A critical study for those interested in the intersection of art and biblical interpretation

With a special focus on biblical texts and images, this book nurtures new developments in biblical studies and art history during the last two or three decades. Analysis and interpretation of specific works of art introduce guidelines for students and teachers who are interested in the relation of verbal presentation to visual production. The essays provide models for research in the humanities that move beyond traditional disciplinary boundaries erected in previous centuries. In particular, the volume merges recent developments in rhetorical interpretation and cognitive studies with art historical visual exegesis. Readers will master the tools necessary for integrating multiple approaches both to biblical and artistic interpretation.

Features

Resources for understanding the relation of texts to artistic paintings and images

Tools for integrating multiple approaches both to biblical and artistic interpretation

Sixty images and fifteen illustrations

In this comprehensive, sociorhetorical interpretation of Colossians, Roy R. Jeal explores the letter’s portrayal of the grand vision that extends from the realm of God before the creation of the cosmos to the new reality and new culture of the life of fullness in Christ. The commentary analyzes the pictures the text evokes in the human visual imagination, identifies the persuasive modes of discourse in the letter, and evaluates the range of textures that interweave to produce the dynamic rhetorical argument of Colossians. Demands to conform to “empty deceitful philosophy, human tradition, and the elements of the world” rather than to Christ are irrelevant for believers who have been transferred from darkness to the light of the Son of God’s kingdom. The rhetoric of the letter moves believers to ideologies of living in the body of Christ where orderly behavior guided by love contrasts with the chaotic, self-indulgent, divisive uncertainties of Mediterranean existence.