One animal left India in 1515, caged in the hold of a Portuguese ship, and sailed around Africa to Lisbon—the first of its species to see Europe for more than a thousand years. The other crossed the Atlantic from South America to Madrid in 1789, its huge fossilized bones packed in crates, its species unknown. How did Europeans three centuries apart respond to these two mysterious beasts—a rhinoceros, known only from ancient texts, and a nameless monster? As Juan Pimentel explains, the reactions reflect deep intellectual changes but also the enduring power of image and imagination to shape our understanding of the natural world.

We know the rhinoceros today as “Dürer’s Rhinoceros,” after the German artist’s iconic woodcut. His portrait was inaccurate—Dürer never saw the beast and relied on conjecture, aided by a sketch from Lisbon. But the influence of his extraordinary work reflected a steady move away from ancient authority to the dissemination in print of new ideas and images. By the time the megatherium arrived in Spain, that movement had transformed science. When published drawings found their way to Paris, the great zoologist Georges Cuvier correctly deduced that the massive bones must have belonged to an extinct giant sloth. It was a pivotal moment in the discovery of the prehistoric world.

The Rhinoceros and the Megatherium offers a penetrating account of two remarkable episodes in the cultural history of science and is itself a vivid example of the scientific imagination at work.

A tuneful natural and cultural history of this globally renowned songbird.
 
The robin is a small bird with a distinctive ruddy breast, at once a British national treasure and a bird with a global reputation. In this superbly illustrated account, Helen F. Wilson looks at many aspects of the cherished robin, from its status as a harbinger of seasonal change and, in the United Kingdom, an icon of Christmas, to its place in fairy tales, environmental campaigns, and scientific discovery. In moving between cultural and natural histories, Robin asks wide-ranging questions, such as how did the robin’s name travel the world? Why is the robin so melancholy? Who was Cock Robin? And how has the history of the color red shaped the robin’s ambivalent associations and unusual origin stories?

Flowers bring joy and beauty to our lives, from the smallest patch of daisies outside our window to the elaborate floral decorations on display at weddings, banquets, and funerals. As well as offering aesthetic benefits, they teach us much about how the world works -- each blossom is a living factory that manufactures organs and compounds ranging from the flavonoids that make a rose red to the pollen that gives us hayfever.In The Rose's Kiss, botanist Peter Bernhardt rekindles our sense of wonder at the plant life all around us. He presents a fascinating and wide ranging look at the natural history of flowers -- their forms and functions as well as their hidden interactions with the surrounding environment and the other living organisms they depend upon for survival. Using both familiar and exotic examples, he examines: flower architecture, including the wonderfully descriptive names of floral parts and their respective roles in a plant's life-cycle the secret exchange between a bud and its environment that determines blooming time and the lifespan of individual blossoms colors, scents, and other mechanisms that plants use to attract pollinators and keep them returning season after season the incredible diversity of organisms that pollinate plants -- cockroaches, flies, moths, parrots, hummingbirds, bats, and others extinct plants and their fossil blossoms, showing the evolution of flowering plants over the past 125 million years and much moreDelightfully interwoven with intriguing facts and stories from history, folklore, and mythology, The Rose's Kiss is a wonderful example of literary science writing at its best. It should hold wide appeal for nature lovers, garden enthusiasts, and anyone interested in learning more about the inner workings of the natural world.