front cover of Sex, Skulls, and Citizens
Sex, Skulls, and Citizens
Gender and Racial Science in Argentina (1860-1910)
Ashley Elizabeth Kerr
Vanderbilt University Press
PROSE Awards Subject Category Finalist—Biological Anthropology, Ancient History, and Archaeology, 2021
Best Nineteenth-Century Book Award, Latin American Studies Association Nineteenth-Century Section, 2021​


Analyzing a wide variety of late-nineteenth-century sources, Sex, Skulls, and Citizens argues that Argentine scientific projects of the era were not just racial encounters, but were also conditioned by sexual relationships in all their messy, physical reality.

The writers studied here (an eclectic group of scientists, anthropologists, and novelists, including Estanislao Zeballos, Lucio and Eduarda Mansilla, Ramón Lista, and Florence Dixie) reflect on Indigenous sexual practices, analyze the advisability and effects of interracial sex, and use the language of desire to narrate encounters with Indigenous peoples as they try to scientifically pinpoint Argentina's racial identity and future potential.

Kerr's reach extends into history of science, literary studies, and history of anthropology, illuminating a scholarly time and place in which the lines betwixt were much blurrier, if they existed at all.

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front cover of Vida Zoo-cial
Vida Zoo-cial
The Buenos Aires Zoo and the Making of Argentine Society, 1875–1924
Ashley Elizabeth Kerr
Vanderbilt University Press, 2025
In late nineteenth- and early twentieth‑century Buenos Aires, elites attempted to tackle growing poverty and social problems with a suite of social, educational, and medical reforms, hoping to make the city and larger nation more “modern” and “progressive” on the world stage. Known as the “social question,” this turn-of-the-century preoccupation with the future of the city and nation was undergirded by a larger set of social Darwinist beliefs about the biological and racial inferiority of immigrants and the working class, linking them to higher susceptibility to alcoholism, sexual deviancy, insanity, and disease.

In Vida Zoo-cial, Ashley Elizabeth Kerr argues that the Buenos Aires Zoo and its many animal species were an important tool in attempts to remake Argentinian society. Elites used the zoo’s physical spaces, programming, and visual and literary representations of its animals to try to educate and “improve” the masses, especially immigrants and the poor, but stopped short of supporting more radical social transformations. Drawing upon extensive archival research from the zoo’s archive, including correspondence, municipal reports, receipts, and employment records, as well as a range of literary and popular culture sources, Kerr records these efforts, which included enlisting lionesses as object lessons in proper motherhood and elephants as model immigrants. Although some projects were successful, Kerr also documents the many ways others went awry when the zoo's animals and the humans who came to see them failed to cooperate.

Vida Zoo-cial is not only a story about how the poor and working class resisted elite efforts for social reform founded upon racialized beliefs and pseudoscience, but also one that challenges readers to rethink the relationship between humans and non‑humans.
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