Musicologist Georgia J. Cowart explores how Antoine Watteau’s late paintings reimagine the symbolic order of absolutism in the wake of Louis XIV’s death.

Antoine Watteau has long been known for the theatricality of his paintings, but what that theatricality signifies has remained elusive. In After the King, Georgia Cowart contends that this mode of painting takes shape in response to the spectacle of Louis XIV’s absolutism, which the painter’s late works transform into a new aesthetic language.

The king’s death marked a turning point in Watteau’s art. In the six years that followed, his paintings turned more decisively toward the musical stage. Evoking theatrical plots, frontispieces, and costume types, they conjured a world in which the legacy of absolutist culture lingered as stylized memory—its rituals, emblems, and pleasures recast through theatrical illusion and ironic distance.

Rather than treating Watteau as a painter of nostalgic reverie or Rococo charm, Cowart situates his art within the immersive performance culture of Versailles and the vibrant Parisian stage, at a time when the opéra-ballet, popular opera, and the commedia dell’arte were charting new theatrical landscapes. Drawing on art history, musicology, theater studies, and Pierre Nora’s theory of lieux de mémoire, she proposes a new framework that understands Watteau’s paintings as acts of theatrical memory and cultural recomposition. 

Elegantly written and conceptually ambitious, After the King reveals how Watteau recoded the symbols of monarchy to stage a post-absolutist cultural imagination shaped by irony, sensuality, and poetic transformation. 

Lyric theater in ancien régime France was an eminently political art, tied to the demands of court spectacle. This was true not only of tragic opera (tragédie lyrique) but also its comic counterpart, opéra comique, a form tracing its roots to the seasonal trade fairs of Paris. While historians have long privileged the genre’s popular origins, opéra comique was brought under the protection of the French crown in 1762, thus consolidating a new venue where national music might be debated and defined. 

In The Comedians of the King, Julia Doe traces the impact of Bourbon patronage on the development of opéra comique in the turbulent prerevolutionary years. Drawing on both musical and archival evidence, the book presents the history of this understudied genre and unpacks the material structures that supported its rapid evolution at the royally sponsored Comédie-Italienne. Doe demonstrates how comic theater was exploited in, and worked against, the monarchy’s carefully cultivated public image—a negotiation that became especially fraught after the accession of the music-loving queen, Marie Antoinette. The Comedians of the King examines the aesthetic and political tensions that arose when a genre with popular foundations was folded into the Bourbon propaganda machine, and when a group of actors trained at the Parisian fairs became official representatives of the sovereign, or comédiens ordinaires du roi. 

As charismatic and gifted as he was volatile, Jimmy Martin recorded dozens of bluegrass classics and co-invented the high lonesome sound. Barbara Martin Stephens became involved with the King of Bluegrass at age seventeen. Don't Give your Heart to a Rambler tells the story of their often tumultuous life together.

Barbara bore his children and took on a crucial job as his booking agent when the agent he was using failed to obtain show dates for the group. Female booking agents were non-existent at that time but she persevered and went on to become the first female booking agent on Music Row. She also endured years of physical and emotional abuse at Martin's hands. With courage and candor, Barbara tells of the suffering and traces the hard-won personal growth she found inside motherhood and her work. Her vivid account of Martin's explosive personality and torment over his exclusion from the Grand Ole Opry fill in the missing details on a career renowned for being stormy. Barbara also shares her own journey, one of good humor and proud achievements, and filled with fond and funny recollections of the music legends and ordinary people she met, befriended, and represented along the way.

Straightforward and honest, Don't Give your Heart to a Rambler is a woman's story of the world of bluegrass and one of its most colorful, conflicted artists.

The most up-to-date sourcebook on warfare in the ancient Near East

Fighting for the King and the Gods provides an introduction to the topic of war and the variety of texts concerning many aspects of warfare in the ancient Near East. These texts illustrate various viewpoints of war and show how warfare was an integral part of life. Trimm examines not only the victors and the famous battles, but also the hardship that war brought to many. While several of these texts treated here are well known (i.e., Ramses II's battle against the Hittites at Qadesh), others are known only to specialists. This work will allow a broader audience to access and appreciate these important texts as they relate to the history and ideology of warfare.

Features

• References to recent secondary literature for further study
• Early Greek and Chinese illustrative texts for comparisons with other cultures
• Indices to help guide the reader

Victoria Bricker shows that "history" sometimes rests on mythological foundations and that "myth" can contain valid historical information. Her book, which is a highly original critique of postconquest historiography about the Maya, challenges major assumptions about the relationship between myth and history implicit in structuralist interpretations. The focus of the book is ethnic conflict, a theme that pervades Maya folklore and is also well documented historically.

The book begins with the Spanish conquest of the Maya. In chapters on the postconquest history of the Maya, five ethnic conflicts are treated in depth: the Cancuc revolt of 1712, the Quisteil uprising of 1761, the Totonicapan rebellion of 1820, the Caste War of Yucatan (1847-1901), and the Chamulan uprising in 1869. Analytical chapters consider the relationship between historical events and modern folklore about ethnic conflict. Bricker demonstrates that myths and rituals emphasize structure at the expense of temporal and geographical provenience, treating events separated by centuries or thousands of miles as equivalent and interchangeable.

An unexpected result of Bricker's research is the finding that many seemingly aboriginal elements in Maya folklore are actually of postconquest origin, and she shows that it is possible to determine precisely when and, more important, why they become part of myth and ritual. Furthermore, she finds that the patterning of the accretion of events in folklore over time provides clues to the function, or meaning, of myth and ritual for the Maya.

Bricker has made use of many unpublished documents in Spanish, English, and Maya, as well as standard synthetic historical works. The appendices contain extensive samples of the oral traditions that are explained by her analysis.

Few names in the lore of western gunmen are as recognizable. Few lives of the most notorious are as little known. Romanticized and made legendary, John Ringo fought and killed for what he believed was right. As a teenager, Ringo was rushed into sudden adulthood when his father was killed tragically in the midst of the family's overland trek to California. As a young man he became embroiled in the blood feud turbulence of post-Reconstruction Texas.

The Mason County “Hoo Doo” War in Texas began as a war over range rights, but it swiftly deteriorated into blood vengeance and spiraled out of control as the body count rose. In this charnel house Ringo gained a reputation as a dangerous gunfighter and man killer. He was proclaimed throughout the state as a daring leader, a desperate man, and a champion of the feud. Following incarceration for his role in the feud, Ringo was elected as a lawman in Mason County, the epicenter of the feud’s origin.

The reputation he earned in Texas, further inflated by his willingness to shoot it out with Victorio’s raiders during a deadly confrontation in New Mexico, preceded him to Tombstone in territorial Arizona. Ringo became immersed in the area’s partisan politics and factionalized violence. A champion of the largely Democratic ranchers, Ringo would become known as a leader of one of these elements, the Cowboys. He ran at bloody, tragic odds with the Earp brothers and Doc Holliday, finally being part of the posse that hounded these fugitives from Arizona. In the end, Ringo died mysteriously in the Arizona desert, his death welcomed by some, mourned by others, wrongly claimed by a few. Initially published in 1996, John Ringo has been updated to a second edition with much new information researched and uncovered by David Johnson and other Ringo researchers.

While drag subcultures have gained mainstream media attention in recent years, the main focus has been on female impersonators. Equally lively, however, is the community of drag kings: cis women, trans men, and non-binary people who perform exaggerated masculine personas onstage under such names as Adonis Black, Papi Chulo, and Oliver Clothesoff.  
 
King of Hearts shows how drag king performers are thriving in an unlikely location: Southern Bible Belt states like Tennessee, Georgia, and South Carolina. Based on observations and interviews with sixty Southern drag kings, this study reveals how they are challenging the region’s gender norms while creating a unique community with its own distinctive Southern flair. Reflecting the region’s racial diversity, it profiles not only white drag kings, but also those who are African American, multiracial, and Hispanic. 
 
Queer scholar Baker A. Rogers—who has also performed as drag king Macon Love—takes you on an insider’s tour of Southern drag king culture, exploring its history, the communal bonds that unite it, and the controversies that have divided it. King of Hearts offers a groundbreaking look at a subculture that presents a subversion of gender norms while also providing a vital lifeline for non-gender-conforming Southerners.

    For more than sixty years, Roy Rogers and Dale Evans personified the romantic, mythic West that America cherished well into the modern age. Blazing a trail through every branch of the entertainment industry—radio, film, recordings, television, and even comic books—the couple capitalized on their attractive personas and appealed to the nation's belief in family values, an independent spirit, community.
    King of the Cowboys, Queen of the West presents these two celebrities in the most comprehensive and inclusive account to date. Part narrative, part reference, this impeccably researched, highly accessible survey spans the entire scope of Rogers's and Evans's careers, illuminating and celebrating their place in twentieth-century American popular culture. Following the pair through each stage of their professional and personal trajectories, author Raymond E. White explores the unique alchemy of the singing cowboy and his free-spirited yet feminine partner. In a dual biography, he shows how Rogers and Evans carefully husbanded their public image and—of particular note—incorporated their Christian faith into their performances. And in a series of exhaustive appendixes, he documents their contributions to each medium they worked in. Testifying to both the breadth and the longevity of their careers, the book includes radio logs, discographies, filmographies, and comicographies that will delight historians and collectors alike. With its engaging tone and meticulous research, King of the Cowboys, Queen of the West is bound to become the definitive source on the lives of these two great American icons.

Louis XIV was a man in pursuit of glory. Not content to be the ruler of a world power, he wanted the power to rule the world. And, for a time, he came tantalizingly close.

Philip Mansel’s King of the World is the most comprehensive and up-to-date biography in English of this hypnotic, flawed figure who continues to captivate our attention. This lively work takes Louis outside Versailles and shows the true extent of his global ambitions, with stops in London, Madrid, Constantinople, Bangkok, and beyond. We witness the importance of his alliance with the Spanish crown and his success in securing Spain for his descendants, his enmity with England, and his relations with the rest of Europe, as well as Asia, Africa, and the Americas. We also see the king’s effect on the two great global diasporas of Huguenots and Jacobites, and their influence on him as he failed in his brutal attempts to stop Protestants from leaving France. Along the way, we are enveloped in the splendor of Louis’s court and the fascinating cast of characters who prostrated and plotted within it.
King of the World is exceptionally researched, drawing on international archives and incorporating sources who knew the king intimately, including the newly released correspondence of Louis’s second wife, Madame de Maintenon. Mansel’s narrative flair is a perfect match for this grand figure, and he brings the Sun King’s world to vivid life.

This is a global biography of a global king, whose power was extensive but also limited by laws and circumstances, and whose interests and ambitions stretched far beyond his homeland. Through it all, we watch Louis XIV progressively turn from a dazzling, attractive young king to a belligerent reactionary who sets France on the path to 1789. It is a convincing and compelling portrait of a man who, three hundred years after his death, still epitomizes the idea of le grand monarque.

In the third century BCE, the ancient kingdom of Macedon held dominion over mainland Greece, but it was rapidly descending into chaos. After Alexander the Great’s death, several of his successors contended for the Macedonian throne, and amid the tumult the Celts launched a massive invasion, ravaging and plundering Macedon and northern Greece for years. The Celts finally met their defeat at the hands of Antigonus Gonatas, son of one of Alexander’s successors. An exceptional statesman and artful strategist, Antigonus protected Macedon and its Greek territories against aggressors coming from every direction. After almost fifty years of chaos brought on by Alexander’s death, Antigonus stabilized Macedon and Greece and laid the foundation for a long but troubled reign. 

In this book, distinguished historian Robin Waterfield draws on his deep understanding of Greek history to bring us into the world of this complicated, splintered empire. He shows how, while Antigonus was confirming his Macedonian rule through constitutional changes, the Greeks were making moves toward independence. Two great confederacies of Greek cities emerged, forming powerful blocs that had the potential to resist the power of Macedon. The Making of a King charts Antigonus’s conflicts with the Greeks and with his perennial enemy, Ptolemy of Egypt. But Antigonus’s diplomatic and military successes were not enough to secure peace, and in his final years he saw his control of Greece whittled away by rebellion and the growing power of the Greek confederacies. Macedon’s lack of firm control over Greece ultimately made it possible for Rome to take its place as the arbiter of the Greeks’ future.
 
The Making of a King is Waterfield’s third volume about the Greeks in the era after Alexander the Great. Completing the story begun in his previous two books, Dividing the Spoils and Taken at the Flood, it brings Antigonus and his turbulent era to life. With The Making of a King—the first book in more than a century to tell in full the story of Antigonus Gonatas’s reign—this fascinating figure finally receives his due.
 

Available for the first time as an independent work, David Grene’s legendary translation of Oedipus the King renders Sophocles’ Greek into cogent, vivid, and poetic English for a new generation to savor. Over the years, Grene and Lattimore’s Complete Greek Tragedies have been the preferred choice of millions of readers—for personal libraries, individual study, and classroom use.  This new, stand-alone edition of Sophocles’ searing tale of jealousy, rage, and revenge will continue the tradition of the University of Chicago Press’s classic series.

Praise for David Grene and Richmond Lattimore’s Complete Greek Tragedies

“This is it. No qualifications. Go out and buy it everybody.”—Kenneth Rexroth, Nation

“The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary. . . . They have life and speed and suppleness of phrase.”—Times Education Supplement

An updated stand-alone edition of Sophocles’s Oedipus the King taken from Chicago’s renowned translations of the Greek tragedies.
 
Over the years, David Grene and Richmond Lattimore’s Complete Greek Tragedies have been the preferred translations of millions of readers—for personal libraries, individual study, and classroom use. Drawn from the authoritative third edition of the University of Chicago Press’s classic series, this updated stand-alone edition of Grene’s Oedipus the King renders the original Greek in clear, vivid, and poetic English for a new generation to savor.
 
Mark Griffith and Glenn W. Most’s introduction to Sophocles’s searing tale of jealousy, rage, and revenge provides essential information about the play’s first production, plot, and reception in antiquity and beyond.
 

A critical resource that traces the reign of Sargon in context

Josette Elayi's book is the only existing biography of Sargon II, the famous Assyrian king, who was a megalomaniac and a warlord. Elayi addresses such important questions, including what was his precise role in the disappearance of the kingdom of Israel; how did Sargon II succeed in enlarging the borders of the Assyrian Empire by several successful campaigns; how did he organize his empire (administration, trade, agriculture, libraries), and what was the so-called sin of Sargon?

Features:

• Interpretations of decisive events during the life and reign of the Assyrian king
• An evaluation of Sargon II s reign
• Maps, tables, and illustrations

A critical resource for students and scholars of the ancient Near East and the Bible

Josette Elayi’s Sennacherib, King of Assyria is the only biography of Sargon II’s famous son. Elayi traces the reign of Sennacherib in context in order to illuminate more fully the life and contributions of this warlord, builder, innovator, and social reformer—a unique figure among the Assyrian kings. Elayi offers both an evaluation of this royal figure and an assessment of the Assyrian Empire by interpreting the historical information surrounding the decisive events of his reign.

Features:

• Exploration of why Sennacherib did not seize Jerusalem or remove Hezekiah from the throne
• An extensive investigation of annals, royal inscriptions, letters, palace reliefs, clay tablets, and excavation reports
• Maps and tables

Founded before the Civil War, the King and Kenedy Ranches have become legendary for their size, their wealth, and their endless herds of cattle. A major factor in the longevity of these ranches has always been the loyal workforce of vaqueros (Mexican and Mexican American cowboys) and their families. Some of the vaquero families have worked on the ranches through five or six generations.

In this book, Jane Clements Monday and Betty Bailey Colley bring together the voices of these men and women who make ranching possible in the Wild Horse Desert. From 1989 to 1995, the authors interviewed more than sixty members of vaquero families, ranging in age from 20 to 93. Their words provide a panoramic view of ranch work and life that spans most of the twentieth century.

The vaqueros and their families describe all aspects of life on the ranches, from working cattle and doing many kinds of ranch maintenance to the home chores of raising children, cooking, and cleaning. The elders recall a life of endless manual labor that nonetheless afforded the satisfaction of jobs done with skill and pride. The younger people describe how modernization has affected the ranches and changed the lifeways of the people who work there.