The UNESCO World Heritage Site of Chavín de Huántar holds an iconic place in the archaeology of pre-Columbian Peru and is crucial to understanding the emergence of Andean civilization during the early first millennium BCE. Best known for its elaborate religious architecture and distinctive stone sculpture, Chavín de Huántar was the center of a much wider Andean world and the synchronicity of widespread socioeconomic changes coupled with intrusive Chavín material culture and iconography at distant centers suggests that Chavín de Huántar influenced a vast region through the expansion of religious ideology and intensified long-distance interaction.
Reconsidering the Chavín Phenomenon in the Twenty-First Century builds upon a surge of archaeological research over the last twenty years, bringing together the work of scholars researching Chavín de Huántar and its neighbors on the coast, highlands, and ceja de selva. This volume offers a cohesive vision of the Chavín Phenomenon at both the local and interregional level, one which recognizes the high degree of socioeconomic and cultural diversity that existed and the active role of centers outside the Chavín heartland in shaping the radical transformations that occurred within the Chavín Interaction Sphere between 1000 and 400 BCE.
Red Eagle’s Children presents the legal proceedings in an inheritance dispute that serves as an unexpected window on the intersection of two cultural and legal systems: Creek Indian and Euro-American.
While engaging a wide spectrum of Native American writing, Teuton focuses on three of the most canonized and, he contends, most misread novels of the era—N. Scott Momaday’s House Made of Dawn (1968), James Welch’s Winter in the Blood (1974), and Leslie Marmon Silko’s Ceremony (1977). Through his readings, he demonstrates the utility of tribal realism as an interpretive framework to explain social transformations in Indian Country during the Red Power era and today. Such transformations, Teuton maintains, were forged through a process of political awakening that grew from Indians’ rethought experience with tribal lands and oral traditions, the body and imprisonment, in literature and in life.
The forty years of American Indian literature taken up by James H. Cox—the decades between 1920 and 1960—have been called politically and intellectually moribund. On the contrary, Cox identifies a group of American Indian writers who share an interest in the revolutionary potential of the indigenous peoples of Mexico—and whose work demonstrates a surprisingly assertive literary politics in the era.
By contextualizing this group of American Indian authors in the work of their contemporaries, Cox reveals how the literary history of this period is far more rich and nuanced than is generally acknowledged. The writers he focuses on—Todd Downing (Choctaw), Lynn Riggs (Cherokee), and D’Arcy McNickle (Confederated Salish and Kootenai)—are shown to be on par with writers of the preceding Progressive and the succeeding Red Power and Native American literary renaissance eras.
Arguing that American Indian literary history of this period actually coheres in exciting ways with the literature of the Native American literary renaissance, Cox repudiates the intellectual and political border that has emerged between the two eras.
An examination of anticolonial thought and practice across key Indigenous thinkers.
Accounts of decolonization routinely neglect Indigenous societies, yet Native communities have made unique contributions to anticolonial thought and activism. Remapping Sovereignty examines how twentieth-century Indigenous activists in North America debated questions of decolonization and self-determination, developing distinctive conceptual approaches that both resonate with and reformulate key strands in other civil rights and global decolonization movements. In contrast to decolonization projects that envisioned liberation through state sovereignty, Indigenous theorists emphasized the self-determination of peoples against sovereign state supremacy and articulated a visionary politics of decolonization as earthmaking. Temin traces the interplay between anticolonial thought and practice across key thinkers, interweaving history and textual analysis. He shows how these insights broaden the political and intellectual horizons open to us today.
Remembering Awatovi is the engaging story of a major archaeological expedition on the Hopi Reservation in northern Arizona. Centered on the large Pueblo village of Awatovi, with its Spanish mission church and beautiful kiva murals, the excavations are renowned not only for the data they uncovered but also for the interdisciplinary nature of the investigations. In archaeological lore they are also remembered for the diverse, fun-loving, and distinguished cast of characters who participated in or visited the dig.
Hester Davis’s lively account—part history of archaeology, part social history—is told largely in the words of the participants, among whom were two of Davis’s siblings, artist Penny Davis Worman and archaeologist Mott Davis. Life in the remote field camp abounded with delightful storytelling, delicious food, and good-natured high-jinks. Baths were taken in a stock tank, beloved camp automobiles were given personal names, and a double bed had to be trucked across the desert and up a mesa to celebrate a memorable wedding.
Remembering Awatovi is illustrated with over 160 portraits and photographs of camp life. Essays by Eric Polingyouma and Brian Fagan enrich the presentation.
The colonizing wars against Native Americans created the template for anticommunist repression in the United States. Tariq D. Khan’s analysis reveals bloodshed and class war as foundational aspects of capitalist domination and vital elements of the nation’s long history of internal repression and social control. Khan shows how the state wielded the tactics, weapons, myths, and ideology refined in America’s colonizing wars to repress anarchists, labor unions, and a host of others labeled as alien, multi-racial, multi-ethnic urban rabble. The ruling classes considered radicals of all stripes to be anticolonial insurgents. As Khan charts the decades of red scares that began in the 1840s, he reveals how capitalists and government used much-practiced counterinsurgency rhetoric and tactics against the movements they perceived and vilified as “anarchist.”
Original and boldly argued, The Republic Shall Be Kept Clean offers an enlightening new history with relevance for our own time.
Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.
The Pueblo Revolt of 1680 is the most renowned colonial uprisings in the history of the American Southwest. Traditional text-based accounts tend to focus on the revolt and the Spaniards' reconquest in 1692—completely skipping over the years of indigenous independence that occurred in between. Revolt boldly breaks out of this mold and examines the aftermath of the uprising in colonial New Mexico, focusing on the radical changes it instigated in Pueblo culture and society.
In addition to being the first book-length history of the revolt that incorporates archaeological evidence as a primary source of data, this volume is one of a kind in its attempt to put these events into the larger context of Native American cultural revitalization. Despite the fact that the only surviving records of the revolt were written by Spanish witnesses and contain certain biases, author Matthew Liebmann finds unique ways to bring a fresh perspective to Revolt.
Most notably, he uses his hands-on experience at Ancestral Pueblo archaeological sites—four Pueblo villages constructed between 1680 and 1696 in the Jemez province of New Mexico—to provide an understanding of this period that other treatments have yet to accomplish. By analyzing ceramics, architecture, and rock art of the Pueblo Revolt era, he sheds new light on a period often portrayed as one of unvarying degradation and dissention among Pueblos. A compelling read, Revolt's "blood-and-thunder" story successfully ties together archaeology, history, and ethnohistory to add a new dimension to this uprising and its aftermath.
Winner Labriola Center American Indian National Book Award
For thousands of years, humans have lived on the sprawling escarpment in Arizona known as the Mogollon Rim, a stretch that separates the valleys of central Arizona from the mountains of the north. A vast portion of this dramatic landscape is the traditional home of the Dilzhe’e (Tonto Apache) and the Yavapai. Now Daniel Herman offers a compelling narrative of how—from 1864 to 1934—the Dilzhe’e and the Yavapai came to central Arizona, how they were conquered, how they were exiled, how they returned to their homeland, and how, through these events, they found renewal.
Herman examines the complex, contradictory, and very human relations between Indians, settlers, and Federal agents in late nineteenth- and early twentieth-century Arizona—a time that included Arizona’s brutal Indian wars. But while most tribal histories stay within the borders of the reservation, Herman also chronicles how Indians who left the reservation helped build a modern state with dams, hydroelectricity, roads, and bridges. With thoughtful detail and incisive analysis, Herman discusses the complex web of interactions between Apache, Yavapai, and Anglos that surround every aspect of the story.
Rim Country Exodus is part of a new movement in Western history emphasizing survival rather than disappearance. Just as important, this is one of the first in-depth studies of the West that examines race as it was lived. Race was formulated, Herman argues, not only through colonial and scientific discourses, but also through day-to-day interactions between Indians, agents, and settlers. Rim Country Exodus offers an important new perspective on the making of the West.
In August 1812, under threat from the Potawatomi, Captain Nathan Heald began the evacuation of ninety-four people from the isolated outpost of Fort Dearborn to Fort Wayne. The group included several dozen soldiers, as well as nine women and eighteen children. After traveling only a mile and a half, they were attacked by five hundred Potawatomi warriors. In under an hour, fifty-two members of Heald’s party were killed, and the rest were taken prisoner; the Potawatomi then burned Fort Dearborn before returning to their villages.
A hundred forty years ago, the Western Shoshone occupied a vast area of present-day Nevada—from Idaho in the north to Death Valley in the south. Today, the Newe hold a fraction of their former territory, still practicing native lifeways while accepting many aspect of American culture. Their story deserves telling.
The Road on Which We Came is the first comprehensive history of the Great Basin Shoshone. Written by historian Steven Crum, an enrolled tribal member, this book presents the Shoshone as an active force in their own history, effectively adapting to harsh physical environment, defending their territory in the nineteenth century, and working to modify or reject assimilationists policy in the present.
Noting that Native American history did not end with Wounded Knee, Crum gives substantial attention to twentieth-century events up to 1990 and emphasizes that in every period tribal actions can be characterized by a plurality of voices and opinions.
"I've traveled a lot of roads, but never alone. My relations are with me," says Billie McKenney, one of the matriarchs of the complex family of Choctaws searching for peace as the white world rapidly encroaches on their tribal land, politics, and values. In her first collection of stories, Native American writer Devon A. Mihesuah chronicles the lives of several generations of a close-knit Choctaw family as they are forced from their traditional homeland in nineteenth-century Mississippi and endure unspeakable sorrows during their journey before settling in southeastern Oklahoma.
Blending family lore, stark realism, and vivid imagination, The Roads of My Relations relays a strong sense of Choctaw culture and world view in absorbing tales of history and legend. Unfolding through the voices and actions of family members, confused half-bloods, and unlikely heroes—not all of them living or even human—the stories tell of the horrors of forced removal, the turbulence of post Civil War Indian Territory, the terrifying violence suffered at the hands of immortal Crow witches, and the family's ultimate survival against forces of evil. Time-traveling ghosts, mysterious medicine men, and eerie shape-shifters share the pages with proud matriarchs, mischievous schoolgirls, and loving siblings.
Together, these interwoven stories express the strength and persistence of a tribe whose identity and pride have survived the disruptions of colonialism. With The Roads of My Relations, Devon A. Mihesuah has created a universal and timeless exploration of heritage, spirituality, and the importance of preserving and passing on tradition.
Winner of the 2001 Booker Worthen Literary Prize
Winner of the 2002 S. G. Ragsdale Award for Arkansas History
The Rumble of a Distant Drum opens in 1673 when Marquette and Jolliet sailed down the Mississippi River and found the Quapaw living in the area where the Arkansas River flowed into the Mississippi. In 1686 Henri de Tonti would found Arkansas Post in this same location. It was the first European settlement in this part of the country, established thirty years before New Orleans and eighty before St. Louis.
Morris S. Arnold draws on his many years of archival research and writing on colonial Arkansas to produce this elegant account of the cultural intersections of the French and Spanish with the native American peoples. He demonstrates that the Quapaws and Frenchmen created a highly symbiotic society in which the two disparate peoples became connected in complex and subtle ways—through intermarriage, trade, religious practice, and political/military alliances.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press