A SCHOLARLY BOOK REPOSITORY20 start with D start with D
Historian Linda Clemmons examines the surviving letters from Robert and Sarah; other Dakota language sources; and letters from missionaries, newspaper accounts, and federal documents. She blends both the personal and the historical to complicate our understanding of the development of the Midwest, while also serving as a testament to the resilience of the Dakota and other indigenous peoples who have lived in this region from time immemorial.
The American Revolution marked a dramatic change in the struggle for land along the southern frontier. In the colonial era, American Indian leaders and British offi cials attempted to accommodate the westward expansion of Anglo-Americans through land cessions designed to have the least impact on Indian societies. The region remained generally peaceful, but with the onset of the Revolution, the British no longer exercised sole authority to curb the settlements appearing within territory claimed by the Creeks, Shawnee, and most importantly, the Cherokee. Whether it was to escape the economic uncertainty of the east, the rigors of the confl ict, or the depredations of troops and militias on both sides, settlers fl ooded west. Under these conditions, the war in the south took on a savage character as Indians, Loyalists, and Whigs all desperately fought to defend their communities and maintain control of their own destinies. Taking advantage of the political turmoil in the east, the Cherokee Nation launched a coordinated offensive in 1776 against illegal frontier settlements. The Whigs responded with a series of expeditions from each of the Southern colonies that razed Cherokee towns and their food supplies. All the while, both British and Whig leaders walked a fi ne line: If the Indians attacked settlers without distinguishing between Loyalists and Whigs, those groups could unite and thwart both British and Indian interests; if the Indians attacked the western frontier with Loyalist and British support, the Whigs would face a two-front war—an event that ended up happening.
In Dark and Bloody Ground: The American Revolution Along the Southern Frontier, Richard Blackmon uses a wealth of primary source material to recount the confl ict between American Indians and Anglo-Americans in the colonial South during one of the most turbulent periods of North American history. He explains the complex points of contact in Georgia, Kentucky, North Carolina, South Carolina, Tennessee, and Virginia between native groups and settlers, while revealing the political gamesmanship between rival British and Whig traders and offi cials to secure Indian loyalty. The author also explains the critical role of the southern frontier to the American victory, a victory achieved long after the decision at Yorktown. Before the war, clashes between Cherokee and Shawnee hunters in Kentucky had become so commonplace that it was known as a “dark and bloody ground.” With the rise in Anglo-American settlements there, led by Daniel Boone and others, the dark and bloody ground became a metaphor for the entire struggle for the Southern frontier.
In A Dark Pathway: Precontact Native American Mud Glyphs from 1st Unnamed Cave, Tennessee, Jan Simek and his colleagues present two decades of research at a precontact dark zone cave art site in East Tennessee. Discovered in 1994, 1st Unnamed Cave ushered in an extensive and systematic effort to research precontact cave art sites in the Eastern Woodlands, where the tradition of cave art production was widespread among ancient peoples. Indeed, when a preliminary report about 1st Unnamed Cave was first published in 1997, there were only seven known cave art sites across the Southeast; today, that number exceeds ninety.
From the tale of the cave’s discovery in chapter 1 to descriptions of its art in later chapters, A Dark Pathway boasts nearly one hundred maps, high-resolution photographs, and illustrations that bring the story of one of North America’s premier cave art sites to life. Importantly, Simek and his colleagues also orient 1st Unnamed Cave within the broader context of cave art sites across the Southeast, elevating them as a whole to the notable prominence they deserve. Yet his analysis does more than present and situate the discovery of 1st Unnamed Cave within the greater realm of regional cave art site studies; it also calls for the protection and preservation of these fragile sites and for the acknowledgment of the still-vibrant indigenous cultures that produced them.
With a foreword by Russell Townsend, tribal historic preservation officer for the Eastern Band of Cherokee Indians, A Dark Pathway is a long-awaited volume more than twenty years in the making. Even as he delivers a comprehensive archaeological analysis, Simek’s clear presentation makes for accessible and thrilling reading not only for students of archaeology, anthropology, and Native American studies, but for interested readers as well.
In 1913 a young ethnologist from New Zealand boarded a ship for the Arctic, beginning a personal journey that was to make Diamond Jenness one of the twentieth century's foremost authorities on Alaskan Eskimos. Jenness had been asked to join the Stefansson expedition, and his official duties were to collect ethnographic details on the Eskimos—their culture, technology, religion, and social organization. His account of the expedition was published as People of the Twilight in 1928, but Jenness also kept a diary of his three years among the Eskimos. He was eventually persuaded to publish it as Dawn in Arctic Alaska.
Predating the genre of personal ethnographies that has become so popular and important today, Jenness's tales blend his keen observations of the Arctic and its people with his own reflections and sensory experiences. He expresses great adimiration for the customs and character of the Eskimos and great regret and disappointment over the destruction of their lifeway through contact with white men.
Native women’s marital rights and roles in colonial Illinois society
Kaskaskia, Illinois, once the state’s capital, torn from the state by flood waters, and now largely forgotten, was once the home to a couple who helped transform the region in the 1720s from a frontier village to a civil society. In the heart of France’s North American empire, the village was a community of French-Canadian fur traders and Kaskaskia Indians who not only lived together but often intermarried. These Indigenous and French intermarriages were central to colonial Illinois society, and the coupling of Marguerite 8assecam8c8e (Dawn’s Light Woman) and Nicolas Franchomme, in particular, was critical to expanding the jurisdiction of French law.
While the story of Marguerite and Nicolas is unknown today, it is the story of how French customary law (Coutume de Paris) governed colonial marriage, how mixed Indian-French marriages stood at the very core of early colonial Illinois society, and how Illinois Indian women benefited, socially and legally, from being married to French men. All of this came about due to a lawsuit in which Nicolas successfully argued that his wife had legal claim to her first husband’s estate—a legal decision that created a precedent for society in the Illinois Country.
Within this narrative of a married couple and their legal fight—based on original French manuscripts and supported by the comprehensively annotated 1726 Illinois census—is also the story of the village of Kaskaskia during the 1720s, of the war between Fox Indians and French settlers, with their Indian allies, in Illinois, and of how the spread of plow agriculture dramatically transformed the Illinois Country’s economy from largely fur trade–based to expansively agricultural.
Sadie Walela's life is about to be turned upside down.
One morning Sadie unlocks the door at the Mercury Savings Bank and confronts a robber who's been lying in wait for her and her fellow employees. He flees after stealing money and killing her coworker. When a whirlwind of events leaves Sadie herself under suspicion, she sets out to clear her name.
This banker turned sleuth is suddenly plunged into an unfamiliar world in which people are not always as they appear-not her employer, not the homeless man she's befriended, not the police officer who takes an interest in the case, not the man she falls in love with. And, as she's beginning to imagine, not even herself.
Sadie is a blue-eyed Cherokee living in northeastern Oklahoma, a half-blood who finds she sometimes has to adapt to get by in the white man's world, much as her father's ancestors did. In this story of robbery, murder, love, and intrigue, she faces adversity at each bend in the road, but in the tradition of her people she adapts and moves forward—even if it means having to re-think her relationships and expectations.
Set against the backdrop of small-town Oklahoma and its Native culture, Deception on All Accounts draws readers into the real lives of contemporary American Indians as it shines a light on violence, corporate corruption, and prejudice in modern America. As Sadie Walela comes to terms with murder, romance, and her hopes for a career, she finds deception on all accounts.
The specifics of ecological destruction often take a cruel turn, affecting those who can least resist its impacts and are least responsible for it. Deep Horizons: A Multisensory Archive of Ecological Affects and Prospects gathers contributions from multiple disciplines to investigate intersectional questions of how the changing planet affects specific peoples, communities, wildlife species, and ecosystems in varying and inequitable ways. A multisensory, artistic-archival supplement to the Mellon Sawyer Environmental Futures Project, the volume enriches current conversations bridging the environmental humanities and affect theory with insights from Native and Indigenous philosophies as well as by highlighting artistic practices that make legible the long-term durational effects of ecological catastrophe.
Poems, nonfiction essays, sound-texts, photographs, and other artworks invite readers and viewers to consider the less visible losses and prospects of environmental transformation. Gathering contributions from multiple disciplines, this multimodal, multisensorial volume pushes the boundaries of scholarship with an experimental, born-digital format that offers a set of responses to collective traumas such as climate change, environmental destruction, and settler colonialism. The artists and authors honor the specificity of real historical and material injustices while also reflecting the eclectic nature of such assorted feelings, working through them in creative and border-crossing modes.
With contributions from Robert Bailey, Nina Elder, Erin Espelie, Hock E Aye Vi Edgar Heap of Birds, Maya Livio, Erika Osborne, Craig Santos Perez, Kim Tallbear, Julianne Warren, and Kyle Powys White.
"The compelling juxtaposition of poetry, music, video, audio, photography, printmaking, and traditional essays is among Deep Horizons' considerable strengths. I don’t know of any other project quite like this one. The subject is timely—indeed, urgent—and the innovative approach to archiving environmental change will interest scholars and artists in a range of disciplines and resonate with a wide audience." —Jennifer Ladino, University of Idaho
In the seventeenth century white explorers and settlers encountered a tribe of Indians calling themselves Lenni Lenape along the Delaware River and its tributaries in New Jersey, Delaware, eastern Pennsylvania, and southeastern New York. Today communities of their descendants, known as Delawares, are found in Oklahoma, Kansas, Wisconsin, and Ontario, and individuals of Delaware ancestry are mingled with the white populations in many other states. The Delaware Indians is the first comprehensive account of what happened to the main body of the Delaware Nation over the past three centuries.
C. A. Weslager puts into perspective the important events in United States history in which the Delawares participated and he adds new information about the Delawares. He bridges the gap between history and ethnology by analyzing the reasons why the Delawares were repeatedly victimized by the white man.
Basket weaver, storyteller, and tribal elder, Frances Manuel is a living preserver of Tohono O’odham culture. Speaking in her own words from the heart of the Arizona desert, she now shares the story of her life. She tells of O’odham culture and society, and of the fortunes and misfortunes of Native Americans in the southwestern borderlands over the past century.
In Desert Indian Woman, Frances relates her life and her stories with the wit, humor, and insight that have endeared her to family and friends. She tells of her early childhood growing up in a mesquite brush house, her training in tribal traditions, her acquaintance with Mexican ways, and her education in an American boarding school. Through her recollections of births and deaths, heartache and happiness, we learn of her family’s migration from the reservation to the barrios and back again. In the details of her everyday life, we see how Frances has navigated between O’odham and American societies, always keeping her grandparents’ traditional teachings as her compass.
It is extraordinary to hear from a Native American woman like Frances, in her own words and her own point of view, to enter the complex and sensitive aspects of her life experience, her sorrows, and her dreams. We also become privy to her continuing search for her identity across the border, and the ways in which Frances and Deborah have attempted to make sense of their friendship over twenty-odd years. Throughout the book, Deborah captures the rhythms of Frances’s narrative style, conveying the connectedness of her dreams, songs, and legends with everyday life, bringing images and people from faraway times and places into the present.
Deborah Neff brings a breadth of experience in anthropology and Southwest Native American cultures to the task of placing Frances Manuel’s life in its broader historical context, illuminating how history works itself out in people’s everyday lives. Desert Indian Woman is the story of an individual life lived well and a major contribution to the understanding of history from a Native American point of view.
The traditional audience/producer boundary has collapsed in indigenous and ethnic community broadcasting, and this is the first comprehensive study of this homegrown media sector. Based on firsthand research of radio and television audiences in Australia, the authors argue that community radio and television worldwide performs an essential service for indigenous and ethnic audiences, empowering them at various levels, fostering active citizenry, and enhancing democracy. Developing Dialogues offers international researchers a new perspective on Australian community broadcasting and presents evidence of global trends in the media industry.
The early chapters, based on ceremonial origin stories, tell about Diné forebears. Next come the histories of Diné clans from late pre-Columbian to early post-Columbian times, and the coming together of the Diné as a sovereign people. Later chapters are based on histories of families, individuals, and communities, and tell how the Diné have struggled to keep their bond with the land under settler encroachment, relocation, loss of land-based self-sufficiency through the trading-post system, energy resource extraction, and climate change.
Archaeological and documentary information supplements the oral histories, providing a comprehensive investigation of Navajo history and offering new insights into their twentieth-century relationships with Hispanic and Anglo settlers.
For Diné readers, the book offers empowering histories and stories of Diné cultural sovereignty. “In short,” the authors say, “it may help you to know how you came to be where—and who—you are.”
The Diné Reader: An Anthology of Navajo Literature is unprecedented. It showcases the breadth, depth, and diversity of Diné creative artists and their poetry, fiction, and nonfiction prose.This wide-ranging anthology brings together writers who offer perspectives that span generations and perspectives on life and Diné history. The collected works display a rich variety of and creativity in themes: home and history; contemporary concerns about identity, historical trauma, and loss of language; and economic and environmental inequalities.
The Diné Reader developed as a way to demonstrate both the power of Diné literary artistry and the persistence of the Navajo people. The volume opens with a foreword by poet Sherwin Bitsui, who offers insight into the importance of writing to the Navajo people. The editors then introduce the volume by detailing the literary history of the Diné people, establishing the context for the tremendous diversity of the works that follow, which includes free verse, sestinas, limericks, haiku, prose poems, creative nonfiction, mixed genres, and oral traditions reshaped into the written word.
This volume combines an array of literature with illuminating interviews, biographies, and photographs of the featured Diné writers and artists. A valuable resource to educators, literature enthusiasts, and beyond, this anthology is a much-needed showcase of Diné writers and their compelling work. The volume also includes a chronology of important dates in Diné history by Jennifer Nez Denetdale, as well as resources for teachers, students, and general readers by Michael Thompson. The Diné Reader is an exciting convergence of Navajo writers and artists with scholars and educators.
Historian Robert McPherson discusses basic Navajo concepts such as divination, good and evil, prophecy, and metaphorical thought, as well as these topics' relevance in daily life, making these far-ranging ideas accessible to the contemporary reader. He also considers the toll of cultural loss on modern Navajo culture as many traditional values and institutions are confronted by those of dominant society. Using both historical and modern examples, he shows how cultural change has shifted established views and practices and illustrates the challenge younger generations face in maintaining the beliefs and customs their parents and grandparents have shared over generations.
This intimate look at Navajo values and customs will appeal not only to students and scholars of Native American studies, ethnic studies, and anthropology but to any reader interested in Navajo culture or changing traditional lifeways.
Alexandra Parma Cook and Noble David Cook present this recently discovered third book of a four-part chronicle that provides the most thorough and definitive record of the birth of modern Andean America. It describes with unparalleled detail the exploration of the Pacific coast of South America led by Francisco Pizarro and Diego de Almagro, the imprisonment and death of the Inca Atahualpa, the Indian resistance, and the ultimate Spanish domination.
Students and scholars of Latin American history and conquest narratives will welcome the publication of this volume.
How Faulkner, Welty, Lytle, and Gordon reimagined and reconstructed the Native American past in their work.
In this book, Annette Trefzer argues that not only have Native Americans played an active role in the construction of the South’s cultural landscape—despite a history of colonization, dispossession, and removal aimed at rendering them invisible—but that their under-examined presence in southern literature also provides a crucial avenue for a post-regional understanding of the American South. William Faulkner, Eudora Welty, Andrew Lytle, and Caroline Gordon created works about the Spanish conquest of the New World, the Cherokee frontier during the Revolution, the expansion into the Mississippi Territory, and the slaveholding societies of the American southeast. They wrote 100 years after the forceful removal of Native Americans from the southeast but consistently returned to the idea of an "Indian frontier," each articulating a different vision and discourse about Native Americans—wholesome and pure in the vision of some, symptomatic of hybridity and universality for others.
Trefzer contends that these writers engage in a double discourse about the region and nation: fabricating regional identity by invoking the South’s "native" heritage and pointing to issues of national guilt, colonization, westward expansion, and imperialism in a period that saw the US sphere of influence widen dramatically. In both cases, the "Indian" signifies regional and national self-definitions and contributes to the shaping of cultural, racial, and national "others." Trefzer employs the idea of archeology in two senses: quite literally the excavation of artifacts in the South during the New Deal administration of the 1930s (a surfacing of material culture to which each writer responded) and archeology as a method for exploring texts she addresses (literary digs into the textual strata of America’s literature and its cultural history).
In a voice that is spare, factual, and unflinchingly direct, Mrs. Watt reveals how the Western Apaches carried on in the face of poverty, hardship, and disease. Her interpretation of her people’s past is a diverse assemblage of recounted events, biographical sketches, and cultural descriptions that bring to life a vanished time and the men and women who lived it to the fullest. We share her and her family’s travels and troubles. We learn how the Apache people struggled daily to find work, shelter, food, health, laughter, solace, and everything else that people in any community seek.
Richly illustrated with more than 50 photographs, Don’t Let the Sun Step Over You is a rare and remarkable book that affords a view of the past that few have seen before—a wholly Apache view, unsettling yet uplifting, which weighs upon the mind and educates the heart.
Josh Henneha has always been a traveler, drowning in dreams, burning with desires.
As a young boy growing up within the Muskogee Creek Nation in rural Oklahoma, Josh experiences a yearning for something he cannot tame. Quiet and skinny and shy, he feels out of place, at once inflamed and ashamed by his attraction to other boys. Driven by a need to understand himself and his history, Josh struggles to reconcile the conflicting voices he hears—from the messages of sin and scorn of the non-Indian Christian churches his parents attend in order to assimilate, to the powerful stories of his older Creek relatives, which have been the center of his upbringing, memory, and ongoing experience.
In his fevered and passionate dreams, Josh catches a glimpse of something that makes the Muskogee Creek world come alive. Lifted by his great-aunt Lucille’s tales of her own wild girlhood, Josh learns to fly back through time, to relive his people’s history, and uncover a hidden legacy of triumphs and betrayals, ceremonies and secrets he can forge into a new sense of himself.
When as a man, Josh rediscovers the boyhood friend who first stirred his desires, he realizes a transcendent love that helps take him even deeper into the Creek world he has explored all along in his imagination.
Interweaving past and present, history and story, explicit realism and dreamlike visions, Craig Womack’s Drowning in Fire explores a young man’s journey to understand his cultural and sexual identity within a framework drawn from the community of his origins. A groundbreaking and provocative coming-of-age story, Drowning in Fire is a vividly realized novel by an impressive literary talent.
Known to history as “Dunmore’s War,” the 1774 campaign against a Shawnee-led Indian confederacy in the Ohio Country marked the final time an American colonial militia took to the field in His Majesty’s service and under royal command. Led by John Murray, the fourth Earl of Dunmore and royal governor of Virginia, a force of colonials including George Rogers Clark, Daniel Morgan, Michael Cresap, Adam Stephen, and Andrew Lewis successfully enforced the western border established by treaties in parts of present-day West Virginia and Kentucky. The campaign is often neglected in histories, despite its major influence on the conduct of the Revolutionary War that followed. In Dunmore’s War: The Last Conflict of America’s Colonial Era, award-winning historian Glenn F. Williams describes the course and importance of this campaign. Supported by extensive primary source research, the author corrects much of the folklore concerning the war and frontier fighting in general, demonstrating that the Americans did not adopt Indian tactics for wilderness fighting as is often supposed, but rather used British methods developed for fighting irregulars in the woods of Europe, while incorporating certain techniques learned from the Indians and experience gained from earlier colonial wars.
As an immediate result of Dunmore’s War, the frontier remained quiet for two years, giving the colonies the critical time to debate and declare independence before Britain convinced its Indian allies to resume attacks on American settlements. Ironically, at the same time Virginia militiamen were fighting under command of a king’s officer, the colony was becoming one of the leaders in the move toward American independence. Although he was hailed as a hero at the end of the war, Lord Dunmore’s attempt to maintain royal authority put him in direct opposition to many of the subordinates who followed him on the frontier, and in 1776 he was driven from Virginia and returned to England.
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