Acknowledging that representations of men confronting violence and pain can reinforce ideas of manly tenacity, Kent L. Brintnall also argues that they reveal the vulnerability of men’s bodies and open them up to eroticization. Locating the roots of our cultural fascination with male pain in the crucifixion, he analyzes the way narratives of Christ’s death and resurrection both support and subvert cultural fantasies of masculine power and privilege. Through stimulating readings of works by Georges Bataille, Kaja Silverman, and more, Brintnall delineates the redemptive power of representations of male suffering and violence.
Media and scholastic accounts describe a strong public opinion backlash—a sharply negative and enduring opinion change—against attempts to advance gay rights. Academic research, however, increasingly questions backlash as an explanation for opposition to LGBT rights. Elite-Led Mobilization and Gay Rights argues that what appears to be public opinion backlash against gay rights is more consistent with elite-led mobilization—a strategy used by anti-gay elites, primarily white evangelicals, seeking to prevent the full incorporation of LGBT Americans in the polity in order to achieve political objectives and increase political power. This book defines and tests the theory of Mass Opinion Backlash and develops and tests the theory of Elite-Led Mobilization by employing a series of online and natural experiments, surrounding the U.S. Supreme Court rulings in Obergefell v. Hodges and United States v. Windsor, and President Obama’s position change on gay marriage. To evaluate these theories, the authors employ extensive survey, voting behavior, and campaign finance data, and examine the history of the LGBT movement and its opposition by religious conservatives, from the Lavender Scare to the campaign against Trans Rights in the defeat of Houston’s 2015 HERO ordinance. Their evidence shows that opposition to LGBT rights is a top-down process incited by anti-gay elites rather than a bottom-up reaction described by public opinion backlash.
Jaime Manrique weaves into his own memoir the lives of three important twentieth-century Hispanic writers: the Argentine Manuel Puig, author of Kiss of the Spider Woman; the Cuban Reinaldo Arenas, author of Before Night Falls; and Spanish poet and playwright Federico García Lorca. Manrique celebrates the lives of these heroic writers who were made outcasts for both their homosexuality and their politics.
"Manrique's double vision yields insights into Puig, Arenas, and Lorca unavailable to a writer less attuned to the complex interplay of culture and sexuality, as well as that of race and class in Latino and Anglo societies."—George DeStefano, The Nation
"A splendid memoir of Manuel Puig. It evokes him—how he really was—better than anything I've read."—Susan Sontag
"Where Manrique's tale differs from others is in its unabashed and sensitive treatment of sexuality. One reads his autobiographical account with pleasure and fascination."—Jose Quiroga, George Washington University
"Manrique's voice is wise, brave, and wholly original. This chronicle of self-discovery and literary encounters is heartening and deep."—Kennedy Fraser
"In this charmingly indiscreet memoir, Jaime Manrique writes with his customary humor and warm sympathy, engaging our delighted interest on every page. He has the rare gift of invoking and inviting intimacy, in this case a triangulated intimacy between himself, his readers, and his memories. These are rich double portraits."—Phillip Lopate
This is no ordinary novel. An encyclopedia of memory—from A to Z—The End of the World Book deftly intertwines fiction, memoir, and cultural history, reimagining the story of the world and one man’s life as they both hurtle toward a frightening future. Alistair McCartney’s alphabetical guide to the apocalypse layers images like a prose poem, building from Aristotle to da Vinci, hip-hop to lederhosen, plagues to zippers, while barreling from antiquity to the present.
In this profound book about mortality, McCartney composes an irreverent archive of philosophical obsessions and homoerotic fixations, demonstrating the difficulty of separating what is real from what is imagined.
Finalist, Edmund White Award for Debut Fiction, The Publishing Triangle
Finalist, PEN USA Literary Award for Fiction
The Erotic as Rhetorical Power offers a queer feminist history of rhetoric that recovers the civic contributions of women teachers in same-sex romantic friendships. Extending perspectives from ancient rhetoric to nineteenth-century progressivism, from Audre Lorde’s Black lesbian feminist theory to its present-day uptakes, Pamela VanHaitsma conceives of the erotic as an interanimation of desires that, in being passionately shared, becomes imbued with the power to forge connection and foment change.
VanHaitsma’s theory of the erotic as rhetorical power emerges from both historiographic and imaginative engagements with more than twenty archives of romantic friendships between women: Sallie Holley and Caroline Putnam, Irene Leache and Anna Wood, Gertrude Buck and Laura Wylie, and Rebecca Primus and Addie Brown. VanHaitsma considers how even as the erotic in these romantic friendships fueled the women’s rhetorical activities toward transformational ends—whether working toward the abolition of slavery, greater educational access, or voting rights—it also energized rhetorical activities that sometimes challenged but also reinforced troubling power dynamics. The Erotic as Rhetorical Power uncovers the erotic’s significance as a conflicted site of power that is central to rhetorical theory and history as well as feminist and LGBTQ+ studies.
“Expecting Teryk is a rich and sumptuous work that speaks to the deeper realities and represents a unique viewpoint of experiences shared by all individuals who choose the path to parenthood.”—Disability, Pregnancy, and Parenthood
The period just prior to the birth of a child is a time of profound personal transformation for expectant parents. Expecting Teryk: An Exceptional Path to Parenthood is an intimate exploration, written in the form of a letter from a parent to her future son, that reclaims a rite of passage that modern society would strip of its magic.
Dawn Prince-Hughes, renowned author of Songs of the Gorilla Nation: My Journey through Autism, considers the ways being autistic might inform her parenting. She also candidly narrates her experience of becoming a parent as part of a lesbian couple—from meeting her partner to the questions they ask about their readiness to become parents and the practical considerations of choosing a sperm donor.
Expecting Teryk is viewed through the lens of autism as Prince-Hughes shares the unique way she sees and experiences the world—as well as her aching will to be fully present for her son. Contemplating the evolutionary traditions of parenting from both animal and human perspectives and the reassurances that nature offers, Expecting Teryk is a work of sensuous wonder that speaks to the deeper realities and archetypal experiences shared by all who embark on the journey of parenthood.
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