Rachael Hanel’s name was inscribed on a gravestone when she was eleven years old. Yet this wasn’t at all unusual in her world: her father was a gravedigger in the small Minnesota town of Waseca, and death was her family’s business. Her parents were forty-two years old and in good health when they erected their gravestone—Rachael’s name was simply a branch on the sprawling family tree etched on the back of the stone. As she puts it: I grew up in cemeteries.
And you don’t grow up in cemeteries—surrounded by headstones and stories, questions, curiosity—without becoming an adept and sensitive observer of death and loss as experienced by the people in this small town. For Rachael Hanel, wandering among tombstones, reading the names, and wondering about the townsfolk and their lives, death was, in many ways, beautiful and mysterious. Death and mourning: these she understood. But when Rachael’s father—Digger O’Dell—passes away suddenly when she is fifteen, she and her family are abruptly and harshly transformed from bystanders to participants. And for the first time, Rachael realizes that death and grief are very different.
At times heartbreaking and at others gently humorous and uplifting, We’ll Be the Last Ones to Let You Down presents the unique, moving perspective of a gravedigger’s daughter and her lifelong relationship with death and grief. But it is also a masterful meditation on the living elements of our cemeteries: our neighbors, friends, and families—the very histories of our towns and cities—and how these things come together in the eyes of a young girl whose childhood is suffused with both death and the wonder of the living.
Because autism is an increasingly common diagnosis, North Americans are familiar with its symptoms and treatments. But what we know and think about autism is shaped by our social relationship to health, disease, and the medical system. In The Western Disease Claire Laurier Decoteau explores the ways that recent immigrants from Somalia to Canada and the US make sense of their children’s diagnosis of autism. Having never heard of autism before migrating to North America, they often determine that it must be a Western disease. Given its apparent absence in Somalia, they view it as Western in nature, caused by environmental and health conditions unique to life in North America.
Following Somali parents as they struggle to make sense of their children's illness and advocate for alternative care, Decoteau unfolds how complex interacting factors of immigration, race, and class affect Somalis’ relationship to the disease. Somalis’ engagement with autism challenges the prevailing presumption among Western doctors that their approach to healing is universal. Decoteau argues that centering an analysis on autism within the Somali diaspora exposes how autism has been defined and institutionalized as a white, middle-class disorder, leading to health disparities based on race, class, age, and ability. The Western Disease asks us to consider the social causes of disease and the role environmental changes and structural inequalities play in health vulnerability.
“From the first logging operation to the closing of the last mill this book is so thorough, so comprehensive, so well organized, and so useful that it must take its place with the outstanding monographs of economic and western history.” —Journal of Economic History
The old-growth forests of Minnesota, at one time covering 70 percent of the state, played a major role in the development of the Upper Mississippi Valley. Telling the complete history of the white pine industry, Agnes Larson brings us back to a time when Minnesota’s lumber business was thriving. Larson recounts the development of the region with a wealth of information, including the building of the railroads and bustling mill towns; the daily lives of lumberjacks, loggers, river-drivers, and jam-breakers; and the final devastation of the forests.
“An excellent contribution to the regional history and historical geography of the Upper Great Lakes area and the upper Mississippi Valley.” —Geographical Review
Agnes M. Larson (1892–1967) was professor of history at St. Olaf College.
Bradley J. Gills is adjunct professor of history at Grand Valley State University.
An entertaining portrait of the creatures that share our place in the woods.
John Henricksson’s neighbors stop by to chat or to have a bite to eat or just to sit and watch. But in his Wild Neighborhood the visitors are the black bear, gray jay, timber wolf, owl, white-tailed deer, raven, and the moose.
A Wild Neighborhood is a collection of elegantly written essays about these creatures. From kitchen-table gossip about the black bear’s recent attempts to raid the bird feeder, to the retelling of Native American myths about the mischievous raven, Henricksson shows a love and understanding of the residents with whom he shares the narrow wedge of the Superior National Forest in northeastern Minnesota.Henricksson writes of the personal relationships that develop while living in the woods. He tells of the joy of helping a deer survive a tough winter and the mystery of animals he calls “ghosts”—species that are extinct or near extinct but still have a fleeting presence in the area. Award-winning artist Betsy Bowen, author of Antler, Bear, Canoe: A Northwoods Alphabet Year, beautifully depicts the denizens of the forest. Her twenty-four woodcuts reflect, often humorously, Henricksson’s respect for and love of northwoods creatures.This personal account of a vibrant community in the woods will appeal to readers of all ages and make a beautiful gift for everyone who has admired the creatures of his or her own wild neighborhood.READERS
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