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The Art of Making Verses
Gervase of Melkley
Harvard University Press, 2025

An elegant medieval guide to verse composition and rhetoric, presented in a new authoritative edition and English translation.

The Art of Making Verses, Ars versificatoria, was composed by the thirteenth-century English poet and teacher Gervase of Melkley, who studied under John de Hauville. He belongs to a select company of French and English scholastic poets including not only de Hauville but also Alan of Lille and Bernardus Silvestris. The educational treatise was probably begun around 1200 and completed in 1220.

Gervase departs from established critical texts on poetry by Matthew of Vendôme and Geoffrey of Vinsauf; instead, he seeks to teach the art of verse in an entirely new way. The method outlined in Ars versificatoria instructs elementary students how to compose in three progressively more difficult modes: literal but still artful language, metaphor, and irony or paradox.

This edition presents a new and improved Latin edition based on the manuscripts, a new translation into English, and thorough annotation of the most original of the medieval Latin treatises on poetry.

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Parisiana poetria
John of Garland
Harvard University Press, 2020
The Parisiana poetria, first published around 1220, expounds the medieval theory of poetry (ars poetica) and summarizes early thirteenth-century thought about writing. While the text draws on predecessors such as the Rhetorica ad Herennium, Horace’s Ars poetica, and work by Geoffrey of Vinsauf, its style and content reveal the unique experience of its author, John of Garland, a prominent teacher of the language arts at the University of Paris. John was also a well-read poet with broad tastes, and his passion for poetry, as well as for fine prose composition, is on display throughout the Parisiana poetria. This treatise is the only thoroughgoing attempt to unite three distinct arts—quantitative poetry, rhythmic poetry, and prose composition, especially of letters—under a single set of rules. The sections on low, middle, and high style, illustrated by his “Wheel of Virgil,” have attracted wide attention; and his long account of rhymed poetry is the most complete that has survived. This volume presents the most authoritative edition of the Latin text alongside a fresh English translation.
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