BiblioVault - Books about India, South

Madeleine Biardeau

University of Chicago Press

Stories about Posts is the magnum opus of Madeleine Biardeau, one of the most influential Indologists of the twentieth century. Nearly twenty years in the making, it connects her varied studies on the Sanskrit epics, the Hindu Goddess, Vedic sacrifice, rural India, and the interpretation of Hinduism.

After exploring several ethnographic facts that have escaped the notice of previous observers, Biardeau presents a variety of hunches, hypotheses, and insights building up to the provocative thesis of Stories about Posts: that the variations found in the contemporary cult of the Goddess—in both her royal and rural village aspects—reveal untraced regional histories of the Vedic sacrificial post, the yupa. Biardeau's work opens up new ways of thinking about Vedic sacrificial themes and elements as they recur in post-Vedic texts and iconographies. It also connects wayside stones in Maharashtra named after the buffalo to stones, posts, and people named after a so-called Buffalo King in Maharashtra, Andhra Pradesh, Karnataka, and Tamilnadu.

A work of magnificent scholarship and fieldwork, Stories about Posts, in ways no previous work has attempted, much less accomplished, unravels much of the mystery surrounding contemporary Hindu ritual by connecting it to the ancient Sanskrit epics. As such, it will fascinate students of Indology, religious studies, and anthropology for years to come.

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Civilizing Natures

Race, Resources, and Modernity in Colonial South India

Philip, Kavita

Rutgers University Press, 2003

Science was a central pillar of colonialism, but the converse holds true as well: colonialism profoundly shaped the character of nineteenth-century science. Civilizing Natures unravels unexpected relationships between science, technology, and administrative systems in colonial India from the 1850s to the 1930s, deepening our perspective on continuing conflicts over race, resources, and empire.

Botanists, anthropologists, and foresters had their most important sources of data—nature and natives—located at colonial sites. In the hilly, forested regions of Madras Presidency, tribal populations were studied by ethnographers, managed by revenue officials, recruited by plantation contractors, and modernized by missionaries. Racial constructions of nature and modernity helped criminalize and domesticate unruly natives. This is a story about the construction of nature in southern India that is deeply local and irreducibly global.

Through detailed case studies, Kavita Philip shows how race and nature are fundamental to understanding colonial modernities. Through its insightful combination of methodologies from both the humanities and the social sciences, Civilizing Natures complicates our understandings of the relationships between science and religion, pre-modern and civilized, environment and society.

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Crooked Stalks

Cultivating Virtue in South India

Anand Pandian

Duke University Press, 2009

How do people come to live as they ought to live? Crooked Stalks seeks an answer to this enduring question in diverse practices of cultivation: in the moral horizons of development intervention, in the forms of virtue through which people may work upon their own desires, deeds, and habits, and in the material labors that turn inhabited worlds into environments for both moral and natural growth. Focusing on the colonial subjection and contemporary condition of the Piramalai Kallar caste—classified, condemned, and policed for decades as a “criminal tribe”—Anand Pandian argues that the work of cultivation in all of these senses has been essential to the pursuit of modernity in south India. Colonial engagements with the Kallars in the early twentieth century relied heavily upon agrarian strategies of moral reform, an approach that echoed longstanding imaginations of the rural cultivator as a morally cultivated being in Tamil literary, moral, and religious tradition. These intertwined histories profoundly shape how people of the community struggle with themselves as ethical subjects today.

In vivid, inventive, and engaging prose, Pandian weaves together ethnographic encounters, archival investigations, and elements drawn from Tamil poetry, prose, and popular cinema. Tacking deftly between ploughed soils and plundered orchards, schoolroom lessons and stationhouse registers, household hearths and riverine dams, he reveals moral life in the postcolonial present as a palimpsest of traces inherited from multiple pasts. Pursuing these legacies through the fragmentary play of desire, dream, slander, and counsel, Pandian calls attention not only to the moral potential of ordinary existence, but also to the inescapable force of accident, chance, and failure in the making of ethical lives. Rarely are the moral coordinates of modern power sketched with such intimacy and delicacy.

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The Cultural Dialectics of Knowledge and Desire

Charles W. Nuckolls

University of Wisconsin Press, 1996

Why is culture a problem that can never be solved? Charles W. Nuckolls poses this question to his readers, and offers a genuinely synthetic approach to culture that is both cognitive and psychoanalytic. He develops a theory of cultural dialectics based on the concept of paradox, in which he shows how ambivalence and conflicts, and the desire to resolve them, are at the heart of all cultural knowledge systems.
Nuckolls combines and synthesizes the ideas of Max Weber and Sigmund Freud—major influences in the cognitive and psychoanalytic paradigms—and develops the concept basic to both: the dialectic. He recovers the legacy of Gregory Bateson, who provided the foundation for a theory of paradox in culture. With his integrated theory, Nuckolls explains the conflicts of knowledge and desire in a South Asian knowledge system, in particular the religious mythology and divinatory system of the Jalaris, a Telugu-speaking fishing caste on the southeastern coast of India.
This provocative book allows us to rethink the relationship between the currently competing discourses in psychological and cultural anthropology, and at the same time offers a general synthetic theory of cultural dynamics.

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The Heirs of Vijayanagara

Lennart Bes

Leiden University Press, 2021

A comparative study of courtly politics in four early modern kingdoms in South India.

When Dutch traders arrived on the Indian subcontinent in the early seventeenth century, they encountered a courtly culture they perceived to be traditional, peaceful, and static. In reality, the kings and Brahmins they met were engaged in a fresh power struggle following the recent collapse of the Vijayanagara empire. In The Heirs of Vijayanagarai, Lennart Bes marshals a wealth of untapped sources from both Indian and Dutch archives to recover the dynamic complexity of political life in early modern India. By comparing four kingdoms—Ikkeri, Tanjavur, Madurai, and Ramnand—across the sixteenth and eighteenth centuries, this book offers a captivating analysis of political culture, power relations, and dynastic developments in south India.

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Polities and Power

Archaeological Perspectives on the Landscapes of Early States

Edited by Steven E. Falconer and Charles L. Redman

University of Arizona Press, 2009

This distinctive book is the first to address the topic of landscape archaeology in early states from a truly global perspective. It provides an excellent introduction to—and overview of—the discipline today. The volume grew out of the Fifth Biennial Meeting of the Complex Societies Group, whose theme, States and the Landscape, paid tribute to the work of Robert McC. Adams. When Adams began publishing in the 1960s, the interdependence of cities and their countrysides, and the information revealed through the spatial patterning of communities, went largely unrecognized. Today, as this useful collection makes clear, these interpretive insights are fundamental to all archaeologists who investigate the roles of complex polities in their landscapes.

Polities and Power features detailed studies from an intentionally disparate array of regions, including Mesoamerica, Andean South America, southwestern Asia, East Africa, and the Indian subcontinent. Each chapter or pair of chapters is followed by a critical commentary. In concert, these studies strive to infer social, political, and economic meaning from archaeologically discerned landscapes associated with societies that incorporate some expression of state authority. The contributions engage a variety of themes, including the significance of landscapes as they condition and reflect complex polities; the interplay of natural and cultural elements in defining landscapes of state; archaeological landscapes as ever-dynamic entities; and archaeological landscapes as recursive structures, reflected in palimpsests of human activity.

Individually, many of these contributions are provocative, even controversial. Taken together, they reveal the contours of landscape archaeology at this particular evolutionary moment.

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Singing the Classical, Voicing the Modern

The Postcolonial Politics of Music in South India

Amanda J. Weidman

Duke University Press, 2006

While Karnatic music, a form of Indian music based on the melodic principle of raga and time cycles called tala, is known today as South India’s classical music, its status as “classical” is an early-twentieth-century construct, one that emerged in the crucible of colonial modernity, nationalist ideology, and South Indian regional politics. As Amanda J. Weidman demonstrates, in order for Karnatic music to be considered classical music, it needed to be modeled on Western classical music, with its system of notation, composers, compositions, conservatories, and concerts. At the same time, it needed to remain distinctively Indian. Weidman argues that these contradictory imperatives led to the emergence of a particular “politics of voice,” in which the voice came to stand for authenticity and Indianness.

Combining ethnographic observation derived from her experience as a student and performer of South Indian music with close readings of archival materials, Weidman traces the emergence of this politics of voice through compelling analyses of the relationship between vocal sound and instrumental imitation, conventions of performance and staging, the status of women as performers, debates about language and music, and the relationship between oral tradition and technologies of printing and sound reproduction. Through her sustained exploration of the way “voice” is elaborated as a trope of modern subjectivity, national identity, and cultural authenticity, Weidman provides a model for thinking about the voice in anthropological and historical terms. In so doing, she shows that modernity is characterized as much by particular ideas about orality, aurality, and the voice as it is by regimes of visuality.

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Unfinished Gestures

Devadasis, Memory, and Modernity in South India

Davesh Soneji

University of Chicago Press, 2011

Unfinished Gestures presents the social and cultural history of courtesans in South India who are generally called devadasis, focusing on their encounters with colonial modernity in the nineteenth and early twentieth centuries. Following a hundred years of vociferous social reform, including a 1947 law that criminalized their lifestyles, the women in devadasis communities contend with severe social stigma and economic and cultural disenfranchisement. Adroitly combining ethnographic fieldwork with historical research, Davesh Soneji provides a comprehensive portrait of these marginalized women and unsettles received ideas about relations among them, the aesthetic roots of their performances, and the political efficacy of social reform in their communities.

Poignantly narrating the history of these women, Soneji argues for the recognition of aesthetics and performance as a key form of subaltern self-presentation and self-consciousness. Ranging over courtly and private salon performances of music and dance by devadasis in the nineteenth century, the political mobilization of devadasis identity in the twentieth century, and the post-reform lives of women in these communities today, Unfinished Gestures charts the historical fissures that lie beneath cultural modernity in South India.

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Violence of Democracy

Interparty Conflict in South India

Ruchi Chaturvedi

Duke University Press, 2023

In Violence of Democracy Ruchi Chaturvedi tracks the rise of India’s divisive politics through close examination of decades-long confrontations in Kerala between members of the Communist Party of India (Marxist) and supporters of the Hindu nationalist Rashtriya Swayam Sevak Sangh and the Bharatiya Janata Party. Drawing on ethnographic fieldwork and extensive archival research, Chaturvedi investigates the unique character of the conflict between the party left and the Hindu right. This conflict, she shows, defies explanations centering religious, caste, or ideological differences. It offers instead new ways of understanding how quotidian political competition can produce antagonistic majoritarian communities. Rival political parties mobilize practices of disbursing care and aggressive masculinity in their struggle for electoral and popular power, a process intensified by a criminal justice system that reproduces rather than mitigating violence. Chaturvedi traces these dynamics from the late colonial period to the early 2000s, illuminating the broader relationships between democratic life, divisiveness, and majoritarianism.

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With Respect to Sex

Negotiating Hijra Identity in South India

Gayatri Reddy

University of Chicago Press, 2005

With Respect to Sex is an intimate ethnography that offers a provocative account of sexual and social difference in India. The subjects of this study are hijras or the "third sex" of India—individuals who occupy a unique, liminal space between male and female, sacred and profane.

Hijras are men who sacrifice their genitalia to a goddess in return for the power to confer fertility on newlyweds and newborn children, a ritual role they are respected for, at the same time as they are stigmatized for their ambiguous sexuality. By focusing on the hijra community, Gayatri Reddy sheds new light on Indian society and the intricate negotiations of identity across various domains of everyday life. Further, by reframing hijra identity through the local economy of respect, this ethnography highlights the complex relationships among local and global, sexual and moral, economies.

This book will be regarded as the definitive work on hijras, one that will be of enormous interest to anthropologists, students of South Asian culture, and specialists in the study of gender and sexuality.

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