front cover of Early Stories by Tennessee Williams
Early Stories by Tennessee Williams
Tennessee Williams
University of Iowa Press, 2025
Early Stories by Tennessee Williams is an edited collection of thirty-one previously unpublished short stories written in the 1930s, when Tennessee Williams was living in the Midwest during a tumultuous period for the nation and himself. The stories highlight aspects of the writer’s biography relative to his young adult years in St. Louis, Columbia, and the Missouri Ozarks, offering insight into the relationships between the author, his family, and close friends. The influence of proletarian fiction and leftist ideas are evident in Williams’s stories of the Great Depression, as are themes of sexual turmoil and inner passions inspired by authors like D. H. Lawrence.
                 In notes for each story, additional context is provided regarding locations, occupations, and individuals. All of this enriches a critical understanding of Tennessee Williams’s major works such as The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof, Night of the Iguana, and Suddenly Last Summer.
 
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front cover of Theatre History Studies 2023, Vol. 42
Theatre History Studies 2023, Vol. 42
edited by Lisa Jackson-Schebetta
University of Alabama Press, 2024

The official journal of the Mid-America Theatre Conference

Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text and SIRS.

Along with book reviews on the latest publications from established and emerging voices in the field, this issue of Theatre History Studies contains three sections with fourteen essays total. In the general section, three essays offer an array of insights, methods, and provocations. In the special section on care, contributors capture their experience as scholars, humans, and citizens in 2022. In Part III, the 2022 Robert A. Schanke Research Award-winning paper by Heidi L. Nees asks historians to rethink Western constructions of time. Taken together, volume 42 captures how this journal serves theatre historians as scholars and laborers as they work to attend and tend to their field.

CONTRIBUTORS
Cheryl Black / Shelby Brewster / Matthieu Chapman / Meredith Conti / Zach Dailey / Michael DeWhatley / Whit Emerson / Katherine Gillen / Miles P. Grier / Patricia Herrera / Lisa Jackson-Schebetta / Nancy Jones / Joshua Kelly / Felicia Hardison Londré / Bret McCandless / Marci R. McMahon/ Tom Mitchell / Sherrice Mojgani / John Murillo III / Heidi L. Nees / Jessica N. Pabón-Colón / Kara Raphaeli / Leticia L. Ridley / Cynthia Running-Johnson / Alexandra Swanson / Catherine Peckinpaugh Vrtis / Shane Wood / Christine Woodworth / Robert O. Yates


 
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