From one of the leading historians of the Jewish past comes a stunning look into a previously unexamined dimension of Jewish life and culture: the calendar. In the late sixteenth century, Pope Gregory XIII instituted a momentous reform of Western timekeeping, and with it a period of great instability. Jews, like all minority cultures in Europe, had to realign their time-keeping to accord with the new Christian calendar.
Elisheva Carlebach shows that the calendar is a complex and living system, constantly modified as new preoccupations emerge and old priorities fade. Calendars serve to structure time and activities and thus become mirrors of experience. Through this seemingly mundane and all-but-overlooked document, we can reimagine the quotidian world of early modern Jewry, of market days and sacred days, of times to avoid Christian gatherings and times to secure communal treasures. In calendars, we see one of the central paradoxes of Jewish existence: the need to encompass the culture of the other while retaining one’s own unique culture. Carlebach reveals that Jews have always lived in multiple time scales, and demonstrates how their accounting for time, as much as any cultural monument, has shaped Jewish life.
After exploring Judaica collections around the world, Carlebach brings to light these textually rich and beautifully designed repositories of Jewish life. With color illustrations throughout, this is an evocative illumination of how early modern Jewish men and women marked the rhythms and realities of time and filled it with anxieties and achievements.
Winner of the Norman B. Tomlinson, Jr. Prize
“The best large-scale synthesis in any language of what we currently know and understand about this multidimensional, cataclysmic conflict.”
—Richard J. Evans, Times Literary Supplement
In this monumental history of the First World War, Germany’s leading historian of the period offers a dramatic account of its origins, course, and consequences. Jörn Leonhard treats the clash of arms with a sure feel for grand strategy. He captures the slow attrition, the race for ever more destructive technologies, and the grim experiences of frontline soldiers. But the war was more than a military conflict and he also gives us the perspectives of leaders, intellectuals, artists, and ordinary men and women around the world as they grappled with the urgency of the moment and the rise of unprecedented political and social pressures. With an unrivaled combination of depth and global reach, Pandora’s Box reveals how profoundly the war shaped the world to come.
“[An] epic and magnificent work—unquestionably, for me, the best single-volume history of the war I have ever read…It is the most formidable attempt to make the war to end all wars comprehensible as a whole.”
—Simon Heffer, The Spectator
“[A] great book on the Great War…Leonhard succeeds in being comprehensive without falling prey to the temptation of being encyclopedic. He writes fluently and judiciously.”
—Adam Tooze, Die Zeit
“Extremely readable, lucidly structured, focused, and dynamic…Leonhard’s analysis is enlivened by a sharp eye for concrete situations and an ear for the voices that best convey the meaning of change for the people and societies undergoing it.”
—Christopher Clark, author of The Sleepwalkers
China’s bold program of reforms launched in the late 1970s—the move to a market economy and the opening to the outside world—ended the political chaos and economic stagnation of the Cultural Revolution and sparked China’s unprecedented economic boom. Yet, while the reforms made possible a rising standard of living for the majority of China’s population, they came at the cost of a weakening central government, increasing inequalities, and fragmenting society.
The essays of Barry Naughton, Joseph Fewsmith, Paul H. B. Godwin, Murray Scot Tanner, Lianjiang Li and Kevin J. O’Brien, Tianjian Shi, Martin King Whyte, Thomas P. Bernstein, Dorothy J. Solinger, David S. G. Goodman, Kristen Parris, Merle Goldman, Elizabeth J. Perry, and Richard Baum and Alexei Shevchenko analyze the contradictory impact of China’s economic reforms on its political system and social structure. They explore the changing patterns of the relationship between state and society that may have more profound significance for China than all the revolutionary movements that have convulsed it through most of the twentieth century.
An innovative history of the fashion industry, focusing on the connections between Paris and New York, art and finance, and design and manufacturing.
Fashion is one of the most dynamic industries in the world, with an annual retail value of $3 trillion and globally recognized icons like Coco Chanel, Christian Dior, and Yves Saint Laurent. How did this industry generate such economic and symbolic capital?
Focusing on the roles of entrepreneurs, designers, and institutions in fashion’s two most important twentieth-century centers, Paris to New York tells the history of the industry as a negotiation between art and commerce. In the late nineteenth century, Paris-based firms set the tone for a global fashion culture nurtured by artistic visionaries. In the burgeoning New York industry, however, the focus was on mass production. American buyers, trend scouts, and designers crossed the Atlantic to attend couture openings, where they were inspired by, and often accused of counterfeiting, designs made in Paris. For their part, Paris couturiers traveled to New York to understand what American consumers wanted and to make deals with local manufacturers for whom they designed exclusive garments and accessories. The cooperation and competition between the two continents transformed the fashion industry in the early and mid-twentieth century, producing a hybrid of art and commodity.
Véronique Pouillard shows how the Paris–New York connection gave way in the 1960s to a network of widely distributed design and manufacturing centers. Since then, fashion has diversified. Tastes are no longer set by elites alone, but come from the street and from countercultures, and the business of fashion has transformed into a global enterprise.
Many historians have attempted to understand the violent religious conflicts of the seventeenth century from viewpoints dominated by concepts of class, gender, and demography. But few studies have explored the cultural process whereby religious symbolism created social cohesion and political allegiance. This book examines religious conflict in the parish communities of early modern England using an interdisciplinary approach that includes all these perspectives.
Daniel Beaver studies the urban parish of Tewkesbury and six rural parishes in its hinterland over a period of one hundred years, drawing on local ecclesiastical court records, sermons, parish records, corporate minutes and charity books, and probate documents. He discusses the centrality of religious symbols and ceremonies in the ordering of local societies, particularly in local conceptions of place, personal identity, and the life cycle. Four phases in the transformation of parish communities emerge and are examined in this book.
This exploration of the interrelationship of religion, politics, and society, and the transformation of local communities in civil war, has a value beyond the particular history of early modern England, contributing to a broader understanding of religious revivals, fundamentalisms, and the persistent link between religion, nationalism, and ethnic identity in the modern world.
In 1961 South Korea was mired in poverty. By 1979 it had a powerful industrial economy and a vibrant civil society in the making, which would lead to a democratic breakthrough eight years later. The transformation took place during the years of Park Chung Hee's presidency. Park seized power in a coup in 1961 and ruled as a virtual dictator until his assassination in October 1979. He is credited with modernizing South Korea, but at a huge political and social cost.
South Korea's political landscape under Park defies easy categorization. The state was predatory yet technocratic, reform-minded yet quick to crack down on dissidents in the name of political order. The nation was balanced uneasily between opposition forces calling for democratic reforms and the Park government's obsession with economic growth. The chaebol (a powerful conglomerate of multinationals based in South Korea) received massive government support to pioneer new growth industries, even as a nationwide campaign of economic shock therapy-interest hikes, devaluation, and wage cuts-met strong public resistance and caused considerable hardship.
This landmark volume examines South Korea's era of development as a study in the complex politics of modernization. Drawing on an extraordinary range of sources in both English and Korean, these essays recover and contextualize many of the ambiguities in South Korea's trajectory from poverty to a sustainable high rate of economic growth.
In 1624 James I invited Parliament to discuss issues of war and peace, setting a precedent which would make yet another inroad into the ancient prerogatives of the crown. The so-called “Happy Parliament” dismayed the peace-loving King by supporting Prince Charles and the Duke of Buckingham in their demands for war with Spain.
Robert Ruigh presents an absorbing and authoritative analytic narrative of the proceedings between Parliament and the crown and their far-reaching constitutional and political consequences. His use of fifteen parliamentary diaries and other contemporary manuscripts has resulted in a balanced account which avoids the tendency to vilify the Stuarts and glorify the Commons, and which provides an integrated and perceptive picture of the Parliament. He presents an analysis of patronage in relation to the composition of the Commons and a reevaluation of historical generalizations about the senility and ineffectuality of King James during his declining years, the seizure of power by the Duke and the Prince and their management of Parliament, the precedent of free speech in foreign affairs, and the effect of Parliament on contemporary politics.
The essays in this pathbreaking collection consider the significance of varied early American fragmentary genres and practices—from diaries and poetry, to almanacs and commonplace books, to sermons and lists, to Indigenous ruins and other material shards and fragments—often overlooked by critics in a scholarly privileging of the “whole.” Contributors from literary studies, book history, and visual culture discuss a host of canonical and non-canonical figures, from Edward Taylor and Washington Irving to Mary Rowlandson and Sarah Kemble Knight, offering insight into the many intellectual, ideological, and material variations of “form” that populated the early American cultural landscape. As these essays reveal, the casting of the fragmentary as aesthetically eccentric or incomplete was a way of reckoning with concerns about the related fragmentation of nation, society, and self. For a contemporary audience, they offer new ways to think about the inevitable gaps and absences in our cultural and historical archive.
In his lifetime, French philosopher Jacques Maritain (1882–1973) achieved a reputation as both a leading Catholic intellectual and as an outspoken critic of antisemitism. Here historian Richard Francis Crane traces the development of Maritain’s opposition toward antisemitism and analyzes the Catholic appreciation of Judaism that animated his stance. Crane probes the writings and teachings of Maritain—from before, during, and after the Holocaust—and illuminates how his ideas altered Christian perceptions of Jews and Judaism during his lifetime and continue to do so today.
“In this rigorous and beautifully researched volume, Milanich considers the tension between social and biological definitions of fatherhood, and shows how much we still have to learn about what constitutes a father.”
—Andrew Solomon, author of Far from the Tree: Parents, Children, and the Search for Identity
For most of human history, the notion that paternity was uncertain appeared to be an immutable law of nature. The unknown father provided entertaining plotlines from Shakespeare to the Victorian novelists and lay at the heart of inheritance and child support disputes. But in the 1920s new scientific advances promised to solve the mystery of paternity once and for all. The stakes were high: fatherhood has always been a public relationship as well as a private one. It confers not only patrimony and legitimacy but also a name, nationality, and identity.
The new science of paternity, with methods such as blood typing, fingerprinting, and facial analysis, would bring clarity to the conundrum of fatherhood—or so it appeared. Suddenly, it would be possible to establish family relationships, expose adulterous affairs, locate errant fathers, unravel baby mix-ups, and discover one’s true race and ethnicity. Tracing the scientific quest for the father up to the present, with the advent of seemingly foolproof DNA analysis, Nara Milanich shows that the effort to establish biological truth has not ended the quest for the father. Rather, scientific certainty has revealed the fundamentally social, cultural, and political nature of paternity. As Paternity shows, in the age of modern genetics the answer to the question “Who’s your father?” remains as complicated as ever.
Paul Lafargue, disciple and son-in-law of Karl Marx, was among the most important persons giving organized political expression to Marxism in France. He helped found both the first French collectivist party and the first French Marxist party. He was the first Marxist to sit in the French legislature and for three decades served as the chief theoretician and propagandist for Marxism in France. With his wife, Laura, he translated the Communist Manifesto and other works, introducing and applying Marxist thought in France.
Demonstrating an almost seamless web between intellectual and family history, Leslie Derfler relates ideas and family identity in this account of the first forty years of Paul Lafargue’s life. Lafargue, like his famous father-in-law, called for ideological purity and demanded total hostility to anarchists and reformists. He insisted on economic determinism, the primacy of the concept of the class struggle, and the theory of surplus value. But he made his own contributions as well, particularly in his insistence on rejecting the domination of bourgeois values. Lafargue’s most famous pamphlet, The Right To Be Lazy, showed the advantages that labor could derive by rejecting the bourgeois work ethic. An intellectual of power, he pioneered in the application of Marxist methods of analysis to questions of anthropology, aesthetics, and literary criticism.
Born in Cuba of mixed racial descent, Lafargue joined in demonstrations as a medical student in Paris in the 1860s and was forced into exile. Resuming his studies in London, he became a fixture in the Marx household until he married Laura Marx and moved to Paris. There he worked to expand the influence of the International Workingmen’s Association, but fled to Spain following the general repression after the fall of the Paris Commune. He continued his efforts on behalf of Marxism in Spain and then for ten years in London before returning to France, where he helped to found the new Marxist Parti Ouvrier Français, in 1882.
Antiquarian, lawyer, and cat lover Nicolas Fabri de Peiresc (1580–1637) was a “prince” of the Republic of Letters and the most gifted French intellectual in the generation between Montaigne and Descartes. From Peiresc’s study in Aix-en-Provence, his insatiable curiosity poured forth in thousands of letters that traveled the Mediterranean, seeking knowledge of matters mundane and exotic. Mining the remarkable 70,000-page archive of this Provençal humanist and polymath, Peter N. Miller recovers a lost Mediterranean world of the early seventeenth century that was dominated by the sea: the ceaseless activity of merchants, customs officials, and ships’ captains at the center of Europe’s sprawling maritime networks. Peiresc’s Mediterranean World reconstructs the web of connections that linked the bustling port city of Marseille to destinations throughout the Western Mediterranean, North Africa, the Levant, and beyond.
“Peter Miller’s reanimation of Peiresc, the master of the Mediterranean, is the best kind of case study. It not only makes us appreciate the range and richness of one man’s experience and the originality of his thought, but also suggests that he had many colleagues in his deepest and most imaginative inquiries. Most important, it gives us hope that their archives too will be opened up by scholars skillful and imaginative enough to make them speak to us.”
—Anthony Grafton, New York Review of Books
Sofya Khagi’s Pelevin and Unfreedom: Poetics, Politics, Metaphysics is the first book-length English-language study of Victor Pelevin, one of the most significant and popular Russian authors of the post-Soviet era. The text explores Pelevin’s sustained Dostoevskian reflections on the philosophical question of freedom and his complex oeuvre and worldview, shaped by the idea that contemporary social conditions pervert that very notion.
Khagi shows that Pelevin uses provocative and imaginative prose to model different systems of unfreedom, vividly illustrating how the present world deploys hyper-commodification and technological manipulation to promote human degradation and social deadlock. Rather than rehearse Cold War–era platitudes about totalitarianism, Pelevin holds up a mirror to show how social control (now covert, yet far more efficient) masquerades as freedom and how eagerly we accept, even welcome, control under the techno-consumer system. He reflects on how commonplace discursive markers of freedom (like the free market) are in fact misleading and disempowering. Under this comfortably self-occluding bondage, the subject loses all power of self-determination, free will, and ethical judgment. In his work, Pelevin highlights the unprecedented subversion of human society by the techno-consumer machine. Yet, Khagi argues, however circumscribed and ironically qualified, he holds onto the emancipatory potential of ethics and even an emancipatory humanism.
This distinctive collection features writings from Grant Pick’s long, distinguished career in literary journalism. Pick had a uniquely open eye and ear for people who were in difficult situations, doing extraordinary things, or both. Most of his stories focus on interesting but overlooked Chicagoans, like the struggling owner of a laundrymat on the west side or the successful doctor who, as he faced his own death from cancer, strove to enlighten his colleagues in the field of medicine. As only a lifetime Chicagoan could, he described in tender detail the worlds in which people lived or worked, providing a look not just at one city’s citizens but at humanity as a whole.
Pick’s widow and son curate this showcase of some of his most well-remembered work, such as “The Rag Man of Lincoln Park” and “Brother Bill.” In these and all of his other works, Pick wrote from the front lines, speaking to people whom others might encounter everyday but never really see. He faithfully characterized his subjects, never denying them dignity or value and never judging them. In the mirror he held up to his city, Chicago could see the shared humanity of all its citizens.
A New York Times Book Review Editors’ Choice
“Everyone worried about the state of contemporary politics should read this book.”
—Anne-Marie Slaughter
“A trenchant survey from 1989, with its democratic euphoria, to the current map of autocratic striving.”
—David Remnick, New Yorker
The world is in turmoil. From Russia and Turkey across Europe to the United States, authoritarian populists have seized power as two core components of liberal democracy—individual rights and the popular will—are increasingly at war. As the role of money in politics has soared, a system of “rights without democracy” has taken hold. Populists who rail against this say they want to return power to the people. But in practice they create something just as bad: a system of “democracy without rights.” Yascha Mounk offers a clear and trenchant analysis of what ails our democracy and what it will take to get it back on track.
“Democracy is going through its worst crisis since the 1930s… But what exactly is the nature of this crisis? And what is driving it? The People vs. Democracy stands out in a crowded field for the quality of its answers to these questions.”
—The Economist
“Brilliant… As this superb book makes clear, we need both the liberal framework and the democracy, and bringing them back together is the greatest challenge of our time.”
—Los Angeles Times
“Extraordinary…provides a clear, concise, persuasive, and insightful account of the conditions that made liberal democracy work—and how the breakdown in those conditions is the source of the current crisis of democracy around the world.”
—The Guardian
At the Berlin Auto Show in 1938, Adolf Hitler presented the prototype for a small, oddly shaped, inexpensive family car that all good Aryans could enjoy. Decades later, that automobile—the Volkswagen Beetle—was one of the most beloved in the world. Bernhard Rieger examines culture and technology, politics and economics, and industrial design and advertising genius to reveal how a car commissioned by Hitler and designed by Ferdinand Porsche became an exceptional global commodity on a par with Coca-Cola.
Beyond its quality and low cost, the Beetle’s success hinged on its uncanny ability to capture the imaginations of people across nations and cultures. In West Germany, it came to stand for the postwar “economic miracle” and helped propel Europe into the age of mass motorization. In the United States, it was embraced in the suburbs, and then prized by the hippie counterculture as an antidote to suburban conformity. As its popularity waned in the First World, the Beetle crawled across Mexico and Latin America, where it symbolized a sturdy toughness necessary to thrive amid economic instability.
Drawing from a wealth of sources in multiple languages, The People’s Car presents an international cast of characters—executives and engineers, journalists and advertisers, assembly line workers and car collectors, and everyday drivers—who made the Beetle into a global icon. The Beetle’s improbable story as a failed prestige project of the Third Reich which became a world-renowned brand illuminates the multiple origins, creative adaptations, and persisting inequalities that characterized twentieth-century globalization.
Few institutions are as well suited as the monarchy to provide a window on postwar Japan. The monarchy, which is also a family, has been significant both as a political and as a cultural institution.
This comprehensive study analyzes numerous issues, including the role of individual emperors in shaping the institution, the manner in which the emperor’s constitutional position as symbol has been interpreted, the emperor’s intersection with politics through ministerial briefings, memories of Hirohito’s wartime role, nationalistic movements in support of Foundation Day and the reign-name system, and the remaking of the once sacrosanct throne into a “monarchy of the masses” embedded in the postwar culture of democracy. The author stresses the monarchy’s “postwarness,” rather than its traditionality.
The fight of an oppressed nation for its sovereignty has often dovetailed with that of a militant working class for social justice.
At every home game of FC Barcelona, at 17 minutes and 14 seconds of play, the 100,000-capacity Camp Nou stadium is filled by the roar of “IN-DE-PEN-DÈN-CI-A!” Time stops for a second. History lives in the present...
Catalonia's national consciousness has deep roots. There are countries twice the size with histories half as interesting. A People's History of Catalonia tells that history, from below, in all its richness and complexity. The region's struggle for independence has, for centuries, been violently resisted, the Catalan language suppressed and its leaders jailed.
From the peasant revolts of the 15th century and the siege of Barcelona in 1714, to defeat in the Spanish Civil War, and the slow re-emergence of the workers' movement and anti-Francoist resistance in the years that followed, Michael Eaude tells a compelling story whose ending has yet to be written.
In 2001, Prime Minister Koizumi Jun’ichirō launched a crusade to privatize Japan’s postal services. The plan was hailed as a necessary structural reform, but many bemoaned the loss of traditional institutions and the conservative values they represented. Few expected the plan to succeed, given the staunch opposition of diverse parties, but four years later it appeared that Koizumi had transformed not only the post office but also the very institutional and ideological foundations of Japanese finance and politics. By all accounts, it was one of the most astonishing political achievements in postwar Japanese history.
Patricia L. Maclachlan analyzes the interplay among the institutions, interest groups, and leaders involved in the system’s evolution from the early Meiji period until 2010. Exploring the postal system’s remarkable range of economic, social, and cultural functions and its institutional relationship to the Japanese state, this study shows how the post office came to play a leading role in the country’s political development. It also looks into the future to assess the resilience of Koizumi’s reforms and consider the significance of lingering opposition to the privatization of one of Japan’s most enduring social and political sanctuaries.
In a book addressing those interested in the transformation of monarchy into the modern state and in intersections of gender and political power, Katherine Crawford examines the roles of female regents in early modern France.
The reigns of child kings loosened the normative structure in which adult males headed the body politic, setting the stage for innovative claims to authority made on gendered terms. When assuming the regency, Catherine de Médicis presented herself as dutiful mother, devoted widow, and benign peacemaker, masking her political power. In subsequent regencies, Marie de Médicis and Anne of Austria developed strategies that naturalized a regendering of political structures. They succeeded so thoroughly that Philippe d’Orleans found that this rhetoric at first supported but ultimately undermined his authority. Regencies demonstrated that power did not necessarily work from the places, bodies, or genders in which it was presumed to reside.
While broadening the terms of monarchy, regencies involving complex negotiations among child kings, queen mothers, and royal uncles made clear that the state continued regardless of the king—a point not lost on the Revolutionaries or irrelevant to the fate of Marie-Antoinette.
A new exploration of how digital media assert the relevance of dance in a wired world
How has the Internet changed dance? Dance performances can now be seen anywhere, can be looped endlessly at user whim, and can integrate crowds in unprecedented ways. Dance practices are evolving to explore these new possibilities. In Perpetual Motion, Harmony Bench argues that dance is a vital part of civil society and a means for building participation and community. She looks at how, after 9/11, it became a crucial way of recuperating the common character of public spaces. She explores how crowdsourcing dance contributes to the project of performing a common world, as well as the social relationships forged when we look at dance as a gift in the era of globalization. Throughout, she asks how dance brings people together in digital spaces and what dance’s digital travels might mean for how we experience and express community.
From original research on dance today to political economies of digital media to the philosophy of dance, Perpetual Motion provides an ambitious, invigorating look at a commonly shared practice.
Drawing on German and French sources, Wolfgang Seibel traces the twisted process of political decision-making that shaped the fate of the Jews in German-occupied France during World War II. By analyzing the German-French negotiations, he reveals the underlying logic as well as the actual course of the bargaining process as both the Vichy Regime and the Germans sought a stable relationship. Yet that relationship was continually reshaped by the progress of the war, Germany’s deteriorating prospects, France’s economic and geopolitical position, and the Vichy government’s quest for domestic political support. The Jews’ suffering intensified when the Germans had the upper hand; but when the French felt empowered, the Vichy Regime stopped collaborating in the completion of the “final solution.” Persecution and Rescue: The Politics of the “Final Solution” in France, 1940–1944 demonstrates the ways in which political circumstances can mitigate—or foster—mass crime.
Pragmatism has been reinvented in every generation since its beginnings in the late nineteenth century. This book, by one of today’s most distinguished contemporary heirs of pragmatist philosophy, rereads cardinal figures in that tradition, distilling from their insights a way forward from where we are now.
Perspectives on Pragmatism opens with a new accounting of what is living and what is dead in the first three generations of classical American pragmatists, represented by Charles Sanders Peirce, William James, and John Dewey. Post-Deweyan pragmatism at midcentury is discussed in the work of Wilfrid Sellars, one of its most brilliant and original practitioners. Sellars’ legacy in turn is traced through the thought of his admirer, Richard Rorty, who further developed James’s and Dewey’s ideas within the professional discipline of philosophy and once more succeeded, as they had, in showing the more general importance of those ideas not only for intellectuals outside philosophy but for the wider public sphere.
The book closes with a clear description of the author’s own analytic pragmatism, which combines all these ideas with those of Ludwig Wittgenstein, and synthesizes that broad pragmatism with its dominant philosophical rival, analytic philosophy, which focuses on language and logic. The result is a treatise that allows us to see American philosophy in its full scope, both its origins and its promise for tomorrow.
The reforms initiated by Peter the Great transformed Russia not only into a European power, but into a European culture--a shift, argues James Cracraft, that was nothing less than revolutionary. The author of seminal works on visual culture in the Petrine era, Cracraft now turns his attention to the changes that occurred in Russian verbal culture.
The forceful institutionalization of the tsar's reforms--the establishment of a navy, modernization of the army, restructuring of the government, introduction of new arts and sciences--had an enormous impact on language. Cracraft details the transmission to Russia of contemporary European naval, military, bureaucratic, legal, scientific, and literary norms and their corresponding lexical and other linguistic effects. This crucial first stage in the development of a "modern" verbal culture in Russia saw the translation and publication of a wholly unprecedented number of textbooks and treatises; the establishment of new printing presses and the introduction of a new alphabet; the compilation, for the first time, of grammars and dictionaries of Russian; and the initial standardization, in consequence, of the modern Russian literary language. Peter's creation of the St. Petersburg Academy of Sciences, the chief agency advancing these reforms, is also highlighted.
In the conclusion to his masterwork, Cracraft deftly pulls together the Petrine reforms in verbal and visual culture to portray a revolution that would have dramatic consequences for Russia, and for the world.
The first study of its kind to appear in English, The Phenomenology of Merleau-Ponty is a sustained ontological reading of Merleau-Ponty which traces the evolution of his philosophy of being from his early work to his late, unfinished manuscripts and working notes. Merleau-Ponty, who contributed greatly to the theoretical foundations of hermeneutics, is here approached hermeneutically.
Most commentators are agreed that towards the end Merleau-Ponty’s philosophy underwent a strange and interesting mutation. The exact nature of this mutation or conceptual shift is what this study seeks to disclose. Thus, although Madison proceeds in a generally progressive, chronological fashion, examining Merleau-Ponty’s major works in the order of their composition, his reading is ultmately regressive in that Merleau-Ponty’s earlier works are viewed in the light of the new and enigmatic ontological orientation which makes its appearance in his later work. The merit of this approach is that, as Paul Ricoeur has remarked, it enables the author to expose the “anticipatory, hollowed-out presence” of Merleau-Ponty’s late philosophy “in the difficulties of his early phenomenology,” such that “the unifying intention between his first philosophy of meaning and the body and the late, more ontological philosophy is made manifest.”
This book begins with a detailed study of Merleau-Ponty’s two major early works, The Structure of BehaviorThe Phenomenology of Perception. In the following three chapters, Madison traces the development of Merleau-Ponty’s thought from the beginning to the end of his philosophical career in regard to three topics of special concern to the French phenomenologist: painting, language, philosophy. In the final chapter, he is concerned to articulate, as much as the unfinished state of Merleau-Ponty’s final work allows, the unspoken thought of this work and of The Visible and Invisible in particular. Merleau-Ponty’s notion of “wild being” and his attempt to work out an “indirect” or “negative” ontology are thoroughly analyzed.
In the end the reader will see that through his self-criticism and the development in his own phenomenology Merleau-Ponty has brought phenomenology itself to its limits and to the point where it must transcend itself as a philosophy of consciousness in the Husserlian sense if it is to remain faithful to Husserl’s own goal of bringing “experience to the full expression of its own meaning.” Because Madison submits Merleau-Ponty to the same kind of interpretive retrieval as the latter did with Husserl, Roger Cailloise has said of this “clear and very complete book” that it “goes will beyond a simple exposition and merits being read as an original work.”
In this illuminating collection, Charles Parsons surveys the contributions of philosophers and mathematicians who shaped the philosophy of mathematics over the course of the past century.
Parsons begins with a discussion of the Kantian legacy in the work of L. E. J. Brouwer, David Hilbert, and Paul Bernays, shedding light on how Bernays revised his philosophy after his collaboration with Hilbert. He considers Hermann Weyl’s idea of a “vicious circle” in the foundations of mathematics, a radical claim that elicited many challenges. Turning to Kurt Gödel, whose incompleteness theorem transformed debate on the foundations of mathematics and brought mathematical logic to maturity, Parsons discusses his essay on Bertrand Russell’s mathematical logic—Gödel’s first mature philosophical statement and an avowal of his Platonistic view.
Philosophy of Mathematics in the Twentieth Century insightfully treats the contributions of figures the author knew personally: W. V. Quine, Hilary Putnam, Hao Wang, and William Tait. Quine’s early work on ontology is explored, as is his nominalistic view of predication and his use of the genetic method of explanation in the late work The Roots of Reference. Parsons attempts to tease out Putnam’s views on existence and ontology, especially in relation to logic and mathematics. Wang’s contributions to subjects ranging from the concept of set, minds, and machines to the interpretation of Gödel are examined, as are Tait’s axiomatic conception of mathematics, his minimalist realism, and his thoughts on historical figures.
The Victorians were image obsessed. The middle decades of the nineteenth century saw an unprecedented growth in the picture industry. Technological advances enabled the Victorians to adorn with images the pages of their books and the walls of their homes. But this was not a wholly visual culture. Pictorial Victorians focuses on two of the most popular mid-nineteenth-century genres—illustration and narrative painting—that blurred the line between the visual and textual.
Illustration negotiated text and image on the printed page, while narrative painting juxtaposed the two media in its formulation of pictorial stories. Author Julia Thomas reassesses mid-nineteenth-century values in the light of this interplay. The dialogue between word and image generates meanings that are intimately related to the Victorians' image of themselves. Illustrations in Victorian publications and the narrative scenes that lined the walls of the Royal Academy reveal the Victorians' ideas about the world in which they lived and their notions of gender, class, and race.
Pictorial Victorians surveys a range of material, from representations of the crinoline, to the illustrations that accompanied Harriet Beecher Stowe’s novel Uncle Tom's Cabin and Tennyson's poetry, to paintings of adultery. It demonstrates that the space between text and image is one in which values are both constructed and questioned.
Pierre Guyotat est une figure majeure, avant même Tombeau pour cinq cent mille soldats et bien au-delà, de la mémoire de la guerre d’indépendance algérienne. Idiotie est l’une des œuvres récentes les plus importantes sur ce sujet. C’est le fait de la guerre, vécue en appelé jugé récalcitrant et mis au cachot, mais aussi des voyages post-indépendance, de la rencontre avec la langue, la géologie, la faune et la flore algériennes, de la défense publique de Mohamed Laïd Moussa. Les fictions, les carnets sont marqués par l’empreinte de la terre, des langues, des corps algériens.
Guyotat contribua aussi à établir, dans la création et l’action publique, des relations nouvelles avec l'Algérie, ses auteurs, comme avec celles et ceux qui, en France, venaient de ce pays.
Cet ouvrage offre la parole à des figures de la recherche et de la création issues d’Algérie, de France et d’ailleurs. Il permet de découvrir un regard unique sur l’Algérie, affectueux et savant, celui d’un des plus grands auteurs de langue française.
Contributions de Ferroudja Allouache, Amina Azza Bekkat, Catherine Brun, Donatien Grau, Denis Hollier, Karima Lazali, Gérard Nguyen Van Khan, Philippe Roger, Tiphaine Samoyault, Nadia Sebkhi, Todd Shepard, Noura Wedell.
China’s modern history has been marked by deep spatial inequalities between regions, between cities, and between rural and urban areas. Contemporary observers and historians alike have attributed these inequalities to distinct stages of China's political economy: the dualistic economy of semicolonialism, rural-urban divisions in the socialist period, and capital concentration in the reform era. In Pivot of China, Mark Baker shows how different states across twentieth-century China shaped these inequalities in similar ways, concentrating resources in urban and core areas at the expense of rural and regional peripheries.
Pivot of China examines this dynamic through the city of Zhengzhou, one of the most dramatic success stories of China’s urbanization: a railroad boomtown of the early twentieth century, a key industrial center and provincial capital of Henan Province in the 1950s, and by the 2020s a “National Central City” of almost ten million people. However, due to the spatial politics of resource concentration, Zhengzhou’s twentieth-century growth as a regional city did not kickstart a wider economic takeoff in its hinterland. Instead, unequal spatial politics generated layers of inequality that China is still grappling with in the twenty-first century.
Hardworking actor, playwright, and stage manager Harry Watkins (1825–94) was also a prolific diarist. For fifteen years Watkins regularly recorded the plays he saw, the roles he performed, the books he read, and his impressions of current events. Performing across the U.S., Watkins collaborated with preeminent performers and producers, recording his successes and failures as well as his encounters with celebrities such as P. T. Barnum, Junius Brutus Booth, Edwin Forrest, Anna Cora Mowatt, and Lucy Stone. His is the only known diary of substantial length and scope written by a U.S. actor before the Civil War—making Watkins, essentially, the antebellum equivalent of Samuel Pepys. Theater historians Amy E. Hughes and Naomi J. Stubbs have selected, edited, and annotated excerpts from the diary in an edition that offers a vivid glimpse of how ordinary people like Watkins lived, loved, struggled, and triumphed during one of the most tumultuous periods in U.S. history. The selections in A Player and a Gentleman are drawn from a more expansive digital archive of the complete diary. The book, like its digital counterpart, will richly enhance our knowledge of antebellum theater culture and daily life in the U.S. during this period.
In Giovan Francesco Straparola’s The Pleasant Nights, a group of men and women gather together in a villa on the Venetian island of Murano during Carnival to sing songs, tell tales, and solve riddles. A sixteenth-century bestseller, The Pleasant Nights is today a fundamental text for European folk and fairy tale studies, for alongside triumphal and tragic love stories, comical tales of practical jokes, and accounts of witty retorts, Straparola (1480? – 1557?) placed some of the first fairy tales printed in Europe. Straparola’s eloquent female narrators and the fairy tales they recount became a model for a generation of French women writers in Parisian salons, who used the fairy tale to interrogate the gender norms of their day. This book presents the first new and complete English translation of Straparola’s tales and riddles to be published since the nineteenth century.
The working classes, colonial subjects, European nationalists, and Roman Catholics—these groups generated intense anxiety for Victorian England’s elite public, which often responded by accusing them of being dangerous conspirators. Bringing together a wide range of literary and historical evidence, Albert D. Pionke argues that the pejorative meanings attached to such opportunistic accusations of conspiracy were undermined by the many valorized versions of secrecy in Victorian society.
After surveying England’s evolving theories of representative politics and individual and collective secretive practices, Pionke traces the intersection of democracy and secrecy through a series of case histories. Using works by Thomas Carlyle, Wilkie Collins, Charles Dickens, Benjamin Disraeli, John Henry Newman, and others, along with periodicals, histories, and parliamentary documents of the period, he shows the rhetorical prominence of groups such as the Freemasons, the Thugs, the Carbonari, the Fenians, and the Jesuits in Victorian democratic discourse.
By highlighting the centrality of representations of conspiracy in every case, Plots of Opportunity shows for the first time the markedly similar strategies of repression, resistance, and concealment used by competing agents in the democracy debate.
The period between 1920 and 1950 saw an epochal shift in the American cultural economy. The shocks of the 1929 market crash and the Second World War decimated much of the support for high modernist literature, and writers who had relied on wealthy benefactors were forced to find new protectors from the depredations of the free market. Private foundations, universities, and government organizations began to fund the arts, and in this environment writers were increasingly obliged to become critics, elucidating and justifying their work to an audience of elite administrators.
In Poet-Critics and the Administration of Culture, Evan Kindley recognizes the major role modernist poet-critics played in the transition from aristocratic patronage to technocratic cultural administration. Poet-critics developed extensive ties to a network of bureaucratic institutions and established dual artistic and intellectual identities to appeal to the kind of audiences and entities that might support their work. Kindley focuses on Anglo-American poet-critics including T. S. Eliot, Marianne Moore, W. H. Auden, Archibald MacLeish, Sterling A. Brown, and R. P. Blackmur. These artists grappled with the task of being “village explainers” (as Gertrude Stein described Ezra Pound) and legitimizing literature for public funding and consumption.
Modernism, Kindley shows, created a different form of labor for writers to perform and gave them an unprecedented say over the administration of contemporary culture. The consequences for our understanding of poetry and its place in our culture are still felt widely today.
Listen to "An Electronic Cabaret: Paris Street Songs, 1748–50" for songs from Poetry and the PoliceAudio recording copyright © 2010 by the President and Fellows of Harvard College. All rights reserved.
In spring 1749, François Bonis, a medical student in Paris, found himself unexpectedly hauled off to the Bastille for distributing an “abominable poem about the king.” So began the Affair of the Fourteen, a police crackdown on ordinary citizens for unauthorized poetry recitals. Why was the official response to these poems so intense?
In this captivating book, Robert Darnton follows the poems as they passed through several media: copied on scraps of paper, dictated from one person to another, memorized and declaimed to an audience. But the most effective dispersal occurred through music, when poems were sung to familiar tunes. Lyrics often referred to current events or revealed popular attitudes toward the royal court. The songs provided a running commentary on public affairs, and Darnton brilliantly traces how the lyrics fit into song cycles that carried messages through the streets of Paris during a period of rising discontent. He uncovers a complex communication network, illuminating the way information circulated in a semi-literate society.
This lucid and entertaining book reminds us of both the importance of oral exchanges in the history of communication and the power of “viral” networks long before our internet age.
Blessed with fertile and well-watered soil, East Africa’s kingdom of Buganda supported a relatively dense population and became a major regional power by the mid-nineteenth century. This complex and fascinating state has also long been in need of a thorough study that cuts through the image of autocracy and military might.
Political Power in Pre-Colonial Buganda explores the material basis of Ganda political power, gives us a new understanding of what Ganda power meant in real terms, and relates the story of how the kingdom used the resources at its disposal to meet the challenges that confronted it. Reid further explains how these same challenges ultimately limited Buganda’s dominance of the East African great lakes region.
Scholars normally emphasize the contrast between the two great eighteenth-century thinkers Jean-Jacques Rousseau and Adam Smith. Rousseau is seen as a critic of modernity, Smith as an apologist. Istvan Hont, however, finds significant commonalities in their work, arguing that both were theorists of commercial society and from surprisingly similar perspectives.
In making his case, Hont begins with the concept of commercial society and explains why that concept has much in common with what the German philosopher Immanuel Kant called unsocial sociability. This is why many earlier scholars used to refer to an Adam Smith Problem and, in a somewhat different way, to a Jean-Jacques Rousseau Problem. The two problems—and the questions about the relationship between individualism and altruism that they raised—were, in fact, more similar than has usually been thought because both arose from the more fundamental problems generated by thinking about morality and politics in a commercial society. Commerce entails reciprocity, but a commercial society also entails involuntary social interdependence, relentless economic competition, and intermittent interstate rivalry. This was the world to which Rousseau and Smith belonged, and Politics in Commercial Society is an account of how they thought about it.
Building his argument on the similarity between Smith’s and Rousseau’s theoretical concerns, Hont shows the relevance of commercial society to modern politics—the politics of the nation-state, global commerce, international competition, social inequality, and democratic accountability.
From Plato through the nineteenth century, the West could draw on comprehensive political visions to guide government and society. Now, for the first time in more than two thousand years, Tracy B. Strong contends, we have lost our foundational supports. In the words of Hannah Arendt, the state of political thought in the twentieth and twenty-first centuries has left us effectively “thinking without a banister.”
The Battle of Poltava has long been recognized as a crucial event in the geopolitical history of Europe and a decisive point in the Great Northern War between Sweden and the Russian Empire. The Russian victory at Poltava contributed to the decline of Sweden as a Great Power and was a major setback to Ukrainian independence. Hetman Ivan Mazepa, who joined forces with the Swedish king Charles XII against Tsar Peter I, remains a controversial figure even today.
In 2009, the Harvard Ukrainian Research Institute gathered scholars from around the globe and from many fields of study—history, military affairs, philology, linguistics, literature, art history, music—to mark the 300th anniversary of the battle. This book is a collection of their papers on such topics as the international, Russian, and Ukrainian contexts of the battle; Mazepa in European culture; the language and literature of the period; art and architecture; history and memory; and fact, fiction, and the literary imagination. Mazepa himself is the focus of many of the articles—a hero to Ukrainians but a treacherous figure to Russians. This book provides a fresh look at this watershed event and sheds new light on the legacies of the battle’s major players.
The Vatican’s dealings with the Weimar Republic and the Third Reich have long been swathed in myth and speculation. After almost seventy years, the crucial records for the years leading up to 1939 were finally opened to the public, revealing the bitter conflicts that raged behind the walls of the Holy See. Anti-Semites and philo-Semites, adroit diplomats and dogmatic fundamentalists, influential bishops and powerful cardinals argued passionately over the best way to contend with the intellectual and political currents of the modern age: liberalism, communism, fascism, and National Socialism. Hubert Wolf explains why a philo-Semitic association was dissolved even as anti-Semitism was condemned, how the Vatican concluded a concordat with the Third Reich in 1933, why Hitler’s Mein Kampf was never proscribed by the Church, and what factors surrounded the Pope’s silence on the persecution of the Jews.
In rich detail, Wolf presents astonishing findings from the recently opened Vatican archives—discoveries that clarify the relations between National Socialism and the Vatican. He illuminates the thinking of the popes, cardinals, and bishops who saw themselves in a historic struggle against evil. Never have the inner workings of the Vatican—its most important decisions and actions—been portrayed so fully and vividly.
A radical reconceptualization of modernism, this book traces the appearance of the modern artist to the Paris of the 1830s and links the emergence of an enduring modernist aesthetic to the fleeting forms of popular culture. Contrary to conventional views of a private self retreating from history and modernity, Popular Bohemia shows us the modernist as a public persona parodying the stereotypes of commercial mass culture. Here we see how the modern artist—alternately assuming the roles of the melodramatic hero, the urban flâneur, the female hysteric, the tribal primitive—created his own version of an expressive, public modernity in opposition to an increasingly repressive and conformist bourgeois culture. And here we see how a specifically modern aesthetic culture in nineteenth-century Paris came about, not in opposition to commercial popular culture, but in close alliance with it.
Popular Bohemia revises dominant historical narratives about modernism from the perspective of a theoretically informed cultural history that spans the period between 1830 and 1914. In doing so, it reconnects the intellectual history of avant-garde art with the cultural history of bohemia and the social history of the urban experience to reveal the circumstances in which a truly modernist culture emerged.
From the turn of the century until 1923, the year of the National Socialist putsch, popular entertainment in Munich reflected the sentiments and ideas of its largely middle-class audience. While industrialization, rapid urbanization, World War I, and the German Revolution of 1918–19 created an atmosphere of turbulent change, performances on Munich's popular stages gave voice to the continuity of several basic attitudes: patriotism; nostalgia for a preindustrial, rural community; hostility toward Jews; and increasing anxiety over social status. In songs, monologues, skits, and one-act plays, popular entertainers articulated views common to Munich's traditional middle class of tradesmen and shopkeepers and its “new” or white-collar middle class of clerks and minor officials. Folksingers Karl Valentin and Weiss Ferdl serve as examples of this relationship between politics and culture. They shared their audience's class background and sympathies, and in the cabarets and music halls their songs dealt with vexed social and political issues.
This intriguing book in cultural history adds to our understanding of social conditions preparing the way for political change. A model case study, it explores the roots of Nazism in a large urban setting.
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