front cover of What Do Pictures Want?
What Do Pictures Want?
The Lives and Loves of Images
W. J. T. Mitchell
University of Chicago Press, 2005
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray?

According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm.

What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike.

  “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum

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When History Is A Nightmare
Lives and Memories of Ethnic Cleansing in Bosnia-Herzegovina
Stevan M. Weine, M.D.
Rutgers University Press, 1999
Stevan M. Weine is a psychiatrist who has spent the past decade working with Bosnian survivors of ethnic cleansing in the former Yugoslavia. As he listened to their testimonies, Weine concluded that these narratives were capable of bearing a complex truth about the horrific events in Yugoslavia that often were lost in more analytic works on the subject. When History is a Nightmare also explores how these traumatic events affected not just individuals, but an entire society and its culture.

Weine investigates the survivors’ attempts to reconcile the contrasting, collective memories of having lived in a smoothly functioning, multiethnic society with the later memories of the ethnic atrocities. He discusses the little-known group concept of merhamet. Denoting compassion, forgiveness, and charity, merhamet was a critical cultural value for the Bosnian Muslims.

Weine also explores how ethnic cleansing was justified from the vantage point of psychiatrists who played prominent roles in instigating the horrors. He also provides personal portraits of leaders such as Jovan Raskovic and Radovan Karadzic. He concludes by describing the recovery efforts of survivors—how they work to confront the destructive nature of their memories while trying to bring about healing, both individually and collectively.

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Why the Wild Things Are
Animals in the Lives of Children
Gail F. Melson
Harvard University Press, 2005

Whether they see themselves as King of the Wild Things or protector of Toto, children live in a world filled with animals--both real and imaginary. From Black Beauty to Barney, animal characters romp through children's books, cartoons, videos, and computer games. As Gail Melson tells us, more than three-quarters of all children in America live with pets and are now more likely to grow up with a pet than with both parents. She explores not only the therapeutic power of pet-owning for children with emotional or physical handicaps but also the ways in which zoo and farm animals, and even certain purple television characters, become confidants or teachers for children--and sometimes, tragically, their victims.

Yet perhaps because animals are ubiquitous, what they really mean to children, for better and for worse, has been unexplored territory. Why the Wild Things Are is the first book to examine children's many connections to animals and to explore their developmental significance. What does it mean that children's earliest dreams are of animals? What is the unique gift that a puppy can give to a boy? Drawing on psychological research, history, and children's media, Why the Wild Things Are explores the growth of the human-animal connection. In chapters on children's emotional ties to their pets, the cognitive challenges of animal contacts, animal symbols as building blocks of the self, and pointless cruelty to animals, Melson shows how children's innate interest in animals is shaped by their families and their social worlds, and may in turn shape the kind of people they will become.

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Women of Jeme
Lives in a Coptic Town in Late Antique Egypt
T.G. Wilfong
University of Michigan Press, 2002
Get to know the women of Jeme, a Christian enclave in Egypt that existed from 600 to 800 C.E.Using texts documenting the women's activities, the physical remains of their possessions, and the writings of the local religious leaders, T. G. Wilfong traces the lives and careers of individual women and, through them, arrives at an understanding of the reality of women's lives in this place and time.
Contrary to the submissive, demure ideals for women proposed by the religious writers of Christian Egypt, the evidence from Jeme points to a more complex, dynamic situation. Women were active in the home, but some also played important and visible parts in the religious and economic life of their community. A bishop's attempts to monitor the behavior of the women in his district, the intricate inheritance dispute between an aunt and her niece, one woman's pious donations of murals to a church, three women's agonized decisions to give up their children to the local monastery, and the transactions of a family of women moneylenders--all these episodes paint a vivid picture of life in a Coptic town.
Although the remains of Jeme have long been known to scholars, little synthetic work has been done on this rich source for social history in Egypt before and after the Muslim conquests. The Women of Jeme is the first book-length study of the evidence. It will be of interest to Egyptologists and papyrologists, as well as to scholars of Coptic studies, early Christianity, social history and women's studies. The book assumes no prior knowledge of the subject, and the author has taken care to make it accessible to anyone with an interest in the ancient world.
T. G. Wilfong is Assistant Professor of Egyptology and Assistant Curator for Greco-Roman Egypt, University of Michigan.
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Women's Voices, Women's Lives
Documents in Early American History
Berkin
University Press of New England, 1998


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