Ancestors, Kings, and the Dao outlines the evolution of musical performance in early China, first within and then ultimately away from the socio-religious context of ancestor worship. Examining newly discovered bamboo texts from the Warring States period, Constance A. Cook compares the rhetoric of Western Zhou (1046–771 BCE) and Spring and Autumn (770–481 BCE) bronze inscriptions with later occurrences of similar terms in which ritual music began to be used as a form of self-cultivation and education. Cook’s analysis links the creation of such classics as the Book of Odes with the ascendance of the individual practitioner, further connecting the social actors in three types of ritual: boys coming of age, heirs promoted into ancestral government positions, and the philosophical stages of transcendence experienced in self-cultivation.

The focus of this study is on excavated texts; it is the first to use both bronze and bamboo narratives to show the evolution of a single ritual practice. By viewing the ancient inscribed materials and the transmitted classics from this new perspective, Cook uncovers new linkages in terms of how the materials were shaped and reshaped over time and illuminates the development of eulogy and song in changing ritual contexts.

The audio version of Book of I Kings and II Kings was created by JPS and JBI. Using the NJPS translation, Michael Bernstein, Francie Anne Riley, MD Laufer, and Elizabeth London narrated this book exclusively for The Jewish Publication Society.

Drawing on rich ethnographic data as well as archaeological evidence, The Boundaries of Ancient Trade challenges long-standing conceptions of highly centralized sociopolitical and economic organization and trade along the Afar salt trail—one of the last economically significant caravan-based
trade routes in the world.
 
For thousands of years, farmers in the Tigray, Amhara, and Afar regions of Ethiopia and Eritrea have run caravans of nearly 250,000 people and pack animals annually along an eighty-mile route through both cold, high-altitude farmlands and some of the hottest volcanic desert terrain on earth. In her fieldwork, archaeologist Helina Solomon Woldekiros followed the route with her own donkey and camel caravan, observing and interviewing over 150 Arho (caravaners), salt miners, salt cutters, warehouse owners, brokers, shop owners, and salt village residents to model the political economy of the ancient Aksumite state. The first integrated ethnoarchaeological and archaeological research on this legendary route, this volume provides evidence that informal economies and local participation have played a critical role in regional trade and, ultimately, in maintaining the considerable power of the Aksumite state. Woldekiros also contributes new insights into the logistics of pack animal–based trade and variability in the central and regional organization of global ancient trade.
 
Using a culturally informed framework for understanding the organization of the ancient salt route and its role in linking the Aksumite state to rural highland agricultural and lowland mobile pastoralist populations, The Boundaries of Ancient Trade makes a key contribution to theoretical discussions of hierarchy and more diffuse power structures in ancient states. This work generates new interest in the region as an area of global relevance in archaeological and anthropological debates on landscape, social interaction, and practice theories.
 

This first volume in the Harvard Semitic Monographs series challenges many of the standard positions that have long been held concerning the Greek and Hebrew texts of the Books of Kings. The author's personal examination of the Qumran Hebrew manuscripts, published and unpublished, has led to a new understanding of the recensional development of the Greek text. His study contributes significantly to the methodology of modern textual criticism and the evaluation of historical sources in the Old Testament.Examining the parallel development of the Greek text and the Hebrew, the author attributes the chronological discrepancy between the oldest Greek text forms and the Masoretic text to a change from the chronological system found in the Hebrew Vorlagen of the Old Greek and proto-Lucian texts to the newer system of the Masoretic text. The greatest difference between the two systems is found in the period from Omri to Jehu, where the pattern of regional formulae is worked into the narratives concerning Elijah and Elisha. The author concludes that the reason for the change to the newer Masoretic system was the desire to be able, from a chronological viewpoint, to identify Jehoshaphat as the King of Judah in the narrative of the Moabite campaign, an identification that was not possible in the older Greek chronology.

Follow the words with an expert

Building on a lifetime of research and writing, A. Graeme Auld examines passages in Samuel, Kings, Chronicles, and Isaiah that recount the same stories or contain similar vocabulary. He advances his argument that Samuel and Kings were organic developments from a deftly crafted, prophetically interpreted, shared narrative he calls the Book of Two Houses—a work focused on the house of David and the house of Yahweh in Jerusalem. At the end of the study he reconstructs the synoptic material within Kings in Hebrew with an English translation.

Features

• aAcritique of the dominant approach to the narrative books in the Hebrew Bible
• A solid challenge to the widely accepted relationship between Deuteronomy, cultic centralization, and King Josiah’s reform
• Key evidence in the heated contemporary debate over the historical development of Biblical Hebrew

The most up-to-date study of the text history of 1 and 2 Kings

In this book, Tuukka Kauhanen approaches the challenging case of the textual history of 1 and 2 Kings through citations of the text found within the writings of the fourth-century bishop of Sadinia, Lucifer of Cagliari. Kauhanen presents evidence that Lucifer's Latin text sheds important light on lost Hebrew and Greek pieces of the textual puzzle in Kings. In doing so, he compares all of Lucifer's extensive quotations of Kings to extant Greek witnesses as well as Old Latin witnesses where available and subsequently analyzes the probable reasons for textual variations. In each instance he attempts to choose the best possible candidate for the Old Greek reading and where that reading might reflect a now-lost Hebrew text.

Features

• Use of the most current research into the text of the Hebrew Bible and the Septuagint, including the Hebrew Bible: A Critical Edition series and the forthcoming Göttingen Septuagint edition of King
• An appendix listing readings from the analysis sections arranged according to agreement patterns and other meaningful criteria
• Charts comparing readings

Eclectic essays on ethics, education, and much else besides.

Plutarch (Plutarchus), ca. AD 45–120, was born at Chaeronea in Boeotia in central Greece, studied philosophy at Athens, and, after coming to Rome as a teacher in philosophy, was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian. He was married and the father of one daughter and four sons. He appears as a man of kindly character and independent thought, studious and learned.

Plutarch wrote on many subjects. Most popular have always been the forty-six Parallel Lives, biographies planned to be ethical examples in pairs (in each pair, one Greek figure and one similar Roman), though the last four lives are single. All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators. Plutarch’s many other varied extant works, about sixty in number, are known as Moralia or Moral Essays. They are of high literary value, besides being of great use to people interested in philosophy, ethics, and religion.

The Loeb Classical Library edition of the Moralia is in fifteen volumes, volume XIII having two parts. Volume XVI is a comprehensive Index.

Poet and Hero in the Persian Book of Kings presents a far-reaching reassessment of the classical Persian epic known as the Shahnama or “Book of Kings,” composed by the poet Ferdowsi in the early eleventh century ce. Combining comparative perspectives with a close reading of the internal evidence provided by the text of this epic, Olga M. Davidson argues that the poet of the Shahnama is actually a character in the epic, coexisting with ancient Iranian heroes and kings whose deeds are celebrated by the poetry. The poet can have the role of a character because his poetry comes to life in performance. Whenever the Shahnama was performed by the poet or by later practitioners of his poetry, the performer could interact with his grand characters by re-engaging with their stories, as if for the first time. After documenting the oral poetic performance traditions underlying the text of the Shahnama in all its variations, Davidson argues that the heroic tradition of this epic is deeply ancient, stemming from Indo-European poetic traditions. A primary example is the great warrior Rostam, who upholds Iranian kingship while at the same time posing a threat to kings who prove unworthy of the crown.

Ponder questions of the united monarchy under Saul and David in light of current historical and archaeological evidence

Reconstructing the emergence of the Israelite monarchy involves interpreting historical research, approaching questions of ancient state formation, synthesizing archaeological research from sites in the southern Levant, and reexamining the biblical traditions of the early monarchy embedded in the books of Samuel and Kings. Integrating these approaches allows for a nuanced and differentiated picture of one of the most crucial periods in the history of ancient Israel. Rather than attempting to harmonize archaeological data and biblical texts or to supplement the respective approach by integrating only a portion of data stemming from the other, both perspectives come into their own in this volume presenting the results of an interdisciplinary Tübingen–Tel Aviv Research Colloquium.

Features:

• Essays on Israel's monarchy by experts in biblical archaeology and biblical studies
• Methods for integrating archaeology and biblical traditions in reconstructing ancient Israel's history
• New research on the sociopolitical process of state formation in Israel and Judah

Screen of Kings is the first book in any language to examine the cultural role of the regional aristocracy – relatives of the emperors – in Ming dynasty China (1368–1644). Through an analysis of their patronage of architecture, calligraphy, painting and other art forms, and through a study of the contents of their splendid and recently-excavated tombs, this innovative study puts the aristocracy back at the heart of accounts of China’s culture, from which they have been excluded until very recently. Screen of Kings challenges much of the received wisdom about Ming China. Craig Clunas sheds new light on many familiar artworks, as well as work that have never before been reproduced. New archaeological discoveries have furnished the author with evidence of the lavish and spectacular lifestyles of these provincial princes and demonstrate how central the imperial family was to the high culture of the Ming era. Written by the leading specialist in the art and culture of the Ming period, this book will illuminate a key aspect of China’s past, and will significantly alter our understanding of the Ming. It will be enjoyed by anyone with a serious interest in the history and art of this great civilization.

A theoretical and exegetical exploration of trauma in the Hebrew Bible

David Janzen discusses the concepts of history and trauma and contrasts the ways historians and trauma survivors grapple with traumatic events, a contrast embodied in the very different ways the books of Kings and Lamentations react to the destruction of Jerusalem. Janzen’s study warns that explanations in histories will tend to silence the voices of trauma survivors, and it challenges traditional approaches that sometimes portray the explanations of traumatic events in biblical literature as therapeutic for victims.

Features:

• Exploration of history as a narrative explanation that creates a past readers can recognize to be true
• Examination of how trauma results in a failure of victims to fully experience or remember traumatic events.
• A case for why the past is a construction of cultures and historians