front cover of Alternative Modernities, Volume 11
Alternative Modernities, Volume 11
Dilip Parameshwar Gaonkar, ed.
Duke University Press, 2001
To think in terms of “alternative modernities” is to admit that modernity is inescapable and to desist from speculations about modernity’s end. Modernity today is global and multiple and no longer has a Western “governing center” to accompany it. The essays in this collection, therefore, approach the dilemmas of modernity from transnational and transcultural perspectives.

The idea of “alternative modernities” holds that modernity always unfolds within specific cultures or civilizations and that different starting points of the transition to modernity lead to different outcomes. Without abandoning the Western discourse on the subject, the contributors to this volume write from the standpoint that modernity is in truth a richly mulitiplicitous concept. Believing that the language and lessons of Western modernity must be submitted to comparative study of its global receptions, they focus on such sites as China, Russia, India, Trinidad, and Mexico. Other essays treat more theoretical aspects of modernity, such as its self-understanding and the potential reconcilability of cosmopolitanism and diversity.


Contributors. Homi Bhabha, William Cunningham Bissell, Dipesh Chakrabarty, Dilip Parameshwar Gaonkar, Michael Hanchard, Beatriz Jaguaribe, Leo Ou-fan Lee, Claudio Lomnitz, Thomas McCarthy, Tejaswini Niranjana, Elizabeth A. Povinelli, Shahzia Sikander, Charles Taylor, Andrew Wachtel

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front cover of Immersions in Cultural Difference
Immersions in Cultural Difference
Tourism, War, Performance
Natalie Alvarez
University of Michigan Press, 2018
In a time of intensifying xenophobia and anti-immigration measures, this book examines the impulse to acquire a deeper understanding of cultural others. Immersions in Cultural Difference takes readers into the heart of immersive simulations, including a simulated terrorist training camp in Utah; mock Afghan villages at military bases in Canada and the UK; a fictional Mexico-US border run in Hidalgo, Mexico; and an immersive tour for settlers at a First Nations reserve in Manitoba, Canada. Natalie Alvarez positions the phenomenon of immersive simulations within intersecting cultural formations: a neoliberal capitalist interest in the so-called “experience economy” that operates alongside histories of colonization and a heightened state of xenophobia produced by War on Terror discourse. The author queries the ethical stakes of these encounters, including her own in relation to the field research she undertakes. As the book moves from site to site, the reader discovers how these immersions function as intercultural rehearsal theaters that serve a diverse set of strategies and pedagogical purposes: they become a “force multiplier” within military strategy, a transgressive form of dark tourism, an activist strategy, and a global, profit-generating practice for a neoliberal capitalist marketplace.
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Post-Realism
The Rhetorical Turn in International Relations
Francis A. Beer
Michigan State University Press, 1996
The end of the Cold War encourages new perspectives on international relations. Beer and Hariman provide a comprehensive set of essays that challenge and reinterpret the tradition of realism which has dominated the thinking of academics and foreign policy makers. Post-Realism: The Rhetorical Turn in International Relations systematically discusses the major realist writers of the Post-War era, the foundational concepts of international politics, and representative case studies of foreign policy discourse.

These essays demonstrate how realism operates rhetorically and point the way toward a richer understanding of world politics.
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front cover of Rituals Of Mediation
Rituals Of Mediation
International Politics And Social Meaning
Francois Debrix
University of Minnesota Press, 2003

A timely consideration of the meaning of transnational cultural interactions today

In an era of increasing globalization, the cultural and the international have borders as permeable as most nations’s—and an understanding of one requires making sense of the other. Foregrounding the role of mediation—understood here as a site of representation, transformation, and pluralization—the authors engage two specific questions: How might we make theoretical and practical sense of transnational cultural interactions? And how are we to understand the ways in which the sites of mediation represent, transform, and remediate internationals? Accordingly, the authors consider international issues like security, development, political activism, and the war against terrorism through the lens of cultural practices such as traveling through airports, exhibiting art and photography, logging on to the Internet, and spinning news stories.

Contributors: Robin Brown, U of Leeds; David Campbell, U of Newcastle upon Tyne; Michael Dillon, U of Lancaster; Debbie Lisle, Queen’s U, Belfast; Moya Lloyd, Queen’s U, Belfast; Timothy W. Luke, Virginia Polytechnic Institute and State U; Patricia L. Price, Florida International U; Jayne Rodgers, U of Leeds; Marysia Zalewski, Queen’s U, Belfast.
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