front cover of Kew Observatory and the Evolution of Victorian Science, 1840–1910
Kew Observatory and the Evolution of Victorian Science, 1840–1910
Lee T. Macdonald
University of Pittsburgh Press, 2018
Kew Observatory was originally built in 1769 for King George III, a keen amateur astronomer, so that he could observe the transit of Venus. By the mid-nineteenth century, it was a world-leading center for four major sciences: geomagnetism, meteorology, solar physics, and standardization. Long before government cutbacks forced its closure in 1980, the observatory was run by both major bodies responsible for the management of science in Britain: first the British Association for the Advancement of Science, and then, from 1871, the Royal Society. Kew Observatory influenced and was influenced by many of the larger developments in the physical sciences during the second half of the nineteenth century, while many of the major figures involved were in some way affiliated with Kew.

Lee T. Macdonald explores the extraordinary story of this important scientific institution as it rose to prominence during the Victorian era. His book offers fresh new insights into key historical issues in nineteenth-century science: the patronage of science; relations between science and government; the evolution of the observatory sciences; and the origins and early years of the National Physical Laboratory, once an extension of Kew and now the largest applied physics organization in the United Kingdom.
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front cover of The Kinks
The Kinks
Songs of the Semi-Detached
Mark Doyle
Reaktion Books, 2020
Of all the great British rock bands to emerge from the 1960s, none had a stronger sense of place than the Kinks. Often described as the archetypal English band, they were above all a quintessentially working-class band with a deep attachment to London, particularly the patch of suburban North London where most of the members grew up. In this illuminating study, Mark Doyle examines the relationship between the Kinks and their city, from their early songs of teenage rebellion to their later album-length works of social criticism, providing a unique perspective on the way in which the band responded to the shifting nature of working-class life. Along the way, he finds fascinating and sometimes surprising connections with figures as diverse as Edmund Burke, John Clare, Charles Dickens, and the Covent Garden Community Association. More than just a book about the Kinks, this is a book about a city, a nation, and a social class undergoing a series of profound, sometimes troubling changes—and about a group of young men who found a way to describe, lament, and occasionally even celebrate those changes through song.
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