front cover of The Dramatic Imagination of Robert Browning
The Dramatic Imagination of Robert Browning
A Literary Life
Richard S. Kennedy & Donald S. Hair
University of Missouri Press, 2007
The Dramatic Imagination of Robert Browning offers an accessible and authoritative guide to the essentials of Robert Browning’s life and poetry. Drawing from his personal letters and from the diaries and memoirs of his contemporaries, this literary biography provides a wealth of information about the main events of his life, including the social, political, religious, and aesthetic issues that concerned him; it offers critical commentary defining the central characteristics of his poetry; and it tracks the changes in his reputation through contemporary reviews and the growth of the Browning societies.
            An English poet who was deeply responsive to European culture and affairs, Robert Browning has sometimes been dismissed by modern readers for his obscurity or roughness of language. Now two distinguished scholars of Browning’s work trace the arc of his development as an artist and thinker from his earliest poems to the last in his long and remarkably productive career.
            The authors illustrate how Browning moved from describing “incidents in the development of a soul,” to developing his reader’s soul as collaborator in the artistic process, to the development of his own soul in the making of poetry. Through a fresh reading of not only his poetry but also the letters of both Robert and Elizabeth Barrett Browning, they have garnered details that situate the two in historical context, provide a vivid sense of Robert’s personality, and also correct biases against Elizabeth’s influence. Their critical commentary focuses on the poet’s dramatic imagination and argues that his extensive body of work after The Ring and the Book—often dismissed as evidencing a decline in his poetic powers—represented new directions in his poetry marked by inventive dialogue, verbal puzzles, and virtuoso rhyming.
             Written to appeal to both general readers and scholars, the book will enable anyone to read Browning’s poems with a firm sense of the subjects and practices that are central to his texts, along with a knowledge of their context in the poet’s life and thought. The Dramatic Imagination of Robert Browning invites readers of a singular body of poetry to achieve a new understanding of Browning’s work and a greater appreciation of his life.
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Gertrud Kolmar
A Literary Life
Dieter Kühn
Northwestern University Press, 2013

Linda Marianiello here translates into English for the first time Dieter Kühn’s highly praised and definitive biography of one of Germany’s greatest poets, Gertrud Kolmar. Kolmar carried German-language poetry to new heights, speaking truth in a time when many poets collapsed in the face of increasing Nazi repression. Born Gertrud Käthe Chodziesner in Berlin in 1894, she completed her first collection, Poems, in 1917. She took her pen name, Kolmar, from the name of the town where her family originated.

Kolmar’s third collection of poems appeared in 1938 but soon disappeared in the wake of the overall repression of Jewish authors. At the time, she served as secretary to her father, Ludwig Chodziesner, a prominent lawyer. In 1941, the Nazis compelled her to work in a German armaments factory. Even as a forced laborer, the strength of her poetic voice grew, perhaps reaching its highest level before her deportation to Auschwitz. From gentle nature verses to stirring introspection, these are poems in which we can still find ourselves today. Both she and her father died in Nazi concentration camps, he in 1942, she the following year. The translation of Dieter Kühn’s biography conveys the tragic, yet courageous, life of a great poet to an English-speaking audience. 

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La Plonqui
The Literary Life and Work of Margarita Cota-Cárdenas
Edited by Jesús Rosales and Vanessa Fonseca-Chávez
University of Arizona Press, 2023
Celebrating more than forty years of creative writing by Chicana author Margarita Cota-Cárdenas, this volume includes critical essays, reflections, interviews, and previously unpublished writing by the author herself to document the lifelong craft and legacy of a pioneering writer in the field.

Nicknamed “La Plonky” by her family after a made-up childhood song, Cota-Cárdenas grew up in California, taught almost exclusively in Arizona, and produced five major works (two novels and three books of poetry) that offer an expansive literary production spanning from the 1960s to today. Her perspectives on Chicana identity, the Chicanx movement, and the sociopolitical climate of Arizona and the larger U.S.-Mexico border region represent a significant contribution to the larger body of Chicanx literature. Additionally, the volume explores her perspectives on issues of gender, sexuality, and identity related to the Chicanx experience over time.

Divided into three major parts, this collection begins with an introduction, followed by two testimonial essays written by the author herself and a longtime colleague, as well as an interview with the author. The second section contains nine essays by well-established literary critics that analyze Cota-Cárdenas’s literary output within a Chicano Movement literary context and offer new readings of Cota-Cárdenas’s fiction and poetry. The third part presents poetry and fiction from Cota-Cárdenas, including an excerpt from a work in progress. As a whole, the collection aims to affirm Margarita Cota-Cárdenas’s significant role in shaping the field of Chicana literature and emphasizes the importance of honoring a celebrated author who wrote a majority of her works in Spanish—one of the few Chicana writers to do so.

Contributors
Laura Elena Belmonte
Margarita Cota-Cárdenas
José R. Flores
Vanessa Fonseca-Chávez
Carolyn González
Gabriella Gutiérrez y Muhs
Manuel M. Martín-Rodríguez
Kirsten F. Nigro
Margarita E. Pignataro
Tey Diana Rebolledo
Jesús Rosales
Charles St-Georges
Javier Villarreal
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Simms
A Literary Life
John C. Guilds
University of Arkansas Press
Edgar Allan Poe viewed William Gilmore Simms “in invention, in vigor, in movement, in the power of exciting interest, and in the artistical arrangement of his themes,” as surpassing “any of his countrymen.” After the Civil War, long years of neglect tarnished Simms’s reputation as “the central figure in the literature of the Old South,” as Jay B. Hubbell described him. However, as John Caldwell Guilds fully demonstrates here, the magnitude of Simms’s achievement cannot be denied. Simms produced seventy-two book-length works, including novels, short story collections, poetry, drama, literary criticism, essays, history and biography, encompassing ante-colonial America, the English colonies, the Revolutionary War, and the rampaging frontier. In the first full-length biography since 1892, Guilds restores Simms to his proper place as a major figure in American letters and reintroduces the reading public to this at once endearing and insufferable man, a husband, father, planter, and author.
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Theodore Roosevelt
A Literary Life
Thomas Bailey and Katherine Joslin
University Press of New England, 2018
Of all the many biographies of Theodore Roosevelt, none has presented the twenty-sixth president as he saw himself: as a man of letters. This fascinating account traces Roosevelt’s lifelong engagement with books and discusses his writings from childhood journals to his final editorial, finished just hours before his death. His most famous book, The Rough Riders—part memoir, part war adventure—barely begins to suggest the dynamism of his literary output. Roosevelt read widely and deeply, and worked tirelessly on his writing. Along with speeches, essays, reviews, and letters, he wrote history, autobiography, and tales of exploration and discovery. In this thoroughly original biography, Roosevelt is revealed at his most vulnerable—and his most human.
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William Maxwell
A Literary Life
Barbara A. Burkhardt
University of Illinois Press, 2004

Known as a beloved, longtime fiction editor at The New Yorker, William Maxwell worked closely with such legendary writers as Vladimir Nabokov, John Updike, Mary McCarthy, and John Cheever. His own novels include They Came Like Swallows and the American Book Award-winning So Long, See You Tomorrow, and many consider him to be one of the twentieth century's most important writers. Barbara Burkhardt's William Maxwell: A Literary Life represents the first major critical study of this Illinois writer's life and work.

Writing with an economy and elegance befitting her subject, Burkhardt addresses Maxwell's highly autobiographical fiction by skillfully interweaving his biography with her own critical interpretations. She contextualizes his fiction in terms of events including his mother's early death from influenza, his marriage, and the role of his psychoanalysis under the guidance of Theodor Reik. Drawing on a wide range of previously unavailable material, Burkhardt includes letters Maxwell received from authors such as Eudora Welty and Louise Bogan, excerpts from his unpublished manuscripts and correspondence, and her own interviews with Maxwell and key figures from his life, including John Updike, Roger Angell, New Yorker fiction editor Robert Henderson, and Maxwell's family and friends.

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