design arts to offer an overview of the field of human ecology and to show how the field may help us to envision our futures. While the approach is largely theoretical, it has broad policy and practical implications, and represents an important new work for anyone concerned with interactions between humans and the environment.

Humans have always been influenced by natural landscapes, and always will be—even as we create ever-larger cities and our developments fundamentally change the nature of the earth around us. In Human Ecology, noted city planner and landscape architect Frederick Steiner encourages us to consider how human cultures have been shaped by natural forces, and how we might use this understanding to contribute to a future where both nature and people thrive.
 
Human ecology is the study of the interrelationships between humans and their environment, drawing on diverse fields from biology and geography to sociology, engineering, and architecture. Steiner admirably synthesizes these perspectives through the lens of landscape architecture, a discipline that requires its practitioners to consciously connect humans and their environments.  After laying out eight principles for understanding human ecology, the book’s chapters build from the smallest scale of connection—our homes—and expand to community scales, regions, nations, and, ultimately, examine global relationships between people and nature.
 
In this age of climate change, a new approach to planning and design is required to envision a livable future. Human Ecology provides architects, landscape architects, urban designers, and planners—and students in those fields— with timeless principles for new, creative thinking about how their work can shape a vibrant, resilient future for ourselves and our planet.

Threats to biodiversity, food shortages, urban sprawl . . . lessons for environmental problems that confront us today may well be found in the past. The archaeological record contains hundreds of situations in which societies developed long-term sustainable relationships with their environments—and thousands in which the relationships were destructive. Charles Redman demonstrates that much can be learned from an improved understanding of peoples who, through seemingly rational decisions, degraded their environments and threatened their own survival. By discussing archaeological case studies from around the world—from the deforestation of the Mayan lowlands to soil erosion in ancient Greece to the almost total depletion of resources on Easter Island—Redman reveals the long-range coevolution of culture and environment and clearly shows the impact that ancient peoples had on their world. These case studies focus on four themes: habitat transformation and animal extinctions, agricultural practices, urban growth, and the forces that accompany complex society. They show that humankind's commitment to agriculture has had cultural consequences that have conditioned our perception of the environment and reveal that societies before European contact did not necessarily live the utopian existences that have been popularly supposed. Whereas most books on this topic tend to treat human societies as mere reactors to environmental stimuli, Redman's volume shows them to be active participants in complex and evolving ecological relationships. Human Impact on Ancient Environments demonstrates how archaeological research can provide unique insights into the nature of human stewardship of the Earth and can permanently alter the way we think about humans and the environment.

Four-fifths of Americans now live in the nation's sprawling metropolitan areas, and half of the world's population is now classified as "urban." As cities become the dominant living evironment for humans, there is growing concern about how to make such places more habitable, more healthy and safe, more ecological, and more equitable—in short, more "humane."

This book explores the prospects for a more humane metropolis through a series of essays and case studies that consider why and how urban places can be made greener and more amenable. Its point of departure is the legacy of William H. Whyte (1917-1999), one of America's most admired urban thinkers. From his eyrie high above Manhattan in the offices of the Rockefeller Brothers Fund, Whyte laid the foundation for today's "smart growth" and "new urbanist" movements with books such as The Last Landscape (1968). His passion for improving the habitability of cities and suburbs is reflected in the diverse grassroots urban design and regreening strategies discussed in this volume.

Topics examined in this book include urban and regional greenspaces, urban ecological restoration, social equity, and green design. Some of the contributors are recognized academic experts, while others offer direct practical knowledge of particular problems and initiatives. The editor's introduction and epilogue set the individual chapters in a broader context and suggest how the strategies described, if widely replicated, may help create more humane urban environments.

In addition to Rutherford H. Platt, contributors to the volume include Carl Anthony, Thomas Balsley, Timothy Beatley, Eugenie L. Birch, Edward J. Blakely, Colin M. Cathcart, Steven E. Clemants, Christopher A. De Sousa, Steven N. Handel, Peter Harnik, Michael C. Houck, Jerold S. Kayden, Albert LaFarge, Andrew Light, Charles E. Little, Anne C. Lusk, Thalya Parilla, Deborah E. Popper, Frank J. Popper, Mary V. Rickel, Cynthia Rosenzweig, Robert L. Ryan, Laurin N. Sievert, Andrew G. Wiley-Schwartz, and Ann Louise Strong.

Included in the back of the book is a DVD of a 22-minute film created by Ted White, which serves as a companion to the text.

This study traces how the environmental effects of industrialization reverberated through the cinema of Germany’s Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder.
 
Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema’s material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema’s relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema.