front cover of Faith in the Market
Faith in the Market
Religion and the Rise of Urban Commercial Culture
Edited by John M. Giggie and Diane Winston
Rutgers University Press, 2002
Scholars have long assumed that industrialization and the growth of modern cities signaled a decline of religious practice among urban dwellers - that urban commercial culture weakened traditional religious ties by luring the faithful away from their devotional practice. Spanning many disciplines, the essays in this volume challenge this notion of the "secular city" and examine how members of metropolitan houses of worship invented fresh expressions of religiosity by incorporating consumer goods, popular entertainment, advertising techniques, and marketing into their spiritual lives. Faith in the Market explores phenomena from Salvation Army "slum angels" to the "race movies" of the mid-twentieth century, from Catholic teens' modest dress crusades to Black Muslim artists. The contributors-integrating gender, performance, and material culture studies into their analyses-reveal the many ways in which religious groups actually embraced commercial culture to establish an urban presence. Although the city streets may have proved inhospitable to some forms of religion, many others, including evangelicalism, Catholicism, and Judaism, assumed rich and complex forms as they developed in vital urban centers.
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front cover of A Handbook for EMC Testing and Measurement
A Handbook for EMC Testing and Measurement
David Morgan
The Institution of Engineering and Technology, 1994
During the 1980s the worldwide interest in electromagnetic compatibility (EMC) grew rapidly with the introduction of legislation to control the growing interference problems generated by the increased use of electronic equipment in industry and in the home. The European directive harmonising EMC measurements gave particular impetus to manufacturers and importers of electrical and electronic equipment in Europe to understand EMC design techniques and verification procedures. This book explains how equipment can be verified by testing. It discusses the nature of EMC standards world wide and describes in detail testing methods and their conduct and accuracy. In addition to standard EMC testing, topics including electrostatic discharge, nuclear electromagnetic pulse and lightning are also discussed.
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front cover of The Sacred Heart of Jesus
The Sacred Heart of Jesus
The Visual Evolution of a Devotion
David Morgan
Amsterdam University Press, 2008

From its origins in the mid-seventeenth century visions of the French nun Margaret Mary Alacoque (1647–90) to its continuing employment in worship today, the Devotion to the Sacred Heart of Jesus has been controversial. Vigorously promoted by Jesuit spiritual directors, embroiled in the controversies of Jansenist writers, closely associated with Royalist political causes in France, and taken around the world by Sister Sophie Barat in the nineteenth century, the Devotion’s practices took on the shape of its evolving visual culture and iconography. This volume traces the unfolding visual biography of the sacred heart and shows how imagery documents the Devotion’s remarkable evolution.

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front cover of Thomas Kinkade
Thomas Kinkade
The Artist in the Mall
Alexis L. Boylan, ed.
Duke University Press, 2011
Often featuring lighthouses, bridges, or quaint country homes, Thomas Kinkade’s soft-focus landscapes have permeated American visual culture during the past twenty years, appearing on everything from Bibles to bedsheets to credit cards. Kinkade sells his work through his shopping-mall galleries, QVC, the Internet, and Christian stores. He is quite possibly the most collected artist in the United States. While many art-world and academic critics have dismissed him as a passing fad or marketing phenomenon, the contributors to this collection do not. Instead, they explore his work and its impact on contemporary art as part of the broader history of American visual culture. They consider Kinkade’s imagery and career in relation to nineteenth-century Currier and Ives prints and Andres Serrano’s Piss Christ, the collectibles market and the fine-art market, the Thomas Kinkade Museum and Cultural Center, and “The Village at Hiddenbrooke,” a California housing development inspired by Kinkade’s paintings. The conceptual artist Jeffrey Vallance, the curator of the first major museum exhibition of Kinkade’s art and collectibles, recounts his experiences organizing that show. All of the contributors draw on art history, visual culture, and cultural studies as they seek to understand Kinkade’s significance for both art and audiences. Along the way, they delve into questions about beauty, class, kitsch, religion, and taste in contemporary art.

Contributors. Julia Alderson, Alexis L. Boylan , Anna Brzyski, Seth Feman, Monica Kjellman-Chapin, Micki McElya, Karal Ann Marling, David Morgan, Christopher Pearson, Andrea Wolk Rager, Jeffrey Vallance

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