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Ancient Bovillae
History, Art, and Archaeology of a Lost City in the Roman Hinterland
Peter Hatlie
University of Michigan Press, 2025
Ancient Bovillae is the first comprehensive study in English about the ancient city south of Rome that flourished for centuries before eventual abandonment. After its peak of prosperity and influence in the first and second centuries CE, Bovillae went into steady decline as an urban center, then disappeared as an identifiable physical entity during the Middle Ages, and finally came to suffer complete abandonment in modern times. Despite previous archaeological inquiries, no major study on Bovillae has appeared in any language other than Italian, nor has there been one as comprehensive as this volume's examination. Ancient Bovillae goes well beyond the work of any previous publication by gathering together all known evidence about the city from the ancient, medieval, and modern ages, with contributors analyzing the significance of Bovillae in art, architecture, religion, and history. Written by a distinguished team of scholars and featuring nearly one hundred images of artifacts and monuments associated with Bovillae, this book boldly pieces together a wide body of evidence about the history, art, and archaeology of Bovillae in order to make sense of its decline.
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front cover of Framing a Lost City
Framing a Lost City
Science, Photography, and the Making of Machu Picchu
By Amy Cox Hall
University of Texas Press, 2017
<p>When Hiram Bingham, a historian from Yale University, first saw Machu Picchu in 1911, it was a ruin obscured by overgrowth whose terraces were farmed a by few families. A century later, Machu Picchu is a UNESCO world heritage site visited by more than a million tourists annually. This remarkable transformation began with the photographs that accompanied Bingham&rsquo;s article published in <i>National Geographic</i> magazine, which depicted Machu Picchu as a lost city discovered. Focusing on the practices, technologies, and materializations of Bingham&rsquo;s three expeditions to Peru (1911, 1912, 1914&ndash;1915), this book makes a convincing case that visualization, particularly through the camera, played a decisive role in positioning Machu Picchu as both a scientific discovery and a Peruvian heritage site.</p><p>Amy Cox Hall argues that while Bingham&rsquo;s expeditions relied on the labor, knowledge, and support of Peruvian elites, intellectuals, and peasants, the practice of scientific witnessing, and photography specifically, converted Machu Picchu into a cultural artifact fashioned from a distinct way of seeing. Drawing on science and technology studies, she situates letter writing, artifact collecting, and photography as important expeditionary practices that helped shape the way we understand Machu Picchu today. Cox Hall also demonstrates that the photographic evidence was unstable, and, as images circulated worldwide, the &ldquo;lost city&rdquo; took on different meanings, especially in Peru, which came to view the site as one of national patrimony in need of protection from expeditions such as Bingham&rsquo;s.</p>
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front cover of Lost City, Found Pyramid
Lost City, Found Pyramid
Understanding Alternative Archaeologies and Pseudoscientific Practices
Edited by Jeb J. Card and David S. Anderson
University of Alabama Press, 2016
Lost City, Found Pyramid delves into the fascinating world of sensational “pseudoarchaeology,” from perennial discoveries of lost pyramids or civilizations to contemporary ghost-hunting and reality TV. It examines how nonscientific pursuit of myths and legends warps both public perceptions of archaeology and of human history itself.
 
A collection of twelve engaging and insightful essays, Lost City, Found Pyramid does far more than argue for the simple debunking of false archaeology. Rather, it brings into focus the value of understanding how and why pseudoarchaeology captures the public imagination. By comprehending pseudoarchaeology’s appeal as a media product, cultural practice, and communication strategy, archaeologists can enhance and enliven how they communicate about real archaeology in the classroom and in the public arena.
 
The first part of Lost City, Found Pyramid provides numerous case studies. Some examine the work of well-intentioned romantics who project onto actual archaeological data whimsical interpretative frameworks or quixotic “proofs” that confirm legends, such as that of the Lost White City of Honduras, or other alternative claims. Other case studies lay bare how false claims may inadvertently lead to the perpetuation of ethnic stereotypes, economic exploitation, political adventurism, and a misunderstanding of science.
 
Offering much of interest to scholars and students of archaeology, archaeology buffs, as well as policy-makers involved in the discovery, curation, and care of archaeological sites and relics, Lost City, Found Pyramid provides an invaluable corrective and hopeful strategy for engaging the public’s curiosity with the compelling world of archaeological discovery.
 
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