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Australian Post-War Documentary Film
An Arc of Mirrors
Deane Williams
Intellect Books, 2008
The postwar period in Australian history was rife with critical debate over notions of nation-building, multiculturalism, and internationalization. Australian Post-War Documentary Film tackles these issues in a considered, wide-ranging analysis of three types of documentaries: governmental, institutional, and radical. Charting the rise of progressive film culture, this volume critiques key films of the era, including The Back of Beyond, and retells film history by placing these documentaries in an international context.
 
“A significant contribution to documentary history, the history of left-wing thought in the West, and Australian studies.”—Ian Henderson, Editor of Studies in Australasian Cinema
 
“Deane Williams re-evaluates Australian documentary film production after World War II, positioning it as part of an international left culture which can embrace producers as different as the Realist Film Unit, Cecil Holmes, John Heyer and Maslyn Williams. He invites readers on an always enlightening and often exciting journey through a complex web of people and films and events, to view Australian culture through the documentary film ‘arc of mirrors’.”—Ina Bertrand, University of Melbourne
 
Australian Postwar Documentary Film: An Arc ofMirrors is a thoroughly and painstakingly researched study of its subject, which draws upon a wealth of new oral and other forms of historical resource related to the Australian labour movement and associated film-making.”—Ian Aitken, De Montfort University
 
“With erudition and insight, Deane Williams in this book reconstructs a previously obscured era of documentary cinema in Australia, shedding light on the network of affiliations and associations that underlay the making of a cluster of compelling, politically charged documentary films in the postwar era. . . . This is an immensely thoughtful and timely contribution to the growing literature on the history of documentary cinema.”—Charles Wolfe, University of California, Santa Barbara 
 
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Beyond Smoke and Mirrors
Mexican Immigration in an Era of Economic Integration
Douglas S. Massey
Russell Sage Foundation, 2002
Migration between Mexico and the United States is part of a historical process of increasing North American integration. This process acquired new momentum with the passage of the North American Free Trade Agreement in 1994, which lowered barriers to the movement of goods, capital, services, and information. But rather than include labor in this new regime, the United States continues to resist the integration of the labor markets of the two countries. Instead of easing restrictions on Mexican labor, the United States has militarized its border and adopted restrictive new policies of immigrant disenfranchisement. Beyond Smoke and Mirrors examines the devastating impact of these immigration policies on the social and economic fabric of the Mexico and the United States, and calls for a sweeping reform of the current system. Beyond Smoke and Mirrors shows how U.S. immigration policies enacted between 1986–1996—largely for symbolic domestic political purposes—harm the interests of Mexico, the United States, and the people who migrate between them. The costs have been high. The book documents how the massive expansion of border enforcement has wasted billions of dollars and hundreds of lives, yet has not deterred increasing numbers of undocumented immigrants from heading north. The authors also show how the new policies unleashed a host of unintended consequences: a shift away from seasonal, circular migration toward permanent settlement; the creation of a black market for Mexican labor; the transformation of Mexican immigration from a regional phenomenon into a broad social movement touching every region of the country; and even the lowering of wages for legal U.S. residents. What had been a relatively open and benign labor process before 1986 was transformed into an exploitative underground system of labor coercion, one that lowered wages and working conditions of undocumented migrants, legal immigrants, and American citizens alike. Beyond Smoke and Mirrors offers specific proposals for repairing the damage. Rather than denying the reality of labor migration, the authors recommend regularizing it and working to manage it so as to promote economic development in Mexico, minimize costs and disruptions for the United States, and maximize benefits for all concerned. This book provides an essential "user's manual" for readers seeking a historical, theoretical, and substantive understanding of how U.S. policy on Mexican immigration evolved to its current dysfunctional state, as well as how it might be fixed.
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Errand into the Wilderness of Mirrors
Religion and the History of the CIA
Michael Graziano
University of Chicago Press, 2021
Reveals the previous underexplored influence of religious thought in building the foundations of the CIA.

Michael Graziano’s intriguing book fuses two landmark titles in American history: Perry Miller’s Errand into the Wilderness (1956), about the religious worldview of the early Massachusetts colonists, and David Martin’s Wilderness of Mirrors (1980), about the dangers and delusions inherent to the Central Intelligence Agency. Fittingly, Errand into the Wilderness of Mirrors investigates the dangers and delusions that ensued from the religious worldview of the early molders of the Central Intelligence Agency. Graziano argues that the religious approach to intelligence by key OSS and CIA figures like “Wild” Bill Donovan and Edward Lansdale was an essential, and overlooked, factor in establishing the agency’s concerns, methods, and understandings of the world. In a practical sense, this was because the Roman Catholic Church already had global networks of people and safe places that American agents could use to their advantage. But more tellingly, Graziano shows, American intelligence officers were overly inclined to view powerful religions and religious figures through the frameworks of Catholicism. As Graziano makes clear, these misconceptions often led to tragedy and disaster on an international scale. By braiding the development of the modern intelligence agency with the story of postwar American religion, Errand into the Wilderness of Mirrors delivers a provocative new look at a secret driver of one of the major engines of American power.
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Galileo’s Glassworks
The Telescope and the Mirror
Eileen Reeves
Harvard University Press, 2008

The Dutch telescope and the Italian scientist Galileo have long enjoyed a durable connection in the popular mind--so much so that it seems this simple glass instrument transformed a rather modest middle-aged scholar into the bold icon of the Copernican Revolution. And yet the extraordinary speed with which the telescope changed the course of Galileo's life and early modern astronomy obscures the astronomer's own curiously delayed encounter with the instrument. This book considers the lapse between the telescope's creation in The Hague in 1608 and Galileo's alleged acquaintance with such news ten months later. In an inquiry into scientific and cultural history, Eileen Reeves explores two fundamental questions of intellectual accountability: what did Galileo know of the invention of the telescope, and when did he know it?

The record suggests that Galileo, like several of his peers, initially misunderstood the basic design of the telescope. In seeking to explain the gap between the telescope's emergence and the alleged date of the astronomer's acquaintance with it, Reeves explores how and why information about the telescope was transmitted, suppressed, or misconstrued in the process. Her revised version of events, rejecting the usual explanations of silence and idleness, is a revealing account of the role that misprision, error, and preconception play in the advancement of science.

Along the way, Reeves offers a revised chronology of Galileo's life in a critical period and, more generally, shows how documents typically outside the scope of early modern natural philosophy--medieval romances, travel literature, and idle speculations--relate to two crucial events in the history of science.

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The Hall of Mirrors
Drafts & Fragments and the End of Ezra Pound's Cantos
Peter Stoicheff
University of Michigan Press, 1995
An examination of a problematic text by one of America's most important poets
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Hall of Mirrors
Power, Witchcraft, and Caste in Colonial Mexico
Laura A. Lewis
Duke University Press, 2003
Through an examination of caste in sixteenth- and seventeenth-century Mexico, Hall of Mirrors explores the construction of hierarchy and difference in a Spanish colonial setting. Laura A. Lewis describes how the meanings attached to the categories of Spanish, Indian, black, mulatto, and mestizo were generated within that setting, as she shows how the cultural politics of caste produced a system of fluid and relational designations that simultaneously facilitated and undermined Spanish governance.

Using judicial records from a variety of colonial courts, Lewis highlights the ethnographic details of legal proceedings as she demonstrates how Indians, in particular, came to be the masters of witchcraft, a domain of power that drew on gendered and hegemonic caste distinctions to complicate the colonial hierarchy. She also reveals the ways in which blacks, mulattoes, and mestizos mediated between Spaniards and Indians, alternatively reinforcing Spanish authority and challenging it through alliances with Indians. Bringing to life colonial subjects as they testified about their experiences, Hall of Mirrors discloses a series of contradictions that complicate easy distinctions between subalterns and elites, resistance and power.

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In the Land of Mirrors
Cuban Exile Politics in the United States
Maria de los Angeles Torres
University of Michigan Press, 2001
In the Land of Mirrors is a journey through the politics of Cuban exiles since the 1959 Cuban Revolution. It explores the development of Cuban exile politics and identity within a context of U.S. and Cuban realities, as well as within the broader inquiry of the changing nature of nation-states and its impact on the politics and identity of diaspora communities. Topics covered include: the origins of the post-revolution exile enclave of the 1960s; the evolution of the Cuban community over the 1960s; the pluralization of exile politics in the 1970s, particularly regarding the relationship with the island; the emergence of Cuban-American political action committees in the 1980s; post-Cold War developments; and the transition of Miami by the coming of age of a second generation of Cuban-Americans and the arrival of a new wave of exiles.
Interspersed with vignettes from the author's own experiences and political activism, In the Land of Mirrors explores the meanings and ramifications of exile, of belonging, and of seeing the self in the other. It will appeal to political scientists, Latin Americanists, and those studying the politics of exile.
María de los Angeles Torres was born in Cuba and came to the United States as a young child. She is Associate Professor of Political Science, DePaul University.
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Land of Smoke and Mirrors
A Cultural History of Los Angeles
Brook, Vincent
Rutgers University Press, 2013

Unlike the more forthrightly mythic origins of other urban centers—think Rome via Romulus and Remus or Mexico City via the god Huitzilopochtli—Los Angeles emerged from a smoke-and-mirrors process that is simultaneously literal and figurative, real and imagined, material and metaphorical, physical and textual. Through penetrating analysis and personal engagement, Vincent Brook uncovers the many portraits of this ever-enticing, ever-ambivalent, and increasingly multicultural megalopolis. Divided into sections that probe Los Angeles’s checkered history and reflect on Hollywood’s own self-reflections, the book shows how the city, despite considerable remaining challenges,  is finally blowing away some of the smoke of its not always proud past and rhetorically adjusting its rear-view mirrors.

Part I is a review of the city’s history through the early 1900s, focusing on the seminal 1884 novel Ramona and its immediate effect, but also exploring its ongoing impact through interviews with present-day Tongva Indians, attendance at the 88th annual Ramona pageant, and analysis of its feature film adaptations.

Brook deals with Hollywood as geographical site, film production center, and frame of mind in Part II. He charts the events leading up to Hollywood’s emergence as the world’s movie capital and explores subsequent developments of the film industry from its golden age through the so-called New Hollywood, citing such self-reflexive films as Sunset Blvd.,Singin’ in the Rain, and The Truman Show.

Part III considers LA noir, a subset of film noir that emerged alongside the classical noir cycle in the 1940s and 1950s and continues today. The city’s status as a privileged noir site is analyzed in relation to its history and through discussions of such key LA noir novels and films as Double Indemnity, Chinatown, and Crash.

In Part IV, Brook examines multicultural Los Angeles. Using media texts as signposts, he maps the history and contemporary situation of the city’s major ethno-racial and other minority groups, looking at such films as Mi Familia (Latinos), Boyz N the Hood (African Americans), Charlotte Sometimes (Asians), Falling Down (Whites), and The Kids Are All Right (LGBT).

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Manufactured Light
Mirrors in the Mesoamerican Realm
Emiliano Gallaga
University Press of Colorado, 2015

Complex and time-consuming to produce, iron-ore mirrors stand out among Prehispanic artifacts for their aesthetic beauty, their symbolic implications, and the complexity and skill of their assembly. Manufactured Light presents the latest archaeological research on these items, focusing on the intersection of their significance and use and on the technological aspects of the manufacturing processes that created them.

The volume covers the production, meaning, and utilization of iron-ore mirrors in various Mesoamerican communities. Chapters focus on topics such as experimental archaeology projects and discussions of workshops in archaeological contexts in the Maya, Central Mexico, and northwest Mexico regions. Other chapters concentrate on the employment and ideological associations of these mirrors in Prehispanic times, especially as both sacred and luxury items. The final chapters address continuities in the use of mirrors from Prehispanic to modern times, especially in contemporary indigenous communities, with an emphasis on examining the relationship between ethnographic realities and archaeological interpretations.

While the symbolism of these artifacts and the intricacy of their construction have long been recognized in archaeological discussions, Manufactured Light is the first synthesis of this important yet under-studied class of material culture. It is a must-read for students and scholars of Mesoamerican archaeology, ethnography, religion, replicative experimentation, and lithic technology.

Contirbutors include: Marc G. Blainey, Thomas Calligaro, Carrie L. Dennett, Emiliano Gallaga, Julie Gazzola, Sergio Gómez Chávez, Olivia Kindl, Brigitte Kovacevich, Achim Lelgemann, José J. Lunazzi, John J. McGraw, Emiliano Melgar, Joseph Mountjoy, Reyna Solis, and Karl Taube.


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Maps and Mirrors
Topologies of Art and Politics
Steve Martinot
Northwestern University Press, 2001
Maps and Mirrors explores the links and gaps between the aesthetic and the political at the intersection of philosophy and literature. Testing the major voices of aesthetic and literary theory, it raises important questions about the implicit political contexts and commitments of thinkers from Kant to de Man. Taken together the essays provide a tour of the complexities and richness of contemporary modes of critique.
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Mirrors of Entrapment and Emancipation
Forugh Farrokhzad and Sylvia Plath
Leila Rahimi Bahmany
Leiden University Press, 2015
Images of mirrors and reflection have long played a substantial role in literature by women, used to convey ineffable psychological states, the countless images that define and complicate women’s lives, and much more. In Mirrors of Entrapment and Emancipation, Leila Rahimi Bahmany focuses in particular on the work of two major women writers, Persian poet Forugh Farrokhzad (1935–67) and the American Sylvia Plath (1932–63), exploring the various ways that these two artists deployed mirrors and reflections as sites of entrapment or emancipation.
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Mirrors of Whiteness
Media, Middle-Class Resentment, and the Rise of the Far Right in Brazil
Mauro Porto
University of Pittsburgh Press, 2023
In Mirrors of Whiteness, Mauro P. Porto examines the conservative revolt of Brazil’s white middle class, which culminated with the 2018 election of far-right candidate Jair Bolsonaro. He identifies the rise of a significant status panic among middle-class publics following the relative economic and social ascension of mostly Black and brown low-income laborers. The book highlights the role of the media in disseminating “mirrors of whiteness,” or spheres of representation that allow white Brazilians to legitimate their power while softening or hiding the inequalities and injustices that such power generates. A detailed analysis of representations of domestic workers in the telenovela Cheias de Charme and of news coverage of affirmative action by the magazine Veja demonstrates that they adopted whiteness as an ideological perspective, disseminating resentment among their audiences and fomenting the conservative revolt that took place in Brazil between 2013 and 2018. 
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The Play of Mirrors
The Representation of Self Mirrored in the Other
By Sylvia Caiuby Novaes
University of Texas Press, 1997

Focusing on the Bororo people of west-central Brazil, this book addresses the construction of self-identity through interethnic interaction. By presenting the images the Bororo have of themselves as well as the images of others who have interacted with them, Brazilian anthropologist Sylvia Caiuby Novaes argues convincingly that Bororo self-images are constructed with the aid of a peculiar looking-glass—it is in the images of others that they see themselves.

Incorporating contributions from psychology, psychoanalysis, linguistics, and semiotics, Play of Mirrors focuses on symbols, images, discourse, and meanings rather than solely on the problem of acculturation. It thus reflects the thinking of a new generation of Brazilian anthropologists who have shifted their focus from native communities as isolated entities to an examination of their embeddedness within broader national and international arenas.

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Swan Hammer
An Instructor’s Guide to Mirrors
Maggie Graber
Michigan State University Press, 2022
This collection chronicles coming of age as a queer millennial in a twenty-first century America defined by the internet, climate crisis, and a growing disconnection that the poems within work to resist. Here, everyone and everything serves as a potential reflection for something larger than the poet can understand: an unknown debit card thief, the cartoon teacher Ms. Frizzle, The Weather Channel, an RV park, a dead poet. These poems seek to make something of the spaces between and reach toward a sense of the ecstatic just beyond. They are poems of imagination and vision that strive to look rather than look away, that attempt to capture a nebulous feeling before it is gone for good. Swan Hammer is an instructor’s guide to connection-making, of seeing and then seeing again, in ways that have been redefined in the age of the internet. Here is one poet’s wandering relationship to their own sense of what it is to be alive and queer at a time when there is so much on the brink of disappearing—and what a queer experience it is.
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Vaults, Mirrors, and Masks
Rediscovering U.S. Counterintelligence
Jennifer E. Sims and Burton Gerber, Editors
Georgetown University Press, 2009

Decision makers matching wits with an adversary want intelligence—good, relevant information to help them win. Intelligence can gain these advantages through directed research and analysis, agile collection, and the timely use of guile and theft. Counterintelligence is the art and practice of defeating these endeavors. Its purpose is the same as that of positive intelligence—to gain advantage—but it does so by exploiting, disrupting, denying, or manipulating the intelligence activities of others. The tools of counterintelligence include security systems, deception, and disguise: vaults, mirrors, and masks.

In one indispensable volume, top practitioners and scholars in the field explain the importance of counterintelligence today and explore the causes of—and practical solutions for—U.S. counterintelligence weaknesses. These experts stress the importance of developing a sound strategic vision in order to improve U.S. counterintelligence and emphasize the challenges posed by technological change, confused purposes, political culture, and bureaucratic rigidity. Vaults, Mirrors, and Masks skillfully reveals that robust counterintelligence is vital to ensuring America's security.

Published in cooperation with the Center for Peace and Security Studies and the George T. Kalaris Memorial Fund, Edmund A. Walsh School of Foreign Service, Georgetown University.

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